1st time with full trade distribution in all formats. Previously titled Hell Hole.
Deep in a Wyoming mine, hell awaits. Nat Blackburn is given an offer he can't refuse by President Teddy Roosevelt. Tales of gold in the abandoned mining town of Hecla abound. The only problem - those who go seeking their fortune never return. Along with his constant companion, Teta, a hired gun with a thirst for adventure, Nat travels to a barren land where even animals dare not tread. Black-eyed children, strange lights and ferocious wild men venture from the deep, dark ghost mine...as well as a sinister force hungry for fresh souls.
FLAME TREE PRESS is the new fiction imprint of Flame Tree Publishing. Launched in 2018 the list brings together brilliant new authors and the more established; the award winners, and exciting, original voices.
About the Author
Hunter Shea is the author of over 20 books, with a specialization in cryptozoological horror that includesThe Jersey Devil,The Dover Demon,Loch Ness Revengeand many others. His novelThe Montauk Monster, was named one of the best reads of the summer by Publishers Weekly. A trip to the International Cryptozoology Museum will find several of his cryptid books among the fascinating displays. Living in a true haunted house inspired his Jessica Backman: Death in the Afterlife series (Forest of Shadows, Sinister Entity and Island of the Forbidden). He was selected to be part of the launch of Samhain Publishing's new horror line in 2011 alongside legendary author Ramsey Campbell. When he's not writing thrillers and horror, he also spins tall tales for middle grade readers on Amazon's highly regarded Rapids reading app.
An avid podcaster, he can be seen and heard on Monster Men, one of the longest running video horror podcasts in the world, and Final Guys, focusing on weekly movie and book reviews. His nostalgic column about the magic of 80s horror, Video Visions, is featured monthly at Cemetery Dance Online. You can find his short stories in a number of anthologies, including Chopping Block Party, The Body Horror Book and Fearful Fathoms II.
Living with his crazy and supportive family and two cats, he's happy to be close enough to New York City to see the skyline without having to pay New York rent. You can follow his travails at www.huntershea.com.
What is the book about?
I like to think of it as a paranormal adventure novel with two very tough guys who have this incredible history that could only have been achieved if you had survived to the turn of the 20th century. Nat and Teta worked cattle trails, rode with Teddy Roosevelt as Rough Riders and now have settled in to a ho-hum life as New York City cops. When President Roosevelt asks them to travel to an abandoned mining town in Wyoming to find both gold and lost soldiers, they jump at the chance because adventure is their lifeblood. Nothing is quite as it seems in Hecla, and the way they view the world is about to be turned on its head. There’s mystery, terror, action, romance and a little bit of humor. If Ghost Mine were a dish, I’d used the entire spice rack to make it.
What are the underlying themes?
It’s very much about the bond between friends (Nat and Teta), loss and the accompanying grief, and the last vestiges of the great American spirit that helped grow a nation.
Did you base your characters on anyone you knew?
I love crime novels, especially the Spencer series by Robert Parker, Robert Crais’ Elvis Cole books and on and on. We need more tough guys, which seems to be a dying art. Nat and Teta would be bad ass private investigators if they were alive today. But, back in their time, they’re former cowboys, soldiers and cops looking for that next buzz that comes with taking on the strange and impossible. Selma is a thinly veiled Salma Hayek. I know I’m not alone in mooning over her. It made getting Nat to fall for her quite easy.
Who influenced you most in the writing of the book?
The entire time I wrote Ghost Mine, I had my father in mind and his love of both westerns and horror. Thanks to his influence, I was pretty well versed in both genres, so the writing just flowed. I did spend a lot of time doing research on the Rough Riders, New York in early 1900, Teddy Roosevelt and Hecla, Wyoming, which is an actual abandoned mining town. I would tell my father things I was putting into the book and he would get a kick out of it. That’s how I knew I was going down the right path.
Is there any advice you can give someone starting to write?
Two words are all you need to start. Both of these magic words were given to me by Elmore Leonard almost twenty years ago. Read. Write. Do no even attempt the latter until you become voracious with the former. The third word I like to add is Repeat.
Where did you write?
When I wrote Ghost Mine, I actually did most of it at my writing desk at home. So often, I tend to find odd places to scribble (like my kitchen or the back seat of my car). I had so much material that I needed to reference in terms of the history, pictures of the terrain, maps, etc, that I had to be in my little writer’s cave if I wanted to get it right.
Did you write in silence, or to any particular music?
I tend to mix it up. The past few years, I write a lot in silence. I think it’s simply because once I decide to dive in, I just get started and forget to slip on my headphones and find something to listen to. However, on days when my energy is flagging or I need a little extra something, I will listen to a soundtrack that has a frenetic beat to get the blood flowing.
Did you find it hard to write? Or harder to edit your own work?
That first draft is an uphill battle. It’s far easier to edit. I know I’ve already gotten the bones of the story down. Hell, I even typed THE END on the final page. Now I just need to go in and make it meaner and leaner. Editing is fun. So is writing, but at least with editing, you’ve already seen the light at the end of the tunnel. You just need to make it a little brighter.
What was it like to be edited by someone else?
I’m so fortunate that I get to be edited by Don D’Auria. He was the only editor I wanted to work with when I started writing, so the fact that we’ve been working together for years now is pretty amazing. He’s forgotten more about writing and the genre than I’ll ever know, so I defer to his advice. I realize not everyone gets so lucky and I appreciate the hell out of it.
What are you writing now?
I’m actually trying my hand at ghost writing, penning a novel for a very successful author. Naturally, I can’t reveal any more information. If I did, I’d have to kill you. Then we’d both be ghosts.