In this first-ever showcase of his work, Gregory Heisler, one of professional photography's most respected practitioners, shares 50 iconic portraits of celebrities, athletes, and world leaders, along with fascinating, thoughtful, often humorous stories about how the images were made. From his famously controversial portrait of President George H.W. Bush (which led to the revocation of Heisler’s White House clearance) to his evocative post-9/11 Time magazine cover of Rudolph Giuliani, to stunning portraits of Julia Roberts, Denzel Washington, Hillary Clinton, Michael Phelps, Muhammad Ali, and many more, Heisler reveals the creative and technical processes that led to each frame. For Heisler’s fans and all lovers of photography, Gregory Heisler: 50 Portraits offers not only a gorgeous collection of both black-and-white and color portraits, but an engrossing look at the rarely seen art of a master photographer at work. With a foreword by New York City mayor Michael R. Bloomberg.
|Product dimensions:||9.40(w) x 12.10(h) x 1.10(d)|
About the Author
Gregory Heisler has been described as having “the eye of an artist, the mind of a scientist, and the heart of a journalist.” Renowned for his technical mastery and thoughtful responsiveness, he has photographed more than seventy cover portraits for Time magazine, which reside in the permanent collection of The National Portrait Gallery. His iconic images and innovative visual essays have also graced the covers and pages of Life, Esquire, GQ, Sports Illustrated, ESPN, Fortune, and The New York Times Magazine. As a sought-after speaker and educator, he has taught at the International Center of Photography, the School of Visual Arts, the Smithsonian Institution, and the National Geographic Society, as well as scores of workshops and seminars throughout the country and around the world. He is currently Artist-in-Residence at the Hallmark Institute of Photography. He can be found at GregoryHeisler.com.
Most Helpful Customer Reviews
A beautiful book full of beautiful portraits. Each portrait, full page or both pages, is followed by the background story, why the portrait was taken, what he was looking for, excuses for unflattering portraits. This is followed by an explanation of technique that does not spell out everything he did step by step but gives you plenty of information to understand how the portrait was made. There is something about a print from an 11 x 14 negative that I do not believe can be duplicated by a digital camera today. I really do not see how an e book could do this justice