He Huffed and He Puffed

He Huffed and He Puffed

by Barbara Paul

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To find a blackmailer’s killer, Marian Larch investigates the extortionist’s victims

A. J. Strode would kill for command of House of Glass, the corporation that controls everything from plate-glass windows to fiberglass insulation, and he nearly has it within his grasp. Only three stockholders—a violinist, a helicopter pilot, and a mercenary—stand between the businessman and his goal. But no matter how much Strode offers, they refuse to sell. And when money doesn’t talk, he turns to blackmail.

Strode invites his three targets to his townhouse, intending to close the deal once and for all, but his plan backfires. When Strode is found in his library with three knives buried in his chest, the case falls to Marian Larch, a no-nonsense NYPD detective who’s hardly prepared for the brutality she’ll find inside House of Glass.

He Huffed and He Puffed is the 2nd book in the Marian Larch Mysteries, but you may enjoy reading the series in any order.

Product Details

ISBN-13: 9781504032476
Publisher: MysteriousPress.com/Open Road
Publication date: 03/15/2016
Series: The Marian Larch Mysteries , #2
Sold by: Barnes & Noble
Format: NOOK Book
Pages: 228
File size: 943 KB

About the Author

Barbara Paul is the author of numerous short stories and novels in both the detective and science fiction genres. Born in Maysville, Kentucky, she went on to attend Bowling Green State University and the University of Pittsburgh, earning a PhD in theater history and criticism. She has been nominated for the Shamus Award for Best PI Short Story, and two of her novels, In-Laws and Outlaws and Kill Fee, have been adapted into television movies. After teaching at the University of Pittsburgh for a number of years, she retired to write full-time. Paul currently resides in Sacramento.

Read an Excerpt

He Huffed and He Puffed

A Marian Larch Mystery

By Barbara Paul

MysteriousPress.com/Open Road Integrated Media

Copyright © 1989 Barbara Paul
All rights reserved.
ISBN: 978-1-5040-3247-6


One of these people," A. J. Strode said, spreading out the file folders on his desk. "Only one of these three people caves in, and I'm home." He scowled. "But which one?"

"Go for the violinist," Myron Castleberry suggested. "She's the weakest."

Strode raised an eyebrow at his assistant. "You think? Seems to me any babe who can ice her own parents won't fold easy." He opened one of the folders. "Where is she now?"

"Pittsburgh. Concert tonight — she's the guest artist with the Pittsburgh Symphony. Next she goes home to Boston for a while and then on to a couple of European engagements."

Strode was reading from the folder. "Did you believe the mercenary?"

Castleberry considered. "Yes, on the whole I did. He embroidered a little to make himself look good. He claimed he was the one who pulled out of the deal, but I'm sure he was lying about that. She was having second thoughts — which means her conscience was bothering her, and that makes her vulnerable."

Strode grunted. "It could also mean she just decided he wasn't the right man for the job. Where'd they meet — New Orleans? Why New Orleans? He lives in Texas."

"Neutral ground. She didn't give him her right name, and he didn't have any idea who she was until I showed him one of her publicity photos. He had trouble believing me at first when I told him the two people she wanted killed were her mother and father. To him, she was just a confused lady who'd answered his ad in a gun magazine. He doesn't admit to being a killer for hire, of course."

Strode closed the folder and opened another one. "What about the missing helicopter pilot? Any line on him?"

"Pierce says he has a soft lead — he'll get back to us in a day or two." Castleberry looked at his employer quizzically. "You think McKinstry's the one to tackle?"

Strode smiled tightly. "He's been leading such a pure and virtuous life lately, he won't want to see himself back in the headlines again. Besides, don't tell me it was coincidence that pilot dropped out of sight the minute I made my offer. McKinstry paid him to get lost, you can make book on it."

"I wouldn't be surprised."

"But I can't do anything about McKinstry until we find the damned pilot. And I sure as hell don't want to go after that other guy in L.A. if I don't have to." He closed the folder and lined it up neatly with the other two. "So it looks like the violinist by default. Call the airport and tell them I'll want the jet in an hour, and book me into the same hotel where she's staying."

"Yes, sir." His assistant turned to go.

"And Castleberry — call my wife and let her know. Wait until after I'm gone."

Castleberry nodded and left to make the arrangements.

Strode stood at the window with his hands clasped behind his back and stared at the building on the other side of Forty-seventh Street. In the office directly opposite his a woman bent over her work, unaware she was being scrutinized. But Strode wasn't interested in her; she was a dog. It was the woman in the next office he was looking for ... and there she was.

Even from this distance it was clear she was a real dish, and she knew when she was being looked at. She was sitting behind an open-front desk when she became aware of Strode's gaze; she looked up, smiled, and slowly crossed her legs for him. Oh, yes — she was used to attention, that one was. A man came into her office and started talking; Strode turned away from the window.

He didn't have a whole lot of time. House of Glass would soon be out of reach.

Strode coveted House of Glass, pretentious name and all. He'd been buying stock wherever he could find it — quietly, without fuss, not at all like his usual juggernaut takeover techniques. And now he was so close — so close. All he needed was one more block of stock, just one. One of the three whose folders lay on his desk.

He'd made a straightforward offer to buy and all three had turned him down flat. That was the problem with House of Glass: relatively few outstanding stockholders. When one of them said no and made it stick, there weren't many others to turn to. So he'd raised his offer, and all three said no again.

House of Glass had started out at the beginning of the century as a maker and purveyor of expensive items for those who could afford them — crystalware, stained glass, chandeliers, fancy mirrors. From one small shop in London it had grown into a multibranched specialty chain. Ownership had changed hands several times, with corporate headquarters ending up in New York. Then a California vintner had commissioned House of Glass to design and manufacture a wine bottle with a unique silhouette easily identifiable as the vintner's own. House of Glass expanded its facilities to accommodate the necessities of large-scale bottle-making, and it had been expanding ever since.

The move into the industrial market had been made at exactly the right time; almost everything the company tried ended up making money. Now if you bought an overpriced condominium, the chances were good that the plate-glass windows had been supplied by House of Glass. Almost a third of the American cars on the road had House of Glass windshields. There wasn't a laboratory in the country that hadn't been equipped with at least some test tubes or beakers or pipettes made by House of Glass. House of Glass fiberglass wool provided thermal and sound insulation for everything from factories and airplanes to home refrigerators and furnaces. House of Glass did a lot of work for airports, hotels, shopping malls. House of Glass was trouble.

The first company A. J. Strode had owned was a construction firm, and that's where he'd originally come into contact with House of Glass. He'd been impressed by the low-keyed elegance that enabled the outfit to ask outrageous prices for its wares — and get them. Only twenty-nine years old at the time, Strode had inquired and found that all the stock was privately owned. He let it be known he was interested and since then had picked up a few small blocks of shares when they became available. House of Glass had not been the driving interest in his life; anything that could make money was sufficient to capture his attention.

Money still made money. Over the years Strode bought or traded or tricked or bullied his way into control of a power-tool manufacturer, a grocery chain, a newspaper, a heating-and-cooling outfit, a string of radio and TV stations, a football team (recently and profitably disposed of), five small software companies that he'd merged into one moderate-sized one. Two years earlier he'd acquired the controlling interest in LesterWorks, one of the biggest suppliers of industrial glass in the country.

One reason he'd been able to buy in so easily was that for the last few years House of Glass had been steadily eating into LesterWorks' profits. But when House of Glass took a government contract away from Lester, Strode decided it was time to act. Once he'd gained control, he planned to divert all industrial jobs to his own company. If Lester could make use of House of Glass's facilities, so much the better; if not, he'd shut them down. He'd let House of Glass go on making its pretty crystal decanters and such, as long as they showed a profit. But Strode had made up his mind that House of Glass would steal no more industrial work from him; he'd shut down the whole goddam operation before he'd let that happen.

The phone whirred. "Mrs. Strode's on line two," his secretary's voice said.

"I'm not here."

"She's very insistent."

"I'm still not here." Strode hung up and went back to the window for another look at the dishy babe in the building across the street. Her office was empty.

He was going to have to do something about Katie; she was getting to be a nuisance. He'd meant to wait until later in the year to tell her, but now he thought he might as well give her the bad news as soon as he got back from Pittsburgh. She knew it was coming anyway. He'd be sixty next year; time for a new wife.

Katie was wife number four. Number one had been Janie, his school sweetheart, whom he'd married on his twentieth birthday. But mousy little Janie hadn't been able to make the transition to the high style of living Strode adopted once he began building his fortune. Strode had pleaded, bullied, cajoled; he'd even hired someone to redo her appearance for her. But he'd never been able to make her understand how important it was for a man to have a classy-looking woman on his arm. Janie was afraid of the world he was moving in now; she was too hesitant, too easily intimidated. Strode had given up and divorced her. To make sure she understood the extent of his displeasure, he'd married his second wife on his thirtieth birthday.

Her name was Mollie, and Mollie had been an indefatigable sex machine. That should have warned him, but he'd been so delighted with their life in bed that it was over a year before he began to suspect he'd married a nympho. There was something abnormal about a woman who enjoyed sex that much. Strode grew suspicious and had special bolts installed in every door in the house, so he could lock Mollie in whatever room she happened to be occupying whenever he left. Even the bathrooms could be locked from the outside. And when the private detective he'd hired had brought in evidence that she was managing to cheat on him in spite of his precautions, he'd been able to get rid of her without having to pay one cent of alimony. Nobody cheated A. J. Strode.

He'd celebrated his fortieth birthday by marrying Suzie. Suzie had been the perfect wife ... for a while. She had the face of a movie star, the style sense of a fashion model, the body of a porno queen, and the IQ of a philodendron. Perfect. She asked no questions and she made no demands. But then Suzie had started drinking — in secret at first, then more and more openly, as if wanting to parade her discontent before the world. It didn't help a man's image to have a lush for a wife, and once she'd embarrassed him by showing up drunk at a public function. Once. He'd kicked her out the next day.

To mark the anniversary of his half century on earth, he'd married a sophisticated woman well skilled in the art of hostessing. By then it was a running joke about how A. J. Strode took a new wife every ten years, but Katie had just laughed and said all that was over now. On the whole, she'd done her job well. But as the end of her tenure approached, that polished façade she showed to the world began to slip; behind it, Katie turned out to be almost as insecure as his first wife had been. She'd started pestering him and asking questions, checking up on him and phoning him at the office. He couldn't have that.

Besides, she was starting to get fat.

Janie, Mollie, Suzie, Katie. Strode liked women's names that ended in that ee sound. Cute names.

Myron Castleberry came in to say the company jet would be ready by the time Strode got to the airport. "Sure you don't want me to come with you?"

"Not this time. I don't want her to feel she's being descended upon. If she still won't sell, I'll want you and one of the lawyers to pay her a visit." Strode rarely traveled alone, taking at least a secretary with him so as not to waste time en route. But this time a personal, private touch was called for. "What's a concert violinist doing with House of Glass stock? She can take the money and invest it in something else."

"She probably just doesn't want to be bothered," Castleberry suggested. "She leads a pretty busy life."

"Yes, we're all busy," Strode said, unimpressed. "Call me when the stock market closes."

"Right." Castleberry didn't have to be told which companies to watch. "Shall I tell Mrs. Strode you'll be back tomorrow?"

"Tell her I'll try."

There'd been a time when A. J. Strode knew Pittsburgh as well as he knew New York. But the town had changed so in the last few years, Strode was no longer sure he could find his way around. It didn't matter; he wasn't planning to stray far from the hotel.

When he checked in at the Hilton, he'd asked the desk clerk for Joanna Gillespie's room number. The clerk replied that Ms Gillespie had requested that she not be disturbed before her concert and suggested he leave a message. Strode wrote a note inviting her to lunch the next day.

In his room he'd tipped the bellboy a hundred to get him a ticket to the concert. The bellboy politely but firmly refused the other hundred Strode offered to find him a woman for the night. Strode took a call from Castleberry and ordered a light meal in his room. Then he left for the concert, his last-minute ticket in his billfold.

Heinz Hall was only four or five blocks from the Hilton, on Penn Avenue, but Strode took a taxi. In the overdecorated interior of the concert hall, he was mildly surprised by the buzz of excitement running through the gathering audience. He knew Joanna Gillespie was considered hot stuff with a fiddle, but he didn't know people got worked up over things like that. He'd been to symphony concerts perhaps a dozen times in his life; on each occasion the audience had been composed and politely attentive. What made the Gillespie woman so special? Strode couldn't tell one violinist from another, or even one piano player from another. He did a little better with singers; he could tell the tenors from the sopranos.

He settled into his red plush seat and looked at the program. That evening Joanna Gillespie was playing a concerto by someone named Bruch. Strode had never heard of Bruch; he'd been hoping for Tchaikovsky. But first he had to sit through something modern and ear-jarring from the orchestra. Then Gillespie walked out on the stage.

Strode watched the audience around him. They were all leaning forward in their seats as they applauded, eyes gleaming and mouths open; that was some reputation she had, to get that kind of response before she'd even played a note. But that couldn't be all of it; these people must have heard her play before. And they loved her. No wonder the woman was so damned indifferent to what A. J. Strode wanted.

Joanna Gillespie was dark and intense; very East Coast. It was no secret that the violinist suffered from diabetes, a disability that didn't seem to be hindering her career. She was wearing a sparkly blue straight-up-and-down formal gown, held up by the thinnest of straps over her shoulders and leaving her bare arms free; it was a dress made to allow unimpeded physical movement. Gillespie had that special kind of lean body so many diabetics had, and she looked comfortable with it. Her posture wasn't too great, but the woman clearly felt at home on the stage; Strode couldn't detect so much as a glimmer of self-consciousness.

The concerto began. Gillespie did not caress the violin tucked under her chin, she attacked it; Strode had never before seen a musical instrument handled so roughly. And all the time she played, Gillespie's mouth kept working. What was she doing — talking to herself, singing along with the music? Wincing? Her whole body was in motion, a far cry from the sedate image of concert violinists Strode had in his mind. She'd thrown herself into her playing one hundred percent; at that moment nothing else in the world existed for Joanna Gillespie except the music she was making.

What crazy things people get excited about, Strode thought. The audience was clearly enchanted; he'd had no idea there were so many fiddle-enthusiasts in the world. He tried to assess what it meant. If Gillespie lived for music, that ought to mean she was a babe in the woods when it came to monetary matters. But Strode seldom took anything for granted; besides, getting her to sell her House of Glass stock wasn't so much a matter of exploiting her financial naïveté as it was a matter of personality, of will.

The concerto at long last drew to a close, and the audience erupted into applause. Most of them rose to their feet; a few were cheering. On the stage, Joanna Gillespie beamed confidently at the audience, sweating slightly from her exertions. She was good; she knew she was good; she knew other people knew she was good. Strode was unhappily aware that the kind of adulation she was getting was bound to have an effect on her, especially if it was the standard response to her performances.


Excerpted from He Huffed and He Puffed by Barbara Paul. Copyright © 1989 Barbara Paul. Excerpted by permission of MysteriousPress.com/Open Road Integrated Media.
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