If Miran had princesses, Ellisandra Takumar would be one. Smart, pretty, engaged to a high-profile man, everything a high-class Mirani woman should be. But things are not well in Miran. Many years of boycotts have taken their toll on society, and the regime becomes more desperate to keep its citizens under control. Revolt is brewing. As director of the state theatre, Ellisandra has been asked to stage a violent traditional play which stands stiff with threatening political messages for the populace. She hates it, but speaking out would risk that she'd be cast out from the only world she's ever known.
Next to her house is the burnt ruin of the house of another high-class family, the Andrahar family. They fled Miran for political reasons when Ellisandra was a little girl and the house has lain untouched ever since. One night, she spots a mysterious young man walking around the yard, putting out pegs and pieces of string. He's re-building the house. That makes no sense, because the family is no longer welcome in Miran, and who is he anyway?
She is curious and investigates. He seems too good-natured and naïve for his own good, so rather than telling her brothers, she tries to shield him from her own society. And so starts the slide that leads to her being cast out from the only life she's ever known.
About the Author
But, against conventional wisdom, she kept writing similar stories, and had some success in the short story market. She won the Writers of the Future contest and took part in the amazing workshop in LA, hobnobbing with big-name writers like Kevin Anderson, Larry Niven and Greg Benford. She sold some stories to Analog. But she prefers to write novels.
She was getting good industry responses to the Icefire trilogy when the GFC hit, and the publishing industry crawled into a hole. She would like to tell the agents who still have the manuscript from back then that it has been published, so they can remove it from their desks.
Patty didn't set out to become a vocal supporter for self-publishing. In real life, she is not a very controversial person, trained as scientist. She loves writing science bits into novels, whether the genre is science fiction or fantasy.
When she was told by yet another publisher not to bother submitting hard science fiction because she is a woman, she finally decided that maybe the publishing industry was not for her.
She might be stubborn, but she believes that people should allowed to be themselves:
- Women should be able to write science fiction (high-tech and space opera, no naked torsos), even though 95% of the bestseller lists in those genres are male.
- They should do so under their own name.
- Writers should write in their local type of English, and not be "required" to make all their spelling and idioms US-centric.
- Writers have the right not to be held to ransom by publishers who take their manuscripts and then take years to make a decision, or grabbing rights (like movie rights, creative rights) which they are not going to use.
With this in mind, Patty, who lives in Australia, writes science fiction and fantasy about people who also believe in those things, or fight for those things.
Most Helpful Customer Reviews
The whole series is wonderful read till 3 am can't put down, highly recommended.