High Ground

Those who have called John McGahern a modern Chekhov are struck by his ability to transform commonplace experiences into moments of epiphany. In “Parachutes,” the narrator reels in the aftermath of a breakup with the woman he loves; “Oldfashioned” isthe story of Johnny, a country boy oddly drawn to the elderly English couple for whom he represents the son they lost in the War; and in “Eddie Mac” and “The Conversion of William Kirkwood,” a wealthy family and its hired help learn that the rel...