Historical Musicology: Sources, Methods, Interpretations
By Stephen A. Crist (Editor), Roberta Montemorra Marvin (Editor), Claudia Macdonald (Contribution by), Ellen T. Harris (Contribution by), Jann Pasler (Contribution by), Jeffrey Kallberg (Contribution by), Jeffrey Sposato (Contribution by), Jessie Ann Owens (Contribution by), Laurence Libin (Contribution by), Lawrence F. Bernstein (Contribution by), Lewis Lockwood (Contribution by), Margaret Murata (Contribution by), Mark Kroll (Contribution by), Maynard Solomon (Contribution by), Michael Marissen (Contribution by), Richard Kramer (Contribution by), Roberta Montemorra Marvin (Contribution by), Russell Stinson (Contribution by), Stephen A. Crist (Contribution by)
Paperback
$49.95
By Stephen A. Crist (Editor), Roberta Montemorra Marvin (Editor), Claudia Macdonald (Contribution by), Ellen T. Harris (Contribution by), Jann Pasler (Contribution by), Jeffrey Kallberg (Contribution by), Jeffrey Sposato (Contribution by), Jessie Ann Owens (Contribution by), Laurence Libin (Contribution by), Lawrence F. Bernstein (Contribution by), Lewis Lockwood (Contribution by), Margaret Murata (Contribution by), Mark Kroll (Contribution by), Maynard Solomon (Contribution by), Michael Marissen (Contribution by), Richard Kramer (Contribution by), Roberta Montemorra Marvin (Contribution by), Russell Stinson (Contribution by), Stephen A. Crist (Contribution by)
Premium Members save an extra 10% and all Members collect stamps to save with Rewards. 10 stamps = $5.Learn More
Select a store to view item availability.
Seventeen studies by noted experts that demonstrate recent approaches toward the creative interpretation of primary sources regarding Renaissance and Baroque music, Mozart, Beethoven, Mendelssohn, Verdi, Debussy, and beyond.
How do we know what notes a composer intended in a given piece? how those notes should be played and sung? the nature of musical life in Bach's Leipzig, Schubert's Vienna? how music related to literature and other arts and social currents in different times and pla...
How do we know what notes a composer intended in a given piece? how those notes should be played and sung? the nature of musical life in Bach's Leipzig, Schubert's Vienna? how music related to literature and other arts and social currents in different times and pla...


