- Godeatgod
- The Love Song
- The Fight Song
- Disposable Teens
- Target Audience (Narcissus Narcosis)
- "President Dead"
- In the Shadow of the Valley of Death
- Cruci-Fiction in Space
- A Place in the Dirt
- The Nobodies
- The Death Song
- Lamb of God
- Born Again
- Burning Flag
- Coma Black
- Valentine's Day
- The Fall of Adam
- King Kill 33¿¿
- Count to Six and Die (The Vacuum of Infinite Space Encompassing)
- The Nobodies
5
1
0606949082925
John 5 Guitar,Slide Guitar,Guitar (Acoustic),Guitar (Electric)
Bon Harris Synthesizer,Electronic Percussion
Dave Sardy Guitar (Rhythm)
Twiggy Ramirez Guitar,Keyboards
Ginger Fish Drum Loop
Madonna Wayne Gacy Drums,Ambience
Madonna Wayne Gacy Composer
Greg Fidelman Engineer
Joe Zook Assistant Engineer
John 5 Composer
Nick Raskulinecz Assistant Engineer
Kevin Guarnieri Assistant Engineer
Paul Northfield Engineer
Bon Harris Editing,Programming
Dave Sardy Mixing,Producer
Twiggy Ramirez Composer
Marilyn Manson Concept,Arranger,Composer,Producer,Art Direction
Zim Zum Composer
P.R. Brown Design,Photography,Art Direction
Brian Warner Composer

Holy Wood (In the Shadow of the Valley of Death)
by Marilyn Manson
Marilyn Manson

Holy Wood (In the Shadow of the Valley of Death)
by Marilyn Manson
Marilyn Manson
CD(Bonus Tracks)
$13.99
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Overview
In 2000, Marilyn Manson not only was recovering from his fans' rejection of Mechanical Animals, he was scarred from Columbine and, worst of all, he was no longer America's demon dog. What was Brian Warner to do, standing on such uneasy ground? As a smart man and savvy marketer, he knew that it was time to consolidate his strengths, blend Omega with Antichrist Superstar, and return with a harsh, controversial, operatic epic: a vulgar concept album to seduce his core audiences of alienated teens and cultural cops. The resulting album, Holy Wood (In the Shadow of the Valley of Death), is intended as the third part of the trilogy beginning with Antichrist Superstar, and its convoluted story line is fairly autobiographical, but the amazing thing isn't the story -- it's that he figured out to meld the hooks and subtle sonic shading of Mechanical Animals with the ugly, neo-industrial metallicisms of Antichrist. Consequently, it's easy to see this as the definitive Marilyn Manson album, since it's tuneful and abrasive. Then again, much of its charm lies in Manson trying so hard, perfecting details in the concept, lyrics, themes, production, sequencing, the tarot card parodies in the liner notes, the self-theft, the self-consciously blasphemous cover art. There's so much effort, Holy Wood winds up a stronger and more consistent album than any of his other work. If there's any problem, it's that Manson's shock rock seems a little quaint in 2000. Eminem's vibrant, surrealistic white-trash fantasias were the sound of 2000, while Marilyn Manson's rock operas, religious baiting, and goth gear are from an era passed. It's to Warner's credit as, yes, an artist that Holy Wood works anyway. [The British release adds an alternate version of "The Nobodies."] ~ Stephen Thomas Erlewine
Product Details
Release Date: | 01/09/2001 |
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Label: | Polydor / Interscope / Nothing |
UPC: | 0606949082925 |
Tracks
Album Credits
Performance Credits
Marilyn Manson Primary Artist,Bass,Vocals,KeyboardsJohn 5 Guitar,Slide Guitar,Guitar (Acoustic),Guitar (Electric)
Bon Harris Synthesizer,Electronic Percussion
Dave Sardy Guitar (Rhythm)
Twiggy Ramirez Guitar,Keyboards
Ginger Fish Drum Loop
Madonna Wayne Gacy Drums,Ambience
Technical Credits
John Lowery ComposerMadonna Wayne Gacy Composer
Greg Fidelman Engineer
Joe Zook Assistant Engineer
John 5 Composer
Nick Raskulinecz Assistant Engineer
Kevin Guarnieri Assistant Engineer
Paul Northfield Engineer
Bon Harris Editing,Programming
Dave Sardy Mixing,Producer
Twiggy Ramirez Composer
Marilyn Manson Concept,Arranger,Composer,Producer,Art Direction
Zim Zum Composer
P.R. Brown Design,Photography,Art Direction
Brian Warner Composer
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