China’s premier science fiction writer.” —Los Angeles Times
“[T]his dystopian tale skillfully balances delusion, disillusionment, and disdain. Readers are in for a dark, difficult trip down the rabbit hole.” —Publishers Weekly
“Demented, delirious, and one of a kind…Kafkaesque doesn’t begin to describe this cunning labyrinth of a novel. Nothing I have read has captured so incisively (and searingly) the unrelenting institutional brutality of our contemporary world.” —Junot Díaz, author of The Brief Wondrous Life of Oscar Wao
“The darkness contained within Hospital expresses the author’s desperation with mankind’s attempts at self-treatment and salvation. The novel’s completely unbridled narrative path sets out in the direction of science fiction but ultimately arrives at the spiritual abyss lurking in the reality of today’s China…and the rest of the world.” —Yan Lianke, author of The Day the Sun Died and Hard Like Water
“Han Song stands out among Chinese science fiction writers. His exuberant imagination engages history in total earnest, speaking to the darkness and perversity of the human condition. Hospital is his masterpiece and should be a landmark in the terrain of contemporary science fiction.” —Ha Jin, author of Waiting, War Trash, and A Song Everlasting
“The kind of science fiction I write is two dimensional; but Han Song writes three-dimensional science fiction. If we look at Chinese science fiction as a pyramid, two-dimensional science fiction would be the foundation, but the kind of three-dimensional science fiction that Han Song writes would be the pinnacle.” —Liu Cixin, author of The Three-Body Problem
“In this era in which the epidemic rages, Han Song’s Hospital has presented us with a delirious Kafka-esque vision of the future where the relationship between disease, patients, and (technological) caregivers has become enshrouded in a new level of complexity and dark enchantment. Thanks to Michael Berry’s brilliant translation, this unforgettable literary experience can now reach a new group of readers.” —Chen Qiufan, author of The Waste Tide; co-author of AI 2041
“A work of unbelievable creativity and imagination.” —Lo Yi-Chin, author of Faraway