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Ion
Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Herbert Golder and the late William Arrowsmith, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays.

One of Euripides' late plays, Ion tells the story of Kreousa, queen of Athens, and her son by the god Apollo. Apollo raped Kreousa; she secretly abandoned their child, assuming thereafter that the god had allowed him to die. Ion, however, is saved to become a ward of Apollo's temple at Delphi. In the play, Kreousa and her husband Xouthos go to Delphi to seek a remedy for their childlessness; Apollo, speaking through his oracle, gives Ion to Xouthos as a son, enraging the apparently still childless Kreousa. Mother tries to kill son, son traps mother at an altar and is about to do her violence; just then, Apollo's priestess appears to reveal the birth tokens that permit Kreousa to recognize and embrace the child she thought she had lost forever. Ion must accept Apollo's duplicity along with his benevolence toward his son.

Disturbing riptides of thought and feeling run just below the often shimmering surface of this masterpiece of Europidean melodrama. Despite Ion's "happy ending," the concatenation of mistaken identities, failed intrigues, and misdirected violence enacts a gripping and serious drama. Euripides leaves the audience to come to terms with the shifting relations of god and mortals in his complex and equivocal interpretation of myth.

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Ion
Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Herbert Golder and the late William Arrowsmith, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays.

One of Euripides' late plays, Ion tells the story of Kreousa, queen of Athens, and her son by the god Apollo. Apollo raped Kreousa; she secretly abandoned their child, assuming thereafter that the god had allowed him to die. Ion, however, is saved to become a ward of Apollo's temple at Delphi. In the play, Kreousa and her husband Xouthos go to Delphi to seek a remedy for their childlessness; Apollo, speaking through his oracle, gives Ion to Xouthos as a son, enraging the apparently still childless Kreousa. Mother tries to kill son, son traps mother at an altar and is about to do her violence; just then, Apollo's priestess appears to reveal the birth tokens that permit Kreousa to recognize and embrace the child she thought she had lost forever. Ion must accept Apollo's duplicity along with his benevolence toward his son.

Disturbing riptides of thought and feeling run just below the often shimmering surface of this masterpiece of Europidean melodrama. Despite Ion's "happy ending," the concatenation of mistaken identities, failed intrigues, and misdirected violence enacts a gripping and serious drama. Euripides leaves the audience to come to terms with the shifting relations of god and mortals in his complex and equivocal interpretation of myth.

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Ion
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Ion

Ion

by Euripides

Overview

Based on the conviction that only translators who write poetry themselves can properly recreate the celebrated and timeless tragedies of Aeschylus, Sophocles, and Euripides, the Greek Tragedy in New Translations series offers new translations that go beyond the literal meaning of the Greek in order to evoke the poetry of the originals. Under the general editorship of Herbert Golder and the late William Arrowsmith, each volume includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays.

One of Euripides' late plays, Ion tells the story of Kreousa, queen of Athens, and her son by the god Apollo. Apollo raped Kreousa; she secretly abandoned their child, assuming thereafter that the god had allowed him to die. Ion, however, is saved to become a ward of Apollo's temple at Delphi. In the play, Kreousa and her husband Xouthos go to Delphi to seek a remedy for their childlessness; Apollo, speaking through his oracle, gives Ion to Xouthos as a son, enraging the apparently still childless Kreousa. Mother tries to kill son, son traps mother at an altar and is about to do her violence; just then, Apollo's priestess appears to reveal the birth tokens that permit Kreousa to recognize and embrace the child she thought she had lost forever. Ion must accept Apollo's duplicity along with his benevolence toward his son.

Disturbing riptides of thought and feeling run just below the often shimmering surface of this masterpiece of Europidean melodrama. Despite Ion's "happy ending," the concatenation of mistaken identities, failed intrigues, and misdirected violence enacts a gripping and serious drama. Euripides leaves the audience to come to terms with the shifting relations of god and mortals in his complex and equivocal interpretation of myth.

Product Details

ISBN-13: 9781911144090
Publisher: Interactive Media
Publication date: 10/15/2015
Series: Plays by Euripides
Sold by: StreetLib SRL
Format: eBook
File size: 716 KB

About the Author

W.S. Di Piero is Professor of English at Stanford University.

Table of Contents

Introduction3
Ion21
Notes on the Text87
Glossary97
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Related Subjects

Literature
Drama
General & Miscellaneous Drama
Ancient, Classical and Medieval * Drama
Literature
Drama
General & Miscellaneous Drama
Ancient, Classical and Medieval * Drama

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