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The first English-language survey of a pathbreaking figure in Japanese art.

Through subjects as diverse as old apartment blocks, human scars, kimono fabrics, personal belongings of the deceased, and even her own water-damaged prints, Ishiuchi Miyako manifests the invisible, capturing time, atmosphere, and memory in photographic form. Her work is at once deeply personal and evocative of the wider world hinted at by the traces recorded within the frame.

Since beginning her career in the 1970s...