Thomas Hardy (1840-1928) immortalized the site of his birth—Egdon Heath, in Dorset, near Dorchester—in his writing. Delicate as a child, he was taught at home by his mother before he attended grammar school. At sixteen, Hardy was apprenticed to an architect, and for many years, architecture was his profession; in his spare time, he pursued his first and last literary love, poetry. Finally convinced that he could earn his living as an author, he retired from architecture, married, and devoted himself to writing. An extremely productive novelist, Hardy published an important book every year or two. In 1896, disturbed by the public outcry over the unconventional subjects of his two greatest novels—Tess of the D’Urbervilles and Jude the Obscure—he announced that he was giving up fiction and afterward produced only poetry. In later years, he received many honors. He was buried in Poet’s Corner, in Westminster Abbey. It was as a poet that he wished to be remembered, but today critics regard his novels as his most memorable contribution to English literature for their psychological insight, decisive delineation of character, and profound presentation of tragedy.
“Yea, many there be that have run out of their wits for women, and become servants for their sakes. Many also have perished, have erred, and sinned, for women. . . . O ye men, how can it be but women should be strong, seeing they do thus?” —Esdras.
The schoolmaster was leaving the village, and everybody seemed sorry. The miller at Cresscombe1 lent him the small white tilted cart and horse to carry his goods to the city of his destination, about twenty miles off, such a vehicle proving of quite sufficient size for the departing teacher’s effects. For the schoolhouse had been partly furnished by the managers, and the only cumbersome article possessed by the master, in addition to the packing-case of books, was a cottage piano that he had bought at an auction during the year in which he thought of learning instrumental music. But the enthusiasm having waned he had never acquired any skill in playing, and the purchased article had been a perpetual trouble to him ever since in moving house.
The rector had gone away for the day, being a man who disliked the sight of changes. He did not mean to return till the evening, when the new school-teacher would have arrived and settled in, and everything would be smooth again.
The blacksmith, the farm bailiff, and the schoolmaster himself were standing in perplexed attitudes in the parlour before the instrument. The master had remarked that even if he got it into the cart he should not know what to do with it on his arrival at Christminster, the city he was bound for, since he was only going into temporary lodgings just at first.
A little boy of eleven, whohad been thoughtfully assisting in the packing, joined the group of men, and as they rubbed their chins he spoke up, blushing at the sound of his own voice: “Aunt have got a great fuel-house, and it could be put there, perhaps, till you’ve found a place to settle in, sir.”
“A proper good notion,” said the blacksmith.
It was decided that a deputation should wait on the boy’s aunt—an old maiden resident—and ask her if she would house the piano till Mr. Phillotson should send for it. The smith and the bailiff started to see the practicability of the suggested shelter, and the boy and the schoolmaster were left standing alone.
“Sorry I am going, Jude?” asked the latter kindly.
Tears rose into the boy’s eyes, for he was not among the regular day scholars, who came unromantically close to the schoolmaster’s life, but one who had attended the night school only during the present teacher’s term of office. The regular scholars, if the truth must be told, stood at the present moment afar off, like certain historic disciples, indisposed to any enthusiastic volunteering of aid.
The boy awkwardly opened the book he held in his hand, which Mr. Phillotson had bestowed on him as a parting gift, and admitted that he was sorry.
“So am I,” said Mr. Phillotson.
“Why do you go, sir?” asked the boy.
“Ah—that would be a long story. You wouldn’t understand my reasons, Jude. You will, perhaps, when you are older.”
“I think I should now, sir.”
“Well—don’t speak of this everywhere. You know what a university is, and a university degree? It is the necessary hall-mark of a man who wants to do anything in teaching. My scheme, or dream, is to be a university graduate, and then to be ordained. By going to live at Christminster, or near it, I shall be at headquarters, so to speak, and if my scheme is practicable at all, I consider that being on the spot will afford me a better chance of carrying it out than I should have elsewhere.”
The smith and his companion returned. Old Miss Fawley’s fuel-house was dry, and eminently practicable; and she seemed willing to give the instrument standing-room there. It was accordingly left in the school till the evening, when more hands would be available for removing it; and the schoolmaster gave a final glance round.
The boy Jude assisted in loading some small articles, and at nine o’clock Mr. Phillotson mounted beside his box of books and other impedimenta, and bade his friends good-bye.
“I shan’t forget you, Jude,” he said, smiling, as the cart moved off. “Be a good boy, remember; and be kind to animals and birds, and read all you can. And if ever you come to Christminster remember you hunt me out for old acquaintance’ sake.”
The cart creaked across the green, and disappeared round the corner by the rectory-house. The boy returned to the draw-well at the edge of the greensward, where he had left his buckets when he went to help his patron and teacher in the loading. There was a quiver in his lip now, and after opening the well-cover to begin lowering the bucket he paused and leant with his forehead and arms against the frame-work, his face wearing the fixity of a thoughtful child’s who has felt the pricks of life somewhat before his time. The well into which he was looking was as ancient as the village itself, and from his present position appeared as a long circular perspective ending in a shining disk of quivering water at a distance of a hundred feet down. There was a lining of green moss near the top, and nearer still the hart’s-tongue fern.
He said to himself, in the melodramatic tones of a whimsical boy, that the schoolmaster had drawn at that well scores of times on a morning like this, and would never draw there any more. “I’ve seen him look down into it, when he was tired with his drawing, just as I do now, and when he rested a bit before carrying the buckets home! But he was too clever to bide here any longer—a small sleepy place like this!”
A tear rolled from his eye into the depths of the well. The morning was a little foggy, and the boy’s breathing unfurled itself as a thicker fog upon the still and heavy air. His thoughts were interrupted by a sudden outcry:
“Bring on that water, will ye, you idle young harlican!”
It came from an old woman who had emerged from her door towards the garden gate of a green-thatched cottage not far off. The boy quickly waved a signal of assent, drew the water with what was a great effort for one of his stature, landed and emptied the big bucket into his own pair of smaller ones, and pausing a moment for breath, started with them across the patch of clammy greensward whereon the well stood—nearly in the centre of the little village, or rather hamlet of Marygreen.
It was as old-fashioned as it was small, and it rested in the lap of an undulating upland adjoining the North Wessex downs. Old as it was, however, the well-shaft was probably the only relic of the local history that remained absolutely unchanged. Many of the thatched and dormered dwelling-houses had been pulled down of late years, and many trees felled on the green. Above all, the original church, humpbacked, wood-turreted, and quaintly hipped, had been taken down, and either cracked up into heaps of road-metal in the lane, or utilized as pig-sty walls, garden seats, guard-stones to fences, and rockeries in the flower-beds of the neighbourhood. In place of it a tall new building of modern Gothic design, unfamiliar to English eyes, had been erected on a new piece of ground by a certain obliterator of historic records8 who had run down from London and back in a day. The site whereon so long had stood the ancient temple to the Christian divinities was not even recorded on the green and level grass-plot that had immemorially been the churchyard, the obliterated graves being commemorated by eighteen-penny cast-iron crosses warranted to last five years.
Part First: at Marygreen, I–XI; Part Second: at Christminster, I–VII; Part Third: at Melchester, I–X; Part Fourth: at Shaston, I–VI; Part Fifth: at Aldbrickham and elsewhere, I–VIII; Part Sixth: at Christminster again, I–XI.
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From the Publisher
"The greatest tragic writer among English novelists." -Virginia Woolf
XXJude the Obscure (Barnes & Noble Classics Series) 3.3 out of 5based on
More than 1 year ago
Between 'Far From the Madding Crowd', 'The Mayor of Casterbridge', and 'Jude the Obscure' I am becoming a true Thomas Hardy fan!(more emphasis put on the latter two)
Jude Fawley and Sue Bridehead really bring the book to life, but lurking in the background are numerous others waiting to uproot the lovers happiness. With the curious nature of Father Time and his sinister mother, Arabella, deceit is always around the corner. However, Richard Phillotson, takes a different approach to contol Sue by using his good nature and an unexpected tragedy against her.
There are too many plot twists to go into too much detail, however, this book is definitely worth reading.
More than 1 year ago
This is a very good book. Unfortunately, when Google scanned this one, their OCR software did a terrible job of translation. You're better off getting another copy elsewhere -- perhaps Project Guetenburg.
More than 1 year ago
I can`t honestly say what attrached me to this book, nor why I continued to read it to the very end. The relationship between Jude and Sue is absolutely frustrating, mostly due to Sue`s capricious nature. There are times in the book during which I had the strong urge to strike her. I suppose Sue and her ideals were revolutionary in a way, but not as much as I was led to believe. Her descent in the end completely negates her earlier virtues, and I feel it was almost out of place. The character stopped being Sue. As a comment to the children being trivialized, I agree entirely. All the children, aside from Father Time, aren`t even named, so while the turning point in the characters` lives is affective, the children`s anonimity detracts from the reader`s sympathy. All in all, even though I wasn`t completely thrilled with this novel, it has some redeeming values, and I would recommend it if you had nothing better to read.
More than 1 year ago
More than 1 year ago
More than 1 year ago
More than 1 year ago
With some events that are shocking even today and its contrast between two very different women who consume the initially sympathetic Jude, this novel is fairly absorbing. It's a pretty quick read (though longer than I expected) and it was fun to give my husband periodic updates on what happened to poor Jude in the next installment....
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Notice: This Book is published by Historical Books Limited (www.publicdomain.org.uk) as a Public Domain Book,
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