Juju

by Siouxsie and the Banshees

Overview

One of the band's masterworks, Juju sees Siouxsie and the Banshees operating in a squalid wall of sound dominated by tribal drums, swirling and piercing guitars, and Siouxsie Sioux's fractured art-attack vocals. If not for John McGeoch's marvelous high-pitched guitars, here as reminiscent of Joy Division as his own work in Magazine, the album would rank as the band's most gothic release. Siouxsie and company took things to an entirely new level of darkness on Juju, with the singer taking delight in sinister wordplay on the disturbing "Head Cut," creeping out listeners in the somewhat tongue-in-cheek "Halloween," and inspiring her bandmates to push their rhythmic witches brew to poisonous levels of toxicity. Album opener "Spellbound," one of the band's classics, ranks among their finest moments and bristles with storming energy. Siouxsie's mysterious voice emerges from dense guitar picking, Budgie lays into his drums as if calling soldiers to war, and things get more tense from there. "Into the Light" is perhaps the only track where a listener gets a breath of oxygen, as the remainder of the album screams claustrophobia, whether by creepy carnival waterfalls of guitar notes or Siouxsie's unsettling lyrics. "Arabian Nights" at least offers a gorgeously melodic chorus, but after that the band performs a symphony of bizarre wailings and freaky imagery. As ominous as the cacophony is on its own, close attention to Siouxsie's nearly subliminal chants paints a scarier picture. A passage such as "I saw you...a huge smiling central face with eyes and lips cut out but smiling and eating lots of other lips" doesn't exactly brighten one's day. Siouxsie is full of such quips throughout the album's running time, but her delivery packs as much punk as her message. Her attack-the-world dynamic range on "Voodoo Dolly" predates and out-weirds Bjoerk's similar styling years later. McGeoch, Budgie, and bassist Steven Severin deserve just as much credit for crafting an original sound that would inspire a diverse group of future bands from Ministry to Placebo. All the while, producer Nigel Gray maintains the sense that the album is an immediate, edgy performance unfolding right in front of the listener. The upfront intensity of Juju probably isn't matched anywhere else in the catalog of Siouxsie and the Banshees. Thanks to its killer singles, unrelenting force, and invigorating dynamics, Juju is a post-punk classic. ~ Tim DiGravina

Product Details

Release Date:	08/17/2018
Label:	Geffen / Polydor
UPC:	0602557128604

Tracks

1. Spellbound
2. Into the Light
3. Arabian Knights
4. Halloween
5. Monitor
6. Night Shift
7. Sin in My Heart
8. Head Cut
9. Voodoo Dolly

Album Credits

Performance Credits

Siouxsie and the Banshees   Primary Artist,Vocals
Siouxsie Sioux   Vocals,Guitar
Steven Severin   Bass,Guitar,Keyboards,Synthesizer,Guitar (Bass)
John McGeoch   Guitar
Budgie   Drums,Percussion

Technical Credits

Siouxsie Sioux   Composer
Siouxsie and the Banshees   Arranger,Composer,Producer
Nigel Gray   Producer
Steven Severin   Composer,Lyricist
John McGeoch   Composer
Rob O'Connor   Design,Art Direction
Peter Clarke   Composer,Composer,Composer,Composer
Joe Lyons   Photography
Thomi Wroblewski   Photography,Illustrations
Susan Janet Ballion   Composer
Budgie   Composer