Landscape For Living

by Garrett Eckbo, David C. Streatfield (Introduction)

Overview

Garrett Eckbo (1910–1996) was one of the most highly respected and influential American modernist landscape architects. Rejecting the centrality of nature as inspiration, he argued instead for a new approach free of preconceptions. Published in 1950, Landscape for Living presents his ideas for achieving the “total landscape.” Illustrations feature his designs for gardens, parks, and institutional projects, work for the Farm Security Administration, and projects by the firm of Eckbo, Royston & Williams.

Product Details

ISBN-13:	9781952620164
Publisher:	Library Of American Landscape History
Publication date:	01/01/2009
Series:	ASLA Centennial Reprint Series
Pages:	320
Product dimensions:	6.00(w) x 9.00(h) x 0.50(d)

About the Author

Garrett Eckbo (1910–1996) was one of the most highly respected and influential American modernist landscape architects. He worked assiduously to overthrow the Beaux-Arts system of landscape design and to develop an approach that would address the social and economic challenges of the modern world. Eckbo rejected the centrality of nature as a psychological and spiritual source of inspiration, criticizing the “palliative” introduction of nature into cities in parks designed by Olmsted and other nineteenth-century landscape architects and arguing instead for a scientific method that would provide a model for a new approach to landscape design entirely free of preconceptions. His built work was influenced by modernist European architecture, modern art, and vernacular landscape tradition. As a principal of Eckbo, Royston & Williams, he helped introduce socially responsible as well as sustainable design practices to Southern California, gradually expanding his practice to form EDAW, one of the largest and most influential corporate firms in the world. Published in 1950, Landscape for Living presents a synthesis of Eckbo's thinking and professional work and sets forth his theoretical approach to achieving the “total landscape.”