Lines of Connection: Drawing and Printmaking, 1400-1850

The first volume to chart the rich and reciprocal relationship between drawing and printmaking from the fifteenth to nineteenth centuries.

While often viewed and studied separately, drawings and prints have always been closely intertwined. They facilitated and generated the production of one another, and in some instances, clear distinctions between the two dissolved. Many artists created drawings specifically intended for translation into print, and an even greater number used prints as a ...