Liszt, Wagner and the Princess

Originally published in 1927, this illuminating study concerns three people, about two of whom much has already been written. The third, Princess Carolyne Sayn-Wittgenstein, has attracted less attention, in spite of her having occupied the greater part of Liszt’s inner life. The Princess in the large sense was an unmusical woman. It is a question whether her influence over Liszt was of a beneficient nature. She interested herself in Berlioz only for the purpose of checkmating Wagner, whom s...