In October 2013, the arts world was rocked by the news that the New York City Opera“the people’s opera”had finally succumbed to financial hardship after 70 years in operation. The company had been a fixture on the national opera sceneas the populist antithesis of the grand Metropolitan Opera, a nurturing home for young American talent, and a place where new, lively ideas shook up a venerable art form. But NYCO’s demise represented more than the loss of a cherished organization: it was a harbinger of massive upheaval in the performing artsand a warning about how cultural institutions would need to change in order to survive.
Drawing on extensive research and reporting, Heidi Waleson, one of the foremost American opera critics, recounts the history of this scrappy company and reveals how, from the beginning, it precariously balanced an ambitious artistic program on fragile financial supports. Waleson also looks forward and considers some better-managed, more visionary opera companies that have taken City Opera’s lessons to heart.
Above all, Mad Scenes and Exit Arias is a story of money, ego, changes in institutional identity, competing forces of populism and elitism, and the ongoing debate about the role of the arts in society. It serves as a detailed case study not only for an American arts organization, but also for the sustainability and management of nonprofit organizations across the country.
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Table of Contents
1 The Birth of the "People's Opera" 5
2 The Rudel Years 19
3 Beverly Sills Takes Over 47
4 The Inside Choice: Christopher Keene 81
5 The Man from Upstate: Paul Kellogg 97
6 A Turn for the Worse 123
7 The Savior 143
8 Salvation Denied 167
9 The Man of Steel 183
10 Down the Drain 209
11 The Aftermath 221
12 Reinvention 233
Coda: The Resurrection 253