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Music and Narrative since 1900
By Michael L. Klein (Editor), Nicholas Reyland (Editor), Byron Alm n (Contribution by), Robert S. Hatten (Contribution by), Arnold Whittall (Contribution by), Marta Grabocz (Contribution by), Joshua B. Mailman (Contribution by), Elisheva Rigbi (Contribution by), Lawrence Kramer (Contribution by), Philip Rupprecht (Contribution by), Emma Gallon (Contribution by), Sumanth Gopinath (Contribution by), Fred E. Maus (Contribution by), Vincent Meelberg (Contribution by), Matthew McDonald (Contribution by), Rebecca V. Leydon (Contribution by), Yayoi Uno Everett (Contribution by), Sarah Reichardt Ellis (Contribution by), Gregory Karl (Contribution by), David A. Street (Contribution by)
Hardcover
$50.00
By Michael L. Klein (Editor), Nicholas Reyland (Editor), Byron Alm n (Contribution by), Robert S. Hatten (Contribution by), Arnold Whittall (Contribution by), Marta Grabocz (Contribution by), Joshua B. Mailman (Contribution by), Elisheva Rigbi (Contribution by), Lawrence Kramer (Contribution by), Philip Rupprecht (Contribution by), Emma Gallon (Contribution by), Sumanth Gopinath (Contribution by), Fred E. Maus (Contribution by), Vincent Meelberg (Contribution by), Matthew McDonald (Contribution by), Rebecca V. Leydon (Contribution by), Yayoi Uno Everett (Contribution by), Sarah Reichardt Ellis (Contribution by), Gregory Karl (Contribution by), David A. Street (Contribution by)
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This comprehensive volume offers a wideranging perspective on the stories that art music has told since the start of the 20th century. Contributors challenge the broadly held opinion that the loss of tonality in some music after 1900 also meant the loss of narrative in that music. To the contrary, the editors and essayists in this book demonstrate how experiments in approaching narrative in other media, such as fiction and cinema, suggested fresh possibilities for musical narrative, which ...