Music and Sound in European Theatre: Practices, Performances, Perspectives

The need for a research volume on European theatre music and sound is almost self-evident.

Musical and sonic practices have been an integral part of theatre ever since the artform was first established 2,500 years ago: not just in subsequent genres that are explicitly driven by music, such as opera, operetta, ballet, or musical theatre, but in all kinds of theatrical forms and conventions. Conversely, academic recognition of the role of theatre music, its aesthetics, creative processes, auth...