- Screens Falling
- All Cot Up
- Habitual Criminal
- I Must Be High
- Bloody War
- Mexican Radio
- Hubba Hubba
- SPM Vs. Los
- Filthy Rich
- Los
- One of Those Nights
- High Everyday
- Stay on Your Grind
- Broadway
- The System
- Never Change
- The End
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0044001601729
South Park Mexican Primary Artist
Juan Gotti Primary Artist
Babu Beesh Primary Artist
Rasheed Primary Artist
Baby Beesh Primary Artist
Coast Primary Artist
Roger Tausz Primary Artist
Lord Zen Synthesizer
James Hoover Baseline
Wally Guitar
Ronnie Spencer Vocals
Ayana Hall Vocals
Russell Lee Vocals
Marilyn Vocals
Happy Perez Producer
Stanard Funsten Composer
Jamie Ortiz Producer
Baby Beesh Composer
Shadow Ramirez Producer
S.P.M. Composer
Juan Gotti Performer
Roger Tausz Bass Programming
Marc Moreland Composer
Rasheed Performer
South Park Mexican Composer,Producer
C. S. Gray Composer
Delwin "Mad Reel" Bell Producer
Joe Nanini Composer
Mike Frost Design
Babu Beesh Performer
Marilyn Introduction
Coast Performer
![Never Change [Explicit]](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v12.9.1)
![Never Change [Explicit]](http://img.images-bn.com/static/redesign/srcs/images/grey-box.png?v12.9.1)
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Overview
South Park Mexican (SPM) continues to polish his sound with Never Change, his most crafted album yet. The Houston, TX, rapper/producer does almost everything on this album with the exception of a few outside producers and some vocalists on the album's many hooks. It's the outside vocalists who characterize this album more than anything. SPM hasn't changed much as either a producer or a rapper -- his trademark snail-paced, low-toned idiom and his mid-tempo, sparse tracks are highly evident. What has changed, though, is the way SPM emphasizes the vocal hooks -- they anchor each of his songs, with Ayana handling most of the hooks. Overall, Never Change sounds great. SPM's music has never been this crafted. However, it's also just as formulaic as it is crafted. Sure, SPM has perfected his craft, but he's also fallen victim to its confines. He seldom ventures into new territory and seems overly content polishing up his trademark sound. And that's unfortunate because as crafted as these songs are, they're also a bit too routine. Nonetheless, even if many of the hooks are as catchy as hooks are intended to be, it's worth repeating that this album sounds great. Songs like "I Must Be High" are among SPM's best, and the inclusion of a few screwed songs is also nice, particularly since they're distributed throughout the album and since they fit into the album's sedate tone. ~ Jason Birchmeier
Product Details
Release Date: | 12/04/2001 |
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Label: | Dope House Records |
UPC: | 0044001601729 |
Tracks
Album Credits
Performance Credits
S.P.M. Primary ArtistSouth Park Mexican Primary Artist
Juan Gotti Primary Artist
Babu Beesh Primary Artist
Rasheed Primary Artist
Baby Beesh Primary Artist
Coast Primary Artist
Roger Tausz Primary Artist
Lord Zen Synthesizer
James Hoover Baseline
Wally Guitar
Ronnie Spencer Vocals
Ayana Hall Vocals
Russell Lee Vocals
Marilyn Vocals
Technical Credits
Clay McBride PhotographyHappy Perez Producer
Stanard Funsten Composer
Jamie Ortiz Producer
Baby Beesh Composer
Shadow Ramirez Producer
S.P.M. Composer
Juan Gotti Performer
Roger Tausz Bass Programming
Marc Moreland Composer
Rasheed Performer
South Park Mexican Composer,Producer
C. S. Gray Composer
Delwin "Mad Reel" Bell Producer
Joe Nanini Composer
Mike Frost Design
Babu Beesh Performer
Marilyn Introduction
Coast Performer
From the B&N Reads Blog
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