New York: 1962-1964
By Germano Celant, Claudia Gould (Preface by), Michael Rock (Introduction), Sam Sackeroff (Editor), Emily Bauman (Text by), Ninotchka D. Bennahum (Text by), Jennifer G. Buonocore-Nedrelow (Text by), Olivia Casa (Text by), Laura Conconi (Text by), J. English Cook (Text by), Maria Corti (Text by), Michaëla de Lacaze Mohrmann (Text by), Joshua B. Guild (Text by), Liz Hirsch (Text by), Hiroko Ikegami (Text by), Susan Murray (Text by), Kristina Parsons (Text by)
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By Germano Celant, Claudia Gould (Preface by), Michael Rock (Introduction), Sam Sackeroff (Editor), Emily Bauman (Text by), Ninotchka D. Bennahum (Text by), Jennifer G. Buonocore-Nedrelow (Text by), Olivia Casa (Text by), Laura Conconi (Text by), J. English Cook (Text by), Maria Corti (Text by), Michaëla de Lacaze Mohrmann (Text by), Joshua B. Guild (Text by), Liz Hirsch (Text by), Hiroko Ikegami (Text by), Susan Murray (Text by), Kristina Parsons (Text by)
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Charting the three momentous years in which New York became the global capital of art
Recipient of the The 2023 Alice Award
The radical cultural transformations that occurred in New York in the three years between January 1962 and December 1964 ramified across the world. In addition to a whole host of creative innovations across disciplines, the period also saw a shift in the center of artistic gravity from Europe to the United States and the rise of a new leadership in the arts--curators, g...































