The Nick Adams Stories

The Nick Adams Stories


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From one of the 20th century's greatest voices comes the complete volume of his short stories featuring Nick Adams, Ernest Hemingway's memorable character, as he grows from child to adolescent to soldier, veteran, writer, and parent—a sequence closely paralleling the events of Hemingway's life.

The complete collection of Ernest Hemingway's Nick Adams two dozen stories are gathered here in one volume, grouped together according to the major time periods in the protagonist's life. Based on Hemingway's own experieces as a boy and as a member of the Red Cross ambulance corps in World War I. The collection follows Nick's life as a child to parent, along with soldier, veteran, and writer and feature some of Hemingway's earliest work such as "Indian Camp" and some of his best known short stories, including "Big Two-Hearted River." Perfect for longtime Hemingway fans and as an introduction to one of America's most famous writers.

Product Details

ISBN-13: 9780684169408
Publisher: Scribner
Publication date: 02/01/1981
Series: Scribner Library of Contemporary Classics Series
Edition description: Reissue
Pages: 272
Sales rank: 190,075
Product dimensions: 5.50(w) x 8.25(h) x 0.60(d)

About the Author

Ernest Hemingway did more to influence the style of English prose than any other writer of his time. Publication of The Sun Also Rises and A Farewell to Arms immediately established him as one of the greatest literary lights of the 20th century. His classic novella The Old Man and the Sea won the Pulitzer Prize in 1953. Hemingway was awarded the Nobel Prize for Literature in 1954. He died in 1961.

Date of Birth:

July 21, 1899

Date of Death:

July 2, 1961

Place of Birth:

Oak Park, Illinois

Place of Death:

Ketchum, Idaho

Read an Excerpt


"Of the place where he had been a boy he had written well enough. As well as he could then." So thought a dying writer in an early version of "The Snows of Kilimanjaro." The writer of course was Hemingway. The place was the Michigan of his boyhood summers, where he remembered himself as Nick Adams. As well as be could write then was very well indeed.

Until now, however, the stories involving Nick have always appeared so many to a book, in jumbled sequence. As a result the coherence of his adventures has been obscured, and their impact fragmented. In Men Without Women, Hemingway's second collection of stories, Nick appears first as a soldier in Italy, next as an adolescent in Summit, Illinois, then in turn as a younger boy in Michigan, a married man in Austria, and a soldier back in Italy. Or consider the trouble with "Big Two-Hearted River," one of the best-known Hemingway stories. Placed where it was -- at the end of In Our Time, the first collection -- it puzzled a good many readers. Put where it goes chronologically, following the stories of World War I, its submerged tensions -- the impression that Nick is exorcising some nameless anxiety -- become perfectly understandable. But "A Way You'll Never Be," which precedes "Big Two-Hearted River" in time and explains it, was published eight years and several books after it.

Arranged in chronological sequence, the events of Nick's life make up a meaningful narrative in which a memorable character grows from child to adolescent to soldier, veteran, writer, and parent -- a sequence closely paralleling the events of Hemingway's own life. In this arrangement Nick Adams, who for a long time was not widely recognized as a consistent character at all, emerges clearly as the first in a long line of Hemingway's fictional selves. Later versions, from Jake Barnes and Frederic Henry to Richard Cantwell and Thomas Hudson, were all to have behind them part of Nick's history and, correspondingly, part of Hemingway's.

As is true for many writers of fiction, the relationship between Hemingway's work and the events of his own life is an immediate and intricate one. In some stories he appears to report details of actual experience as faithfully as he might have entered them in a diary. In others the play of his imagination has transformed experience into a new and different reality. Exploring the connections between actuality and fiction in Hemingway can be an absorbing activity, and readers who wish to pursue it are referred to the biographical studies listed at the end of this preface. But Hemingway naturally intended his stories to be understood and enjoyed without regard for such considerations -- as they have been for a long time.

The first Nick Adams fiction appeared almost a half-century ago, the last in 1933, and over the years a great deal has been written about it. Among the unpublished manuscripts Hemingway left behind him, however, eight new contributions to the over-all narrative were discovered. Presented here for the first time, inserted in the places in time where the events fall, they are varied in length and apparent purpose. Three accounts -- of how the Indians left the country of Nick's boyhood, of his first sight of the Mississippi, and of what happened just before and after his wedding -- are quite brief. If the author had larger plans for any of them, such are unknown; they might be read simply as sketches in an artist's notebook. In two other cases his plans are self-evident, for here we have the beginnings of works that were never completed. Nick on board the Chicago, bound for France during World War I, was the start of a novel called Along with Youth that was abandoned long ago. Similarly, though much later, the plot of "The Last Good Country" was left in mid-air, and many pages would have been required to resolve it. Two other pieces are known to have originated in Nick stories already published. "Three Shots" tells how the young boy became frightened while on a camping trip. It once preceded the story called "Indian Camp." And Nick's "stream of consciousness" reflections on his writing career once (anachronistically) concluded "Big Two-Hearted River." Of these new works only "Summer People," very likely the first fiction Hemingway wrote about Nick Adams, can be regarded as a full-length, completed story.

To distinguish them from previously published works, all the new materials in this book have been printed in a special "oblique" type. If the decision to publish them at all is questioned, justification is available. For one thing, the plan for rearranging the Nick Adams stories coherently benefits from material that fills substantial gaps in the narrative. Further, all this new fiction relates in one way or another to events in the author's life, in which his readers continue to be interested. Last and most important is the fact that these pieces throw new light on the work and personality of one of our foremost writers and genuinely increase our understanding of him. The typography suggests an oblique introduction, but a warm reception is expected.


Preface copyright © 1972 by Charles Scribner's Sons

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Nick Adams Stories 3.7 out of 5 based on 0 ratings. 14 reviews.
Guest More than 1 year ago
Over thirty years have gone by since I first read a Nick Adams story. Since my teens I've had a copy of the collected NICK ADAMS STORIES, and that paperback's binding has been taped and retaped more times than I'll ever remember. It lasted through College and my own liberal bent, which foolishly led me to disregard Hemingway for a time. It returned safely with me after two years in Europe, the pages sunbleached and brittle. It moved from New York to San Francisco, by train, twenty years ago. It's survived a failed marriage, too many camping trips to recall, one fire, one drought and a rather severe earthquake. It seems almost pointless to be defending this book and it's author from his many detractors, because literally and figuratively, this collection of stories has stood the test of time. Never in Modern Literature has a character been so thouroughly developed, so completely realized. Putting the collection in chronological order (although they were not written so) helps to define Nick's growth and to put stories into much clearer perspective. More importantly, as we see Nick grow from boy to man, to soldier, to father we witness with him the changes in our rural towns, our cities, our country, our people and our world. Revisiting this collection over these many years has brought me great joy and comfort, but familarity with them brought home the greatness of the writer's skill. Hemingway's economy of language, and nearly microscopic attention to detail (BIG TWO HEARTED RIVER), the sense of place, mood and setting, his ability to say more in his sparse dialog (THE KILLERS) than anyone before or since should serve as a 'how to' book for aspiring writers. Future generations hopefully will put aside the man and allow the writing to stand on it's own. For never has the myth of a man so overshadowed his accomplishment, as is the case with Hemingway, leaving him, for all his renown, still greatly underappreciated. And so, thirty years since I first went into the Michigan forests with Nick Adams, I've finally broken down and purchased another, this time a hardbound edition of THE NICK ADAMS STORIES. This copy, for my son, in the hopes that he too will take the time to slowly, over years, marvel at a unique and noble character in Literature, and the flawed genius who gave him life. That tattered and worn paperback however, will stay with me...there's still plenty of life in those pages.
luthe More than 1 year ago
THese are short stories based somewhat on Hemingway's life written throughout his years but not written chronologically. This book puts them as best as possible in chronological order. It does give some insight into Hemingway's life, but not always sure what is fact and what is fiction.
dokmeg More than 1 year ago
I just finished reading Hemingway's biography and was eager to read the stories and books that were written about. Mr. Mellow described in great detail, where Heminway was, what was going on in his life and how the books often were based on his own history. I was somewhat disappointed with Nick Adams. I haven't read the other two books I purchased at the time because I was about ready to OD on Hemingway. In any event , some of the stories were excellent while others mediocre. Hemingway's biography by Mellow was recommended at the Hemmingway house at Key West. It took a while to get through, but was very enlightening.
JBreedlove on LibraryThing More than 1 year ago
A collection Nick Adams stories that covers the youth of Hemingway in Michigan.
jpsnow on LibraryThing More than 1 year ago
Aside from a few other short stories, this was my introduction to Hemingway. It's easy to see why he's so often placed at the laconic end of the writers' spectrum. I often found myself pausing to ponder what was meant by a character's remark or action. Hemingway also positions the reader in various perspectives, helping them see through a given character's eyes based on what is observed and how the other characters are referenced. The compilation of stories not originally appearing together demonstrates a cohesiveness of character development. Hemingway clearly knew these people well. Much of it is autobiographical. We get a sense that it's very personal.I especially enjoyed "On Writing," including this excerpt: "Talking about anything was bad. Writing about anything actual was bad. It always killed it. The only writing that was any good was what you made up, what you imagined. That made everything come true."
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I had to read this for school and unless yiu like biographies or classical tales i wouldnt read this
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