PRAISE FOR THE LIBRARY BOOK:
“Moving . . . A constant pleasure to read . . . Everybody who loves books should check out The Library Book. . . . Orlean, a longtime New Yorker writer, has been captivating us with human stories for decades, and her latest book is a wide-ranging, deeply personal, and terrifically engaging investigation of humanity’s bulwark against oblivion: the library. . . . As a narrator, Orlean moves like fire herself, with a pyrotechnic style that smolders for a time over some ancient bibliographic tragedy, leaps to the latest technique in book restoration, and then illuminates the story of a wildly eccentric librarian. Along the way, we learn how libraries have evolved, responded to depressions and wars, and generally thrived despite a constant struggle for funds. Over the holidays, every booklover in America is going to give or get this book. . . . You can’t help but finish The Library Book and feel grateful that these marvelous places belong to us all.”
—Ron Charles, The Washington Post
“Moving . . . A constant pleasure to read . . . Everybody who loves books should check out The Library Book. . . . Orlean, a longtime New Yorker writer, has been captivating us with human stories for decades, and her latest book is a wide-ranging, deeply personal, and terrifically engaging investigation of humanity’s bulwark against oblivion: the library. . . . As a narrator, Orlean moves like fire herself, with a pyrotechnic style that smolders for a time over some ancient bibliographic tragedy, leaps to the latest technique in book restoration, and then illuminates the story of a wildly eccentric librarian. Along the way, we learn how libraries have evolved, responded to depressions and wars, and generally thrived despite a constant struggle for funds. Over the holidays, every booklover in America is going to give or get this book. . . . You can’t help but finish The Library Book and feel grateful that these marvelous places belong to us all.”
—Ron Charles, The Washington Post
“A sheer delight. . . . Orlean has created a book as rich in insight and as varied as the treasures contained on the shelves in any local library.”
—Chris Woodyard, USA Today
“Exquisitely written, consistently entertaining . . . A loving tribute not just to a place or an institution but to an idea . . . What makes The Library Book so enjoyable is the sense of discovery that propels it, the buoyancy when Orlean is surprised or moved by what she finds. . . . Her depiction of the Central Library fire on April 29, 1986, is so rich with specifics that it’s like a blast of heat erupting from the page. . . . The Library Book is about the fire and the mystery of how it started—but in some ways that’s the least of it. It’s also a history of libraries, and of a particular library, as well as the personal story of Orlean and her mother, who was losing her memory to dementia while Orlean was retrieving her own memories by writing this book.”
—Jennifer Szalai, The New York Times
“Captivating . . . A delightful love letter to public libraries . . . In telling the story of this one library, Orlean reminds readers of the spirit of them all, their mission to welcome and equalize and inform, the wonderful depths and potential that they—and maybe all of us, as well—contain. . . . In other hands the book would have been a notebook dump, packed with random facts that weren’t germane but felt too hard-won or remarkable to omit. Orlean’s lapidary skills include both unearthing the data and carving a storyline out of the sprawl, piling up such copious and relevant details that I wondered how many mountains of research she discarded for each page of jewels.”
—Rebekah Denn, Christian Science Monitor
“A flitting and meandering masterpiece . . . Compelling and undeniably riveting . . . This is a joyful book, and among its many pleasures is the reader’s ability to palpate the author’s thrill as she zooms down from stratospheric viewings of history, to viscerally detailed observations of events and people, and finally to the kind of irresistibly offbeat facts that create an equally irresistible portrait of the author herself.”
—J. C. Hallman, San Francisco Chronicle
“Vivid . . . Compelling . . . Ms. Orlean interweaves a memoir of her life in books, a whodunit, a history of Los Angeles, and a meditation on the rise and fall and rise of civic life in the United States. . . . By turns taut and sinuous, intimate and epic, Ms. Orlean’s account evokes the rhythms of a life spent in libraries . . . bringing to life a place and an institution that represents the very best of America: capacious, chaotic, tolerant and even hopeful, with faith in mobility of every kind, even, or perhaps especially, in the face of adversity.”
—Jane Kamenski, The Wall Street Journal
“A lovely book . . . Susan Orlean has once again found rich material where no one else has bothered to look for it. . . . Once again, she’s demonstrated that the feelings of a writer, if that writer is sufficiently talented and her feelings sufficiently strong, can supply her own drama. You really never know how seriously interesting a subject might be until such a person takes a serious interest in it.”
—Michael Lewis, New York Times Book Review
“A book lover’s dream . . . This is an ambitiously researched, elegantly written book that serves as a portal into a place of history, drama, culture, and stories.”
—Jeffrey Ann Goudie, Minneapolis Star Tribune
“When Susan Orlean fishes for a story, she reels in a hidden world. And so the latest delightful trawl from the author of Rin Tin Tin and The Orchid Thief starts with the tale of the 1986 fire that damaged or destroyed 700,000 books in the Los Angeles Central Library. But The Library Book pans out quickly to the fractious, eccentric history of the institution and then, almost inevitably, a reflection on the past, present, and future of libraries in America. Orlean follows the narrative in all directions, juxtaposing the hunt for the library arsonist—possibly a frustrated actor—with a philosophical treatise on why and how libraries became the closest thing many of us experience to a town hall.”
—Hillary Kelly, New York Magazine
“Like an amble through the rooms and the stacks of a library, where something unexpected and interesting can be discovered on any page.”
—Scott Simon, NPR’s Weekend Edition
“Mesmerizing . . . A riveting mix of true crime, history, biography, and immersion journalism. . . . Probing, prismatic, witty, dramatic, and deeply appreciative, Orlean’s chronicle celebrates libraries as sanctuaries, community centers, and open universities run by people of commitment, compassion, creativity, and resilience.”
—Booklist (starred review)
“Of course, I will always read anything that Susan Orlean writes—and I would encourage you to do the same, regardless of the topic, because she’s always brilliant. But The Library Book is a particularly beautiful and soul-expanding book—even by Orleanean standards. You’re going to hear a lot about how important this story is, for shining a spotlight on libraries and the heroic people who run them. That’s all true, but there’s an even better reason to read it—because it will keep you spellbound from first page to last. Don’t miss out on this one, people!" —Elizabeth Gilbert, author of Eat Pray Love and Big Magic
10/01/2021
When a writer pairs their passions with their work, it shows. Inspired by her lifelong love of animals, Orlean (The Library Book; The Orchid Thief) has spent decades researching and writing about animals, as well as caring for creatures of her own. This collection of previously published essays (which appeared in the New Yorker, the Atlantic, and Smithsonian Magazine) covers subjects as diverse as homing pigeons, keeping backyard chickens, and a New Jersey woman with 23 tigers in her yard. Orlean's writing is energetic and her joy in the subject matter shines through in the introduction, where she discusses her early love for animals, and in each essay. Readers who have long appreciated her writing will enjoy having her past essays compiled here, accompanied by illustrations. The original publication dates of the essays appear only in the back matter and not next to the essays themselves; this might confuse readers who are encountering one of the essays for the first time and don't know its historical context. For example, Orlean's 2002 essay about Keiko, of Free Willy fame, ends with him frolicking in open water (the killer whale died in 2003). VERDICT Fans of Orlean's prolific writing will be happy to have these favorites in one set.—Elissa Cooper, Helen Plum Memorial Lib., Lombard, IL
★ 2021-07-15
The beloved author gathers a wide-ranging selection of pieces about animals.
“Animals have always been my style,” writes Orlean at the beginning of her latest delightful book, a collection of articles that originally appeared in “slightly modified form” in the Atlantic, Smithsonian, and the New Yorker, where she has been a staff writer since 1992. The variety on display is especially pleasing. Some essays are classic New Yorker profiles: Who knew that tigers, near extinction in the wild, are common household pets? There are at least 15,000 in the U.S. Her subject, a New Jersey woman, keeps several dozen and has been fighting successful court battles over them for decades. Lions are not near extinction, however; in fact, there are too many. Even in Africa, far more live in captivity or on reserves than in the wild, and readers may be shocked at their fate. Cubs are cute, so animal parks profit by allowing visitors to play with them. With reserves at capacity, cubs who mature may end up shot in trophy hunts or in stalls on breeding farms to produce more cubs. In “The Rabbit Outbreak,” Orlean writes about how rabbit meat was an American staple until replaced by beef and chicken after World War II, whereupon rabbit pet ownership surged. They are now “the third-most-popular pet in the country, ranking just behind dogs and cats.” Readers may be aware of the kerfuffle following the hit movie Free Willy that led to a massive campaign to return the film’s killer whale to the wild, and Orlean delivers a fascinating, if unedifying account. The author handles dogs like a virtuoso, with 10 hilarious pages on the wacky, expensive, but sometimes profitable life of a champion show dog. Among America’s 65 million pet dogs (according to a 2003 report), 10 million go astray every year, and about half are recovered. Orlean engagingly recounts a lost-dog search of epic proportions.
Another winner featuring the author’s trademark blend of meticulous research and scintillating writing.
