[Parachutes ] is about the radical possibility of young women finding and detonating their voices. Yang takes a sledgehammer to rape culture itself, swinging with equal parts artistry and force. If this were a television series it would look fabulous and land deep.” — New York Times Book Review
"In her YA debut, Yang (Front Desk ) draws from personal experience and the news to tell a contemporary story of class discrepancy, the pervasiveness of rape culture, and the Asian diaspora... a multifaceted read, by turns poignant, fun, and exultant in its celebration of the multitudinous experiences and strength inherent in diasporic identity." — Publishers Weekly (starred review)
"A fierce entrance into YA, navigating a plethora of complex themes with great honesty... Claire and Dani’s mettle and solidarity as they contend with the institutions and privilege that hide abuse is gripping and empowering. Yang offers a compelling exploration of the parachute experience and the intersection of ethnicity, class, and reputation, while underscoring striking cultural parallels between America and China. Strong characterization and thoughtful writing make for an unforgettable read." — ALA Booklist (starred review)
"Yang deftly weaves in parallels to recent real-life events... On top of these explorations of nationality and wealth is the realistically pervasive look at rape culture... In short alternating chapters narrated by Dani and Claire, Yang creates a delicate balance between these heavier issues and the lighter moments of high school... [A] powerful exploration of race, class, and power through multiple lenses... An engrossing read that will spark discussions on a wide range of issues." — School Library Journal (starred review)
"Yang has created two distinct and vibrant voices that shimmer with passion for both justice and independence... The convincing narrative, told in alternating first-person perspectives, confronts pervasive and xenophobic stereotypes, with secondary characters’ complex identities adding depth and emotion to the story." — Horn Book Magazine
"Yang writes astutely about the destabilizing combination of family expectations, copious wealth, and absence of adult supervision. She’s also sharply perceptive about the class and race complexities of a community that contains rich Asian visitors and American-born Asians, great wealth and straitened circumstances... A spirited slice of cultural life and story of girls facing cruel inequities, and Yang’s compelling author’s note about parachutes and her own experience of being sexually assaulted adds another poignant facet." — Bulletin of the Center for Children’s Books
“Parachutes is a force. As fast-paced as it is powerful, its story of immigration, social class, and rape culture calls out the damaging consequences of privilege in ways that will make readers want to speak up and take action.” — Randy Ribay, National Book Award finalist and author of Patron Saints of Nothing
“Parachutes is not just a searing drama that explores the lives of Asians in America, it’s a courageous, empowering story about how high women can soar when they lift each other up.” — Stacey Lee, award-winning author of The Downstairs Girl
Awards and Praise for Front Desk : Asian / Pacific American Award for Children’s LiteratureParents’ Choice Gold Medal Fiction Award WinnerNamed a Best Book of the Year by:NPRKirkus ReviewsPublishers WeeklyWashington PostAmazonSchool Library JournalBookpageNew York Public LibraryChicago Public LibraryTop Ten Debut Novels 2018 — ALA Booklist
* “Debut author Yang weaves in autobiographical content while creating a feisty and empowered heroine. The supporting characters are rich in voice and context ...achingly reveal life in America in the 1990s for persons of color and those living in poverty.” — Kirkus Reviews (starred review)
* “Mia herself is an irresistible protagonist, and it is a pleasure to see both her writing and her power grow... Many young readers will see themselves in Mia and her friends.... A swiftly moving plot and a winsome protagonist.” — School Library Journal (starred review)
* “It’s the details that sing in this novel...This book will help foster empathy for the immigrant experience for young readers, while for immigrant children, it is a much-needed and validating mirror....Deserving of shelf space in every classroom and library.” — Booklist (starred review)
“Reminiscent of the television series Fresh Off the Boat ... Basing the story on her own childhood experiences, Yang writes Mia’s dreams into reality without sacrificing or minimizing the heartbreaking realities of many immigrants’ hardships... there is much satisfaction in this book’s powerful and heart-wrenching close.” — Bulletin of the Center for Children’s Books (starred review)
“Front Desk is a story about the hardships of immigrant life, the perpetuation of injustice, and a sweet, kind, indomitable young girl who chooses to rise up and fight no matter how hard it gets. Kelly Yang’s debut is a stunner. — Mike Jung, author of Unidentified Suburban Object
“In this noteworthy, immensely enjoyable novel, Kelly Yang (Front Desk ) tackles some of the systemic inequalities that foster racism, misogyny and sexual assault. She convincingly brings to light ways in which victims are often judged more harshly than their aggressors, but also provides a template for change. Yang dives with aplomb into issues of opulence and poverty, power and impotence.” — Shelf Awareness
[Parachutes ] is about the radical possibility of young women finding and detonating their voices. Yang takes a sledgehammer to rape culture itself, swinging with equal parts artistry and force. If this were a television series it would look fabulous and land deep.
New York Times Book Review
Parachutes is not just a searing drama that explores the lives of Asians in America, it’s a courageous, empowering story about how high women can soar when they lift each other up.
"Yang writes astutely about the destabilizing combination of family expectations, copious wealth, and absence of adult supervision. She’s also sharply perceptive about the class and race complexities of a community that contains rich Asian visitors and American-born Asians, great wealth and straitened circumstances... A spirited slice of cultural life and story of girls facing cruel inequities, and Yang’s compelling author’s note about parachutes and her own experience of being sexually assaulted adds another poignant facet."
Bulletin of the Center for Children’s Books
Front Desk is a story about the hardships of immigrant life, the perpetuation of injustice, and a sweet, kind, indomitable young girl who chooses to rise up and fight no matter how hard it gets. Kelly Yang’s debut is a stunner.
* “It’s the details that sing in this novel...This book will help foster empathy for the immigrant experience for young readers, while for immigrant children, it is a much-needed and validating mirror....Deserving of shelf space in every classroom and library.
Booklist (starred review)
"Yang writes astutely about the destabilizing combination of family expectations, copious wealth, and absence of adult supervision. She’s also sharply perceptive about the class and race complexities of a community that contains rich Asian visitors and American-born Asians, great wealth and straitened circumstances... A spirited slice of cultural life and story of girls facing cruel inequities, and Yang’s compelling author’s note about parachutes and her own experience of being sexually assaulted adds another poignant facet."
Bulletin of the Center for Children's Books
"Yang writes astutely about the destabilizing combination of family expectations, copious wealth, and absence of adult supervision. She’s also sharply perceptive about the class and race complexities of a community that contains rich Asian visitors and American-born Asians, great wealth and straitened circumstances... A spirited slice of cultural life and story of girls facing cruel inequities, and Yang’s compelling author’s note about parachutes and her own experience of being sexually assaulted adds another poignant facet."
Bulletin of the Center for Children’s Books
Know this, weary readers: Parachutes is not a book about sexual violence or broken girls or the polluting forces of shame and isolation. It is about the radical possibility of young women finding and detonating their voices. In giving her characters permission to bravely unburden themselves of the vileness of their abusers and the systems that protect them, Yang takes a sledgehammer to rape culture itself, swinging with equal parts artistry and force.
The New York Times Book Review - Karen Valby
★ 04/13/2020
In her YA debut, Yang (Front Desk ) draws from personal experience and the news to tell a contemporary story of class discrepancy, the pervasiveness of rape culture, and the Asian diaspora. Claire Wang, a high school junior living in Shanghai, is used to a life of luxury, while Filipina American Dani De La Cruz, a debate champ and Yale hopeful who is on a full scholarship at California’s American Preparatory, is living a completely different life, cleaning homes to help make ends meet. After receiving a bad grade, Claire is appalled when her parents transfer her to an American high school: Dani’s. American Prep is a magnet for parachutes, or “kids from China who come to the U.S. on our own,” often scions of wealthy families. When Dani’s mom rents out their spare room to an international student, the girls’ lives become twined, even as they chafe at the other’s socioeconomic misunderstandings. But when each girl experiences a traumatic incident, they learn about the devastating convergences of power, money, and male privilege. Despite occasionally flat side characters, this is a multifaceted read, by turns poignant, fun, and exultant in its celebration of the multitudinous experiences and strength inherent in diasporic identity. Ages 14–up. Agent: Tina Dubois, ICM Partners. (May)
"A fierce entrance into YA, navigating a plethora of complex themes with great honesty... Claire and Dani’s mettle and solidarity as they contend with the institutions and privilege that hide abuse is gripping and empowering. Yang offers a compelling exploration of the parachute experience and the intersection of ethnicity, class, and reputation, while underscoring striking cultural parallels between America and China. Strong characterization and thoughtful writing make for an unforgettable read."
ALA Booklist (starred review)
Awards and Praise for Front Desk : Asian / Pacific American Award for Children’s LiteratureParents’ Choice Gold Medal Fiction Award WinnerNamed a Best Book of the Year by:NPRKirkus ReviewsPublishers WeeklyWashington PostAmazonSchool Library JournalBookpageNew York Public LibraryChicago Public LibraryTop Ten Debut Novels 2018
“Parachutes is a force. As fast-paced as it is powerful, its story of immigration, social class, and rape culture calls out the damaging consequences of privilege in ways that will make readers want to speak up and take action.”
"Yang has created two distinct and vibrant voices that shimmer with passion for both justice and independence... The convincing narrative, told in alternating first-person perspectives, confronts pervasive and xenophobic stereotypes, with secondary characters’ complex identities adding depth and emotion to the story."
Reminiscent of the television series Fresh Off the Boat ... Basing the story on her own childhood experiences, Yang writes Mia’s dreams into reality without sacrificing or minimizing the heartbreaking realities of many immigrants’ hardships... there is much satisfaction in this book’s powerful and heart-wrenching close.
Bulletin of the Center for Children’s Books (starred review)
In this noteworthy, immensely enjoyable novel, Kelly Yang (Front Desk ) tackles some of the systemic inequalities that foster racism, misogyny and sexual assault. She convincingly brings to light ways in which victims are often judged more harshly than their aggressors, but also provides a template for change. Yang dives with aplomb into issues of opulence and poverty, power and impotence.
* “It’s the details that sing in this novel...This book will help foster empathy for the immigrant experience for young readers, while for immigrant children, it is a much-needed and validating mirror....Deserving of shelf space in every classroom and library.
Booklist (starred review)
Reminiscent of the television series Fresh Off the Boat ... Basing the story on her own childhood experiences, Yang writes Mia’s dreams into reality without sacrificing or minimizing the heartbreaking realities of many immigrants’ hardships... there is much satisfaction in this book’s powerful and heart-wrenching close.
Bulletin of the Center for Children’s Books (starred review)
Reminiscent of the television series Fresh Off the Boat ... Basing the story on her own childhood experiences, Yang writes Mia’s dreams into reality without sacrificing or minimizing the heartbreaking realities of many immigrants’ hardships... there is much satisfaction in this book’s powerful and heart-wrenching close.
Bulletin of the Center for Children's Books (starred review)
★ 04/01/2020
Gr 9 Up— Dani, of Filipino descent and a scholarship student at a prestigious private school in Southern California, hopes to win a debate scholarship to Yale. To bring in some extra income, her mom rents out their spare room to an exchange student, Claire, one of many uber-wealthy students from China attending Dani's school. Although they live together, they have very different experiences at school. Through her part-time job as a house cleaner, Dani discovers how many of her classmates use their wealth to facilitate cheating and pay for opportunities she cannot access. Yang deftly weaves in parallels to recent real-life events, such as the Varsity Blues college admissions scandal and the Duke University email urging Chinese students to speak English. On top of these explorations of nationality and wealth is the realistically pervasive look at rape culture, from creepy host families and catcalling to a teacher sexually harassing a student and an actual rape. In short alternating chapters narrated by Dani and Claire, Yang creates a delicate balance between these heavier issues and the lighter moments of high school. The story seamlessly explores several difficult topics without veering into "issue-book" territory. The real feat comes at the end when Yang strikes a hopeful and powerful tone, despite the school's disappointing response to reports of sexual violence. VERDICT This is a powerful exploration of race, class, and power through multiple lenses, the most powerful being sexual harassment and rape. An engrossing read that will spark discussions on a wide range of issues.—Jennifer Rothschild, Arlington County Public Libraries, VA
2020-02-26
Claire is a rich 11th grader in Shanghai; Dani is a scholarship student at a private school in Southern California who helps her mother clean houses. When Claire is parachuted into America to finish high school and Dani’s mother needs the income from a boarder, they become unlikely housemates. Told in alternating voices, Yang’s YA debut tells two disparate narratives that overlap but, unfortunately, never truly connect. In one, Claire is swept off her feet by one of the cutest (and richest) boys in school—by his attention, his mansion, and his Lamborghini. Meanwhile, Dani, whose mother is Filipina and whose absent father’s ethnicity is unspecified, believes that securing a spot at an upcoming debate tournament will be her ticket to Yale. Her debate coach singles her out for attention but crosses the line into predatory behavior; Claire’s experiences are also traumatic. While these developments are heartbreaking, compelling, and ultimately empowering, they follow lengthy exposition and plotlines involving several secondary characters. Unfortunately, supporting characters are portrayed flatly, without true exploration, so each comes to represent a stereotype whose purpose seems to be teaching readers about a particular experience or point of view. Claire’s and Dani’s stories are much more nuanced, but the overall result is an uneven and lengthy read.
Important stories are overshadowed by too many subplots. (Fiction. 14-18)
