Paris Was Ours: Thirty-Two Writers Reflect on the City of Light

Paris Was Ours: Thirty-Two Writers Reflect on the City of Light

by Penelope Rowlands


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Product Details

ISBN-13: 9781565129535
Publisher: Algonquin Books of Chapel Hill
Publication date: 02/08/2011
Pages: 288
Sales rank: 382,488
Product dimensions: 5.60(w) x 8.10(h) x 1.10(d)

About the Author

PENELOPE ROWLANDS has written about culture and the arts for Architectural Digest, the Daily Beast, Vogue, WSJ. Magazine, and other publications. Her books include the anthology Paris Was Ours and A Dash of Daring: Carmel Snow and Her Life in Fashion, Art, and Letters, a biography of the legendary editor-in-chief of Harper’s Bazaar. Find her at

Read an Excerpt

Paris Was Ours

thirty-two writers reflect on the city of light

Algonquin Books of Chapel Hill

Copyright © 2011 Penelope Rowlands
All right reserved.

ISBN: 978-1-56512-953-5

Chapter One

véronique vienne

L'Argent Is No Object

I interrupted her: "Tell me again. Why exactly am I supposed to put money away?" Her jaw dropped. "Excuse me?" she asked. She had managed my portfolio for more than ten years, and not once had I expressed doubts about the need to plan for the future or unhappiness regarding her long-term investment strategy. "Why not spend my capital now, while I am still in good health?" I asked. She hesitated. Was I joking? Momentarily deranged? Exhibiting early signs of Alzheimer's? She tucked a strand of hair behind her ear. But I made no move to get her off the hook. She groped for an answer. Opened her mouth. Forced a smile. "You are kidding, of course," she said.

In retrospect, I remember this uncomfortable pause as the exact moment when I made up my mind to move back to Paris.

the year 2007 looked pretty good as my plane was banking over the countryside surrounding the Charles de Gaulle Airport. I had just sold my Brooklyn Heights apartment at the top of the market and was moving into a one-hundred-square-meter rental in the first arrondissement. How bad could that be? As we were approaching the runway, the snow-dusted landscape appeared fastidiously groomed, with its meticulously mapped fields, thick hedges, and regularly spaced apple trees. The well-tempered farmland of the Île-de-France was shockingly unlike the urban sprawl surrounding JFK. The silhouette of a small village huddled around its pointy church steeple echoed that of Paris - the profile of the Eiffel Tower poking out of the fog in the distance.

The insidious power of numbers had turned my life in the United States into a system of checks and balances. I woke up every morning wondering how I could be more productive. My freelance income was no longer what it used to be. My husband would lie awake at night worrying about his bonus. He agonized about meeting his sales projections. The most fun we had as a couple was comparing notes with friends about real estate values. The fear of health care bankruptcy was paralyzing us. Only the prospect of capital gain kept us going. Going where? Eventually we found out: a divorce and Paris.

Many of my French friends, who had fallen in love with New York decades ago and immigrated to the USA, as I had, could not afford to move back home because, paradoxically, they'd become too rich. The dreaded French Wealth Tax (ISF) would have taken too large a bite out of their life's savings. Mercifully, in spite of my portfolio manager's efforts, I didn't have this problem. But I could not have picked a worse time to convert my life from dollars to euros.

In Paris, no one talked about the looming international financial crisis. People read about it in the papers or heard about it on TV but somehow never discussed it. It was a presidential election year. Strikes, protest movements, and political rallies were aplenty, yet dinner table debates about how the dire state of the economy might affect one's pocketbook remained few and far between.

Apparently, public discontent was permissible, but not private disgruntlement.

With the Almighty Dollar in free fall, I would have loved to share my trepidations with someone, but details about my money worries were not deemed an appropriate topic of conversation. Parents, siblings, friends - no one would sit still when I tried to get their sympathy about my fiscal or financial situation. Each time I broached the subject, they would interrupt me, talk about something else, or find a pretext to leave the room. It was creepy. A couple of times I even wondered whether I was dead and only imagined that people could see me.

"You Americans talk about money all the time," my older sister eventually told me, as only an older sister would, her frosty tone resurrecting in me long-buried childhood terrors. In France, money is dirty. Very dirty. It was as if she had caught me playing with my merde. Seizing the moral high ground, she instructed me to call her accountant, an international expert who happened to be one of her former lovers. I traipsed to his fancy offices near the Champs-Élysées, where I was treated to a full-blown flip-board presentation, during which he feverishly scribbled a jumble of pie charts and diagrams. None of what he explained to me made any sense, but he was so tall and handsome, I didn't really mind.

As it turned out, he was the first of a string of expensive accountants I consulted subsequently, each one more attractive than the one before. My second attempt at elucidating my financial situation put me across the desk from a very busy yet utterly charming attorney who spoke at a breakneck speed and never stopped to listen to my questions. Finally, he advised me to waste no time and hire his own accountant, who lived in a project in a godforsaken suburb at the northern end of a subway line. I trudged there and found him eating a sandwich at his desk in an apartment whose front door was left open on a hallway resonating with the sounds of children crying, televisions playing, and vacuum cleaners running. He, too, was movie star material, which was a welcome treat, because by that time I had been rendered numb by the stress of trying to figure out my French fiscal status.

i had yet to meet someone who would listen to my story from the beginning. Even though private financial troubles are as widespread in France as they are everywhere else, they are not the stuff of narrative. For various reasons, mostly historical, tales of rags to riches are not part of the popular culture. The French bourgeoisie are notoriously tight lipped about their affairs, particularly in the provinces. Their love of secrecy is a legacy from prerevolutionary times, when tax inspectors snooped around the countryside, spying on everyone, listening to conversations, hoping to evaluate a person's fortune and figure out how much they could collect. For Parisians, mum's the word as well, but they deflect other people's curiosity about their money with more élan and panache than their country cousins. They'll wax poetic about the most modest objects in their possession but dismiss exorbitantly priced acquisitions as mere commodities.

Tourists are not expected to conform to this unspoken rule of silence. In Parisian restaurants, French patrons would never dream of discussing the credit crunch, promising stocks, or short-term loans, but they are remarkably forgiving of those "noisy guests" (translate "Americans") who are lamenting the cost of a six-day stay in intensive care or regaling their friends with their exploits in the stock market. In order not to be mistaken for one of those visiting Yankees (I have developed a slight American accent, and waiters still bring me the menu in English), I had to rid myself of certain habits I had picked up during my years abroad, such as pointing at merchandise and asking, "How much?" or blurting out "How's business?" when meeting an acquaintance.

When I tried to curb my money talk, though, I realized how much it dominated my thoughts. My dollar dependency was so ingrained, it tricked my brain. I'd confused not talking about money with talking about having no money. I'd assume that saying "I don't think that I can afford a three-hundred-thousand-dollar studio in Paris" was a show of restraint. I didn't understand why this comment only got me a glassy-eyed response from my French friends. They'd mark just a pause, but it was enough of a reprimand to fill me with shame. My blunders revealed to me how much I had been conditioned to rely on money as a universal system of reference. So I tried again, remarking in all earnestness that "I got the Epson Stylus printer because it was the cheapest option." Wrong again! Only after the fact was I able to figure out that I should not quote a price, bring up a cost, or mention an expense. How about, "It's either a small studio in Paris or three Cartier diamond necklaces. The Epson Stylus is neat, but no faster than a golf cart"?

"If you don't talk about money, what's left to talk about?" asked a Los Angeles friend who thinks that you'd have to be insane not to go crazy over the rising cost of everything.

What's left to talk about? The asparagus season, the Tour de France, Japanese art, the films of Jean-Luc Godard, photojournalism, Yoko Ono, how to silence creaky floorboards, women's sports, the wonders of foot surgery, Cartier-Bresson, revisionist history, great radio programs, the latest Grand Palais contemporary art exhibition, and, last but not least, best recipes for beef bourguignon.

Not talking about money is what cultural life in Paris is all about.

during my first year in Paris I didn't just learn not to mention the content of my wallet, my bank account, or my retirement investment portfolio; I also familiarized myself with the body language of monetary moderation. The new gestures associated with the distribution of funds were strangely exacting. Tipping waiters and cabdrivers demanded that I dole out small change with homeopathic precision. An overgenerous contribution to the cash economy could be construed as a criticism of people's hard-won, union-negotiated salaries. God help me if I tried to grab the check at the end of a meal with good friends. They felt insulted. I'd embarrassed my dinner companions whenever I waved my credit card in the direction of the waitress, to attract her attention and let her know that I wanted the check. When it came at long last, I was chastised for not studying it carefully to make sure that the amount was right. "Don't look like you are throwing your money around," I was told.

No one seems in a rush to make the cash register ring. To postpone as long as possible the moment when money will have to change hands, a lot of verbal reciprocity takes place across oak-veneered checkout counters or on either side of zinc-covered bar tops. In Paris, small talk with shopkeepers and waiters rates high as a health and longevity factor, as high as being happily married, exercising regularly, or eating at least three vegetables a day.

When finally it's time to close a deal, the transaction takes place on a downbeat, with merchants taking your cash or credit card almost reluctantly. Instructed to look away as customers type in their PIN, cashiers and waiters glance at the ceiling or examine their shoes to give you a moment of privacy. There is a hush, a strange stillness in the air, one that confers a delicious surreptitiousness to the act of spending.

parisians approach parting with money as they do foreplay: with plenty of time to spare. On more than one occasion I have stared in disbelief as French friends couldn't figure out whether to pay for their sandwich with a personal check or a credit card. Apparently, they enjoyed the suspense. Rushing the proceeding would have been crass. Standing by as they waffled, patiently waiting for them to make up their minds, was not unlike watching an excruciatingly slow sex scene in a foreign film.

In Paris, before possessing an object of desire, one tries to covet it for as long as one can. Yearning for something is believed to be more enjoyable than buying it. Monetary or amatory, preliminaries are savored leisurely. The same man who takes his sweet time deliberating over the best method of payment for an eight-euro tab will win you over by creating equally awkward diversions d'amour as he attempts to lead you from the bistro table to the bedroom. On the way, he will probably manage to get his car towed away, buy you flowers, ask you to tag along as he retrieves a package from the post office, and take you to visit his aunt in Neuilly. You are an emotional wreck by the time he decides to kiss you as you ride up in his creaky elevator. Alone with you at last, he might forget, in the heat of the action, to remove his black socks, step out of his trousers scrunched up around his ankles, or mention that he has a wife and two kids. He will most likely choose the moment when you are on all fours on his Oriental rug, looking for your lost earring, to declare that you are the most beautiful woman on earth.

With a man like this a typical Parisian artist the topic of money simply never comes up. At least not until you decide, as I did, to acquire one of his paintings. The occasion was an open-studio event, with all his friends milling around, munching on cheese and crackers and drinking champagne. A monumental canvas was beckoning me. I could not reasonably afford to squander rent money on such a frivolous purchase, but even in Paris, being broke is seldom an incentive to thrift. There was no price list, and so I could not evaluate what it would cost for me to buy this particularly handsome piece. However, trying to handle the situation like a pro was a challenge I could not resist.

"Would you part with it?" I asked him, motioning in the direction of the painting. He was surprised. "Is there a wall in your apartment large enough for it?"

Now, the sex had been pretty good, but this turned out to be even better. I bought the painting from him without either of us ever having mentioned a price or negotiated an amount. The exercise presented itself as an equation in which not only was x an unknown, but so were all the other letters of the seduction alphabet. I finessed it by writing a series of random checks, which I mailed to him in envelopes containing other unrelated information regarding various art shows. When he called me, we talked over the phone about his recipe for rabbit stew. He e-mailed me pictures of his daughters taken that summer in Normandy. We made plans to go to New York to visit the Dia:Beacon museum. And then one day he rang my bell and showed up with the huge canvas wrapped in crisp paper the color of candied chestnuts. Our affair had been over long before, with no repeat performance scheduled anytime soon, but suddenly we were in love.

at long last, I am getting the hang of it. Paris is becoming my personal tax haven, my Liechtenstein, my Gibraltar, my Aruba, my state of Delaware. Here I can evade greed, find respite from acquisitiveness, dodge my self-aggrandizing ambitions. I no longer feel the urge to rage against the hidden costs of banking operations, the abysmal exchange rates, or the extra charges on my phone bills. Give me a couple of months and I will stop fretting when the stock market takes yet another plunge. I may not even notice when it goes back up again. I can almost see the day when being broke will bother me about as much as breaking a fingernail.

Only last month I met a young Frenchwoman who had spent six years as a successful artists' representative in Los Angeles and had recently moved back to Paris, her hometown. Reentry was proving so grueling that she was exhibiting symptoms usually associated with road rage. She became incoherent as she tried to convey to me her vexation at being turned down by a local bank that had refused to let her open a checking account. I was not unsympathetic: that morning I had received a threatening letter from URSSAF, one of many organizations that levy heavy taxes on individuals to offset the cost of paying for the French government's generous social services. So I understood what she was going through - I understood, yet I refused to feel sorry for her. I knew that she would soon appreciate the irony of it all. Living in Paris is "priceless," but it will cost you. It ain't cheap, yet it is one of the greatest bargains on earth. In our day and age, there are only two ways to get free of money worries: either accumulate wealth, lots of it, or move to Paris.


Excerpted from Paris Was Ours Copyright © 2011 by Penelope Rowlands. Excerpted by permission of Algonquin Books of Chapel Hill. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents


Introduction: L'Arrivée....................ix
Véronique Vienne, L'Argent Is No Object....................1
Diane Johnson, Learning French Ways....................11
Walter Wells, Becoming a Parisian....................19
Caroline Weber, Love without Reason....................26
Samuel Shimon, Keep Your Distance....................38
Joe Queenan, Friends of My Youth....................43
Valerie Steiker, Fledgling Days....................56
David Sedaris, The Tapeworm Is In....................69
Jeremy Mercer, My Bookstore High....................72
Mark Gaito, Chantal's Gift....................82
Alice Kaplan, My Day with Mr. D....................89
Janine di Giovanni, Parenting, French-Style....................92
Patric Kuh, Deal With It....................98
C. K. Williams, Two Paris Poems....................105
Natasha Fraser-Cavassoni, Understanding Chic....................108
Julie Lacoste, It's My Home, That's All....................117
Janet McDonald, Just Another American....................123
Judith Warner, Toward a Politics of Quality of Life....................131
Roxane Farmanfarmaian, Out of the Revolution....................138
Lily Tuck, My Literary Paris....................154
Zoé Valdés, The Tribulations of a Cuban Girl in Paris....................163
Richard Armstrong, Montparnasse and Beyond....................178
Judith Thurman, Guillaume à Paris....................183
Karen Schur, Ma Vie Bohème....................193
Edmund White, A Mild Hell....................203
Alicia Drake, The Sky Is Metallic....................209
Stacy Schiff, In Franklin's Footsteps....................217
Brigid Dorsey, Litost....................227
Noelle Oxenhandler, La Bourdonneuse....................239
Marcelle Clements, Paris Is Gone, All Gone....................244
David Lebovitz, Enfin....................252
Penelope Rowlands, Le Départ....................259
Credits and Permissions....................277

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Paris Was Ours 3.8 out of 5 based on 0 ratings. 25 reviews.
lakeviewgirl More than 1 year ago
I love Paris. Almost every essay transported me back to her. As I read, closed my eyes, I could feel, smell, almost touch the experiences of each writer. Even if you are not a fan of Paris you could certainly identify with more than one of the tales if you have ever been there. This book is definitley a must read and a great gift for a Parisian lover.
fceexp1 More than 1 year ago
you cannot claim to love paris if this book is not among the books you have read. if you know someone who loves paris, get this book as a gift and you will be thanked at least thirty-two times. the essays are varied and cover a range of experiences and impressions. grab this book, a croissant, and espresso and take a small voyage to paris.
whitreidtan on LibraryThing 10 months ago
Paris has long exerted a hold on the American imagination. It is the glamorous and enticing and haughty. It draws people, ex-pats and students and others, as practically no other city does. Many of our very best writers throughout the last century spent time in the city of light, Hemingway, Fitzgerald, Wharton, Stein, Miller, and many more. And their Parisian experience molded them and molded their writing.In the collection of 32 essays, both previously published and original works, Rowlands has collected the Paris experiences of a new generation of writers who have lived in this most intriguing of cities. Their experiences are not all of a kind but their varied writings serve to create a rounded portrait of the multi-faceted city and its inhabitants. Tackling subjects as different as fashion, food, and their famed intolerance of the etranger (among other topics), all of the writers in this collection share their Parisian experience in ways such that anyone who has him or herself visited Paris will recognize truths and swim in their own memories, good and bad, of the fabled city.As is generally the case, certain of the essays are more poignant or better written or simply more enticing to individual readers but overall, the collection is quite strong. It is diverse enough to cover many aspects of life in the city but also specific enough to draw a detailed view of the different arrondissements and the various people who inhabit them. It was fascinating to hop from essay to essay, dipping into life as a writer researching a book, as an African-American student frustrated by the fact of her Americanness defining her, as a homeless mother speaking of the cost to live in Paris and the need for a solution, as a witness to French parenting, and so on. Because of the nature of the book and the length of most of the essays, this was the perfect choice to read intermitently, in the car, at kid events, and the like. It was a small bit of escape in an otherwise mundane task.
voracious on LibraryThing 10 months ago
After reading 32 writers describe their time spent in Paris, it is much easier to see how challenging it can be for Americans to live in the French culture. I have never been to Paris, but I've become enamored of it from afar and I picked up this compilation of essays to get my fix. I feel that I have come away with a deeper understanding of the culture, which in some ways runs contrary to US values. Americans tend to be apprehensive to visit France, as they find the French rude, haughty and condescending. Not surprisingly, the French find Americans to be the same way, but even more so, they see us as entitled, as if we can go into their country and expect them to speak English to us (Sound familiar?) The French find Americans to be sloppy, demanding, rude, loud, and poor abiders of rules. Each of the writers talked about how challenging it was to fit in, as Parisians seem to follow their own set of rules, that seem to change arbitrarily and without notice. And, they can be quick to attack when a newbie fails to follow a rule. One writer talked with shock about how as a teenager she stepped on the grass in the park and a complete stranger (man) came up and slapped her across the face. The book takes many angles as the contributers came from many walks of life. Several writers chronicled their university days, remembering fondly the poor conditions of their apartments and lack of food. A few of the contributers are famous, with one famous chef and a noted writer discussing how they have made Paris their home. One essay was written by a homeless lady who blogged about her daily struggles to protect her children while living on the streets. For most, Paris was described fondly but with frustration. The years spent living in Paris were very challenging... some hated to try to speak to storekeepers, but finally learned the rules of what to expect and how to stand firm. Others found it challenging to find enough cheap food to eat, as they would sometimes walk all over Paris to find it. The irony being that the food that was found was sometimes of such exceptional quality that it far exceeded student faire. The stories offered great bredth and depth regarding both the beauty and the dark sides of the culture. For example, while women are given exceptional benefits in the workplace with long maternity leaves and protected jobs, they are also light years behind in being treated as equals and not as sexual objects. This topic was explored by an author who gave birth to her children in Paris and was astounded by the benefits, while having to accept the other aspects, such as having men make advances on her in lewd fashion, which was apparently common at the time. Parenting also, is apparently much different, as the French culture does not encircle around the child, rather the child must come along to follow rules and get in line with the parent's agenda. In all, this was a fascinating glimpse of a much different culture than ours, one that has been around for much longer yet not changed as much over time. I'm not sure if it made me want to visit Paris more or less than I did when I started. At least I will feel that I understand a little more about it when I do make a trip!
Anonymous More than 1 year ago
Very much enjoyed the view of this historic city through a well-thought out selection of personalities. As, with any and all venues, and, for that matter, experiences, how they are viewed always comes down to, the eye of the beholder." The work brings into fresh relief, that modern, but already well-worn, phrase: What is it? "It is...what it is.. "
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"But I don't want to go."
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