Playing Offstage: The Theater as a Presence or Factor in the Real World
By Gigi Argyropoulou (Contribution by), S. P. Cerasano (Contribution by), Lance Duerfahrd (Contribution by), Joe Falocco (Contribution by), Uli Jäckle (Contribution by), Gina MacKenzie (Contribution by), Daniel T. O'Hara (Contribution by), James Penner (Contribution by), Brian Rhinehart (Contribution by), Elizabeth Sakellaridou (Contribution by), Horacio Sierra (Contribution by), Avra Sidiropoulou (Contribution by), Natascha Siouzouli (Contribution by), Sidney Homan (Editor)
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By Gigi Argyropoulou (Contribution by), S. P. Cerasano (Contribution by), Lance Duerfahrd (Contribution by), Joe Falocco (Contribution by), Uli Jäckle (Contribution by), Gina MacKenzie (Contribution by), Daniel T. O'Hara (Contribution by), James Penner (Contribution by), Brian Rhinehart (Contribution by), Elizabeth Sakellaridou (Contribution by), Horacio Sierra (Contribution by), Avra Sidiropoulou (Contribution by), Natascha Siouzouli (Contribution by), Sidney Homan (Editor)
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Fourteen scholars who work on campus or in the theater address this issue of what it means to play offstage. With their individual definition of what “offstage” could mean, the results were, predictably, varied. They employed a variety of critical approaches to the question of what happens when the play moves into the audience or beyond the physical playhouse itself? What are the social, cultural, and political ramifications? Questions of “how” and “why” actors play offstage admit the large...



