Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario
By Arved Ashby (Contribution by), Chris Dennis (Contribution by), Vanessa Knights (Contribution by), Denilson Lopes (Contribution by), Steven Loza (Contribution by), Cristina Magaldi (Contribution by), Daniel Party (Contribution by), Greg Schelonka (Contribution by), Barry Shank (Contribution by), Helena Simonett (Contribution by), Ignacio Corona (Editor), Alejandro L. Madrid (Editor)
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By Arved Ashby (Contribution by), Chris Dennis (Contribution by), Vanessa Knights (Contribution by), Denilson Lopes (Contribution by), Steven Loza (Contribution by), Cristina Magaldi (Contribution by), Daniel Party (Contribution by), Greg Schelonka (Contribution by), Barry Shank (Contribution by), Helena Simonett (Contribution by), Ignacio Corona (Editor), Alejandro L. Madrid (Editor)
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Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization.
"Hybridity," "postnationalism," "transnationalism," "globalization," "diaspora," and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped...
"Hybridity," "postnationalism," "transnationalism," "globalization," "diaspora," and similar buzzwords have not only informed scholarly discourse and analysis of music but also shaped...























