In Pretend We’re Dead, Annalee Newitz argues that the slimy zombies and gore-soaked murderers who have stormed through American film and literature over the past century embody the violent contradictions of capitalism. Ravaged by overwork, alienated by corporate conformity, and mutilated by the unfettered lust for profit, fictional monsters act out the problems with an economic system that seems designed to eat people whole.
Newitz looks at representations of serial killers, mad doctors, the undead, cyborgs, and unfortunates mutated by their involvement with the mass media industry. Whether considering the serial killer who turns murder into a kind of labor by mass producing dead bodies, or the hack writers and bloodthirsty actresses trapped inside Hollywood’s profit-mad storytelling machine, she reveals that each creature has its own tale to tell about how a freewheeling market economy turns human beings into monstrosities.
Newitz tracks the monsters spawned by capitalism through b movies, Hollywood blockbusters, pulp fiction, and American literary classics, looking at their manifestations in works such as Norman Mailer’s “true life novel” The Executioner’s Song; the short stories of Isaac Asimov and H. P. Lovecraft; the cyberpunk novels of William Gibson and Marge Piercy; true-crime books about the serial killers Ted Bundy and Jeffrey Dahmer; and movies including Modern Times (1936), Donovan’s Brain (1953), Night of the Living Dead (1968), RoboCop (1987), The Silence of the Lambs (1991), and Artificial Intelligence: AI (2001). Newitz shows that as literature and film tell it, the story of American capitalism since the late nineteenth century is a tale of body-mangling, soul-crushing horror.
|Publisher:||Duke University Press Books|
|Product dimensions:||6.00(w) x 9.25(h) x 1.20(d)|
About the Author
Annalee Newitz is a contributing editor at Wired magazine and a freelance writer in San Francisco. She is the former culture editor at the San Francisco Bay Guardian and was the recipient of a Knight Science Journalism Fellowship in 2002–03. She is a coeditor of White Trash: Race and Class in America and Bad Subjects: Political Education for Everyday Life. She has written for New York magazine, and numerous other publications, including The Believer, salon.com, and Popular Science. Newitz has a Ph.D. in English and American Studies from the University of California, Berkeley.
Table of ContentsAcknowledgments vii
Introduction: Capitalist Monsters 1
1. Serial Killers: Murder Can Be Work 13
2. Mad Doctors: Professional Middle-Class Jobs Make You Loose Your Mind 53
3. The Undead: A Haunted Whiteness 89
4. Robots: Love Machines of the World Unite 123
5. Mass Media: Monsters of the Culture Industry 151
Most Helpful Customer Reviews
"Lets Pretend We're Dead" is a straightforwardly Marxist examination of various categories of film monster. Annalee Newitz argues that many of the common styles of "monsters" found in Hollywood films are actually emblematic of the fears and anxieties that are endemic among those forced to live in a capitalist society. I particularly liked her examination of how the mad scientist figure reflects the psychological requirements for professional success. Brisk, remarkably free of jargon and not afraid to stake out sweeping positions, Newitz's book should not be confused with the common "fan boy" approach to writing about genre movies. Newitz regards capitalist society as fundamentally sick, and our interest in horror films is therefore a way of obliquely addressing that sickness. I would particularly reccomend this to someone just dipping their toe into the field of literary criticism, as Newitz's lucid prose is a lot easier to take than that of many other critical writers.