Producing Great Sound for Film and Video: Expert Tips from Preproduction to Final Mix

Producing Great Sound for Film and Video: Expert Tips from Preproduction to Final Mix

by Richard Rose
Producing Great Sound for Film and Video: Expert Tips from Preproduction to Final Mix

Producing Great Sound for Film and Video: Expert Tips from Preproduction to Final Mix

by Richard Rose

Hardcover(4th ed.)

$230.00 
  • SHIP THIS ITEM
    Qualifies for Free Shipping
  • PICK UP IN STORE
    Check Availability at Nearby Stores

Related collections and offers


Overview

In Producing Great Sound for Film and Video, Fourth Edition audio guru Jay Rose revises his popular text for a new generation of filmmakers. You‘ll learn practical, time-saving ways to get better recordings, solve problems with existing audio, create compelling tracks, and boost your filmmaking to the next level!

Here you‘ll find real-world advice and practical guidelines for every aspect of your soundtrack: planning and budgeting, field and studio recording, editing, sound effects and music, audio repair, processing, and mixing. Rose‘s combination of solid technical information and a clear, step-by-step approach has made this the go-to book for producers and film students for over a decade.

New in this edition:

  • Insights and from-the-trenches tips from top professionals
  • Instructions for getting the best results from new DSLRs and digital recorders
  • What you need to know about new regulations for wireless mics and broadcast loudness
  • An expanded "How Do I Fix This?" section to help you solve problems quickly

Whether you‘re an aspiring filmmaker who wants better tracks, or an experienced professional looking for a reference, Producing Great Sound for Film and Video, Fourth Edition has the information you need.


Product Details

ISBN-13: 9781138468788
Publisher: Taylor & Francis
Publication date: 09/11/2017
Edition description: 4th ed.
Pages: 570
Product dimensions: 7.50(w) x 9.25(h) x (d)

About the Author

Jay Rose, CAS is a nationally respected sound designer. His Clio- and Emmy- winning career has included program openers for NBC, theatrical film for MGM, festival-winning documentaries, and more than a thousand corporate, broadcast, and commercial projects. He’s also been a columnist for DV Magazine and ProVideoCoalition.com, and a consultant for major pro audio manufacturers.

Table of Contents

Chapter 1: Audio Basics

Chapter 2: How Digital Audio Works

Chapter 3: Audio on a Wire

Chapter 4: Planning and Pre-Pro

Chapter 5: Budgeting, Scheduling, and Pre-production

Chapter 6: Production Sound

Chapter 7: Production Mic Technique

Chapter 8: Production Recording

Chapter 9: Recording, Voice-overs, ADR, and Effects (available as an online supplement)

Chapter 10: Postproduction

Chapter 11: Postproduction Hardware

Chapter 12: Levels and Digitizing

Chapter 13: Editing Voices

Chapter 14: Working with Music

Chapter 15: Sound Effects

Chapter 16: Processing

Chapter 17: The Mix

Chapter 18: Help! It Doesn’t Sound Right!

Appendix A: Glossary

Appendix B: Resources

From the B&N Reads Blog

Customer Reviews