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Purity Is a Myth: The Materiality of Concrete Art from Argentina, Brazil, and Uruguay

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In the years after World War II, artists in Argentina and Brazil experimented with geometric abstraction and engaged in lively debates about the role of art in society. This volume presents essays on the South American concrete art movement of the 1940s to the 1960s and offers new collaborative research across the disciplines of art history, technical art history, conservation, and conservation science. This compelling addition to the field of postwar Latin American art is important for sch...