Queen Anne and the Arts
By Barbara Benedict (Contribution by), Kevin L. Cope (Contribution by), Brian Corman (Contribution by), Julia Fawcett (Contribution by), Jayne Lewis (Contribution by), Estelle Murphy (Contribution by), Juan Christian Pellicer (Contribution by), Cedric D. Reverand II (Contribution by), Nicholas Seager (Contribution by), Philip Smallwood (Contribution by), Abigail Williams (Contribution by), Amanda Winkler (Contribution by), James A. Winn (Contribution by), Cedric D. Reverand II (Editor)
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By Barbara Benedict (Contribution by), Kevin L. Cope (Contribution by), Brian Corman (Contribution by), Julia Fawcett (Contribution by), Jayne Lewis (Contribution by), Estelle Murphy (Contribution by), Juan Christian Pellicer (Contribution by), Cedric D. Reverand II (Contribution by), Nicholas Seager (Contribution by), Philip Smallwood (Contribution by), Abigail Williams (Contribution by), Amanda Winkler (Contribution by), James A. Winn (Contribution by), Cedric D. Reverand II (Editor)
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The cultural highlights of the reign of Queen Anne (1702-1714) have long been overlooked. However, recent scholarship, including the present volume, is demonstrating that Anne has been seriously underestimated, both as a person, and as a monarch, and that there was much cultural activity of note in what might be called an interim period, coming after the deaths of Dryden and Purcell but before the blossoming of Pope and Handel, after the glories of Baroque architecture but before the triump...























