Race and Vision in the Nineteenth-Century United States
By Shirley Samuels (Introduction), Kirsten Pai Buick (Contribution by), Irene Cheng (Contribution by), Martha J. Cutter (Contribution by), Brigitte Fielder (Contribution by), Jennifer Greiman (Contribution by), Wyn Kelley (Contribution by), Kya Mangrum (Contribution by), Kelli Morgan (Contribution by), Janet Neary (Contribution by), Adena Spingarn (Contribution by), Cheryl Spinner (Contribution by), Christine Yao (Contribution by), Shirley Samuels (Editor)
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By Shirley Samuels (Introduction), Kirsten Pai Buick (Contribution by), Irene Cheng (Contribution by), Martha J. Cutter (Contribution by), Brigitte Fielder (Contribution by), Jennifer Greiman (Contribution by), Wyn Kelley (Contribution by), Kya Mangrum (Contribution by), Kelli Morgan (Contribution by), Janet Neary (Contribution by), Adena Spingarn (Contribution by), Cheryl Spinner (Contribution by), Christine Yao (Contribution by), Shirley Samuels (Editor)
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Race and Vision in the Nineteenth-Century United States is a collection of twelve essays by cultural critics that exposes how fraught relations of identity and race appear through imaging technologies in architecture, scientific discourse, sculpture, photography, painting, music, theater, and, finally, the twenty-first century visual commentary of Kara Walker. Throughout these essays, the racial practices of the nineteenth century are juxtaposed with literary practices involving some of the...






















