Radenko Milak. Post-Millennium Tension

When we first see one of Radenko Milak’ s (*1980, Travnik near Banja Luka) watercolors, we feel we » recognize« it, as there is always a before and after, like in a film loop – a unique quality of his work, writes Udo Kittelmann in his essay. Standing before a Milak painting, we believe we are seeing a fragment of something larger, a glimpse of the world or the universe, much like a photograph is always a snapshot of a theoretically endless image. Moreover, almost every motif he chooses dra...