The author of Alice takes readers back down the rabbit hole to a dark, twisted, and fascinating world based on the works of Lewis Carroll...
The land outside of the Old City was supposed to be green, lush, hopeful. A place where Alice could finally rest, no longer the plaything of the Rabbit, the pawn of Cheshire, or the prey of the Jabberwocky. But the verdant fields are nothing but ash—and hope is nowhere to be found.
Still, Alice and Hatcher are on a mission to find his daughter, a quest they will not forsake even as it takes them deep into the clutches of the mad White Queen and her goblin or into the realm of the twisted and cruel Black King.
The pieces are set and the game has already begun. Each move brings Alice closer to her destiny. But, to win, she will need to harness her newfound abilities and ally herself with someone even more powerful—the mysterious and vengeful Red Queen...
About the Author
Christina Henry is the author of The Mermaid, Lost Boy, Alice, Red Queen, and the national bestselling Black Wings series featuring Agent of Death Madeline Black and her popcorn-loving gargoyle, Beezle.
Read an Excerpt
***This excerpt is from an advance uncorrected proof***
Copyright © 2016 Christina Henry
Red Queen excerpt
Interlude in the
In a City where everything was grey and fog-covered and monsters lurked behind every echoing footfall, there was a little man who collected stories. He sat in a parlor covered in roses and this little man was small and neat, his head covered in golden-brown ringlets and his eyes bright and green like a rose’s leaves. He wore a velvet suit of rose red and he urged a cup of tea on his visitor, a wide-eyed girl who looked about her in wonder. She was not certain how she’d gotten here, only that this strange little man had helped her when she thought she was lost.
“Do you like stories?” the little man asked.
He was called Cheshire, and the girl thought that was a very odd name, though this room and his cottage were very pretty.
“Yes,” she said. She was very young still, and did not know yet what Cheshire had saved her from when he came upon her wandering in the streets near his cottage. She was lucky, more than lucky, that it was he who found her.
“I like stories too,” Cheshire said. “I collect them. I like this story because I have a part to play in it—a small part, to be sure, but a part nonetheless.
“Once, there was a girl called Alice, and she lived in the New City, where everything is shining and beautiful and fair. But Alice was a curious girl with a curious talent. She was a Magician. Do you know what a Magician is?”
The girl shook her head. “But I have heard of them. They could do wonders but the ministers drove all the Magicians out of the City long ago.”
“Well,” Cheshire said, and winked. “They thought they did, but a few Magicians remained. And Alice was one of them, though she did not know it yet.
“She had magic, and because of that she was vulnerable, and a girl who was supposed to be Alice’s friend sold her for money to a very bad man called the Rabbit.”
“He was a rabbit?” the girl asked, confused.
“Not really, though he had rabbit ears on a man’s body,” Cheshire said. “The Rabbit hurt Alice, and wanted to hurt her more, wanted to sell her to a man called the Walrus who ate girls for their magic.”
The wide-eyed girl put her cup of tea on Cheshire’s rose-covered table and stared. “Ate? Like really eat?”
“Oh, yes, my dear,” Cheshire said. “He ate them all up in his belly. But Alice was quick and clever and she got away from the Rabbit before he could feed her to the Walrus. The Rabbit marked Alice, though, marked her with a long scar on her face to say she was his. My resourceful Alice marked him too—she took his eye out.
“But little Alice, she was broken and sad and confused, and her parents locked her away in a hospital for confused people. There she met a madman with an axe named Hatcher, a madman who grew to love her.
“Hatcher and Alice escaped from the hospital, and traveled through the Old City in search of their pasts and in search of a monster called the Jabberwocky who made the streets run with blood and corpses.”
The girl shuddered. “I know about him.”
“Then I should tell you that Alice, clever Alice, turned him into a butterfly with her magic so that he could never hurt anyone again, and she put that butterfly in a jar in her pocket and there he is till this day—unless he is dead, which is entirely possible.”
“And what of the Rabbit and the Walrus?” the girl asked. “What became of them?”
“Nothing good, my dear,” Cheshire said. “Nothing good at all, for they were bad men and bad men meet bad ends.”
“As they should,” the girl said firmly. “What about Alice? Did she have a happy ending?”
“I don’t know,” Cheshire said.
Alice was a Magician, albeit one who did not know very much about her own magic. She was escaping a City that hated and feared Magicians, which was one of the reasons why she didn’t know so very much about it. Alice was tall and blue-eyed and a little broken inside, but her companion didn’t mind because his insides were more jumbled than hers could ever be.
Hatcher was a murderer, and he knew quite a lot about it. Alice thought that Hatcher knew so much about it that he ought to be capitalized too—a Magician and her Murderer. He was tall and grey-eyed and mad and dangerous but he loved her too, and so they stayed together, both stumbling toward a future that would let them leave their past in the past.
She wished she could do something magical like in a fairy story—make a carpet to fly on, or summon up a handy unicorn to ride. It seemed very useless to be a Magician without spectacular tricks at hand.
At the very least she would have liked to be able to summon a bicycle, though the thought of Hatcher balancing on two wheels while holding his axe made her giggle. Anything would be better than this tunnel, an endless, narrow semidarkness with no relief in sight. She never would have entered it had she known it would take so long to get out again—three days at least, by her reckoning.
Alice thought it must be close to that long, although they had no true way to determine the passage of time.
They slept when they were tired, ate what little provisions they had left in the sack Hatcher carried. Soon enough they were hungry and thirsty, though it had become a familiar feeling and therefore just another discomfort. Food and water never seemed to be a regular occurrence since their escape from the hospital and its regular delivery of porridge morning and night.
During the long walk Alice dreamed of the open fields and trees that she would find at the end, a beautiful verdant land described by Pipkin, the rabbit they rescued from the Walrus’ fight ring. Anything, she thought, would be better than the crushing fog and darkness of the Old City.
Hatcher, in his own Hatcher way, alternated between moody silence and fits of mania. When not brooding he would run ahead of Alice and then back again over and over until he was white and breathless. Sometimes he stopped to box with the walls until his hands were bloody, or take chunks out of the wall with his axe. It seemed to Alice that there was more brooding and less running about than usual, though to be fair he had more to brood on.
He’d just remembered he had a daughter, more than ten years after she’d been sold to a trader far to the East. It wasn’t really his fault that he’d forgotten her, because the events of that day had turned him from Nicholas into the mad Hatcher he was now. Alice suspected that there was guilt and anger and helplessness all churned up inside him, and these feelings mixed with his dreams of blood and sometimes she saw all of this running over his face but he never spoke of it.
And, Alice thought, he’s probably a bit angry with me for putting him to sleep when it was time to face the Jabberwocky.
Alice didn’t regret the decision, though she knew it didn’t suit Hatcher’s notion of himself as her protector. Hatcher had a tendency to swing his axe first and think later, and as it happened, no blood-spilling had been required to defeat the ancient Magician.
She felt the reassuring weight of the little jar in her pants pocket, deliberately turned her mind away from it. Soon enough the Jabberwocky inside would be dead, if he were not already.
The tunnel, which proceeded along level ground since the initial entry into the Old City, sloped abruptly upward. It was then that Alice noticed the lanterns set at intervals had disappeared and that the interior of the cave was lightening.
Hatcher trotted up the steep incline while Alice labored after him, tripping several times and clawing in the dirt to push her body upright. Everything always seemed much harder for Alice, who was not as strong nor as graceful as Hatcher. Occasionally it seemed that her body was actively working against her progress.
When they finally emerged, blinking in the sunlight, Alice decided her disposition was not well suited to a life underground.
She crawled over the lip of the cave entrance, half blind after days underground and squinting through slitted eyes, expecting the soft brush of grass beneath her fingers. Instead there was something that felt like very fine ash, and a few scrubby grey plants poking brave faces toward the sun.
Alice forced her eyes to open wide. It took much more effort than it ought to; her eyes did not want all that glaring light and kept stubbornly closing against her will.
Hatcher ran ahead, already adjusted and seemingly glorying in the freedom after the constraint of the tunnel. She was aware of him as a half-formed shadow through her partially closed lids. He stopped suddenly, and his stillness made Alice struggle to her feet and take a proper look around. Once, she had she almost wished she hadn’t, for this wasn’t an improvement over their recent tunnel life.
They had emerged on the side of a hill that faced what must have once been an open meadow, perhaps dotted with wildflowers and trees and filled with tall grasses. Now there was nothing before them but a blackened waste stretching for miles, broken only by the occasional mound or hill.
“This isn’t what we expected,” Hatcher said.
“No,” Alice said, her voice faint. “What happened here?”
Hatcher shrugged. “There’s no one around to ask.”
Alice fought down the tears that threatened as she looked at the blight all around them. There was nothing to cry about here—no criminals kidnapping women, no streets lined with blood and corpses, no Rabbit to steal her away.
It’s only a wasteland. There’s no one here to hurt you or Hatcher. You can survive this. This is nothing.
Perhaps if she repeated this to herself often enough she could make it true. This is nothing, nothing at all.
But the promise of paradise beyond the walls of the City had sustained her, the dream of a mountain valley and the lake and a sky that was actually blue instead of grey. To have been through so much and discovered only this burned-out land seemed such a poor reward that crying seemed the only reasonable option. She let a few disappointed tears fall, saw them drop into the ash beneath her feet and immediately disappear. Then she scrubbed her face and told herself that was enough of that, thank you very kindly.
Alice walked around the hill to see what lay in the other direction. The New City sparkled in the distance, its high walls and tall white buildings shimmering on the horizon. Caught within the ring of the New City was the blackened sore of the Old City, completely encircled by its neighbor.
“I never realized it was so big,” Alice said as Hatcher joined her. His burst of energy had passed and he was subdued again, though by his troubles or by the landscape Alice did not know.
The combined Cities were a vast blot upon the landscape, stretching into the horizon. Of course it must be tremendous, Alice thought. It took them many days to cross from the hospital to the Rabbit’s lair, and still they had seen only a fraction of the Old City. The close-packed structures of the Old City had, somehow, made it seem smaller.
“Now what to do?” Alice muttered, returning to the cave entrance. Hatcher trailed behind her, silent, his mind obviously elsewhere.
They had counted upon being able to forage for food and water once they escaped the tunnel, but that seemed impossible now.
“There must be a village or town somewhere,” she said to Hatcher. “Not everyone in the world comes from the City. And there must be something beyond this blight, else Cheshire and the other Magicians would not have been interested in maintaining the tunnel.”
Hatcher crouched and ran his fingers through the dark substance that covered the ground. “It was all burned.”
“Yes,” Alice agreed. “But burned unnaturally, somehow. That doesn’t seem like ordinary fire ash.”
“Magic?” Hatcher asked.
“I suppose,” she said. “But why would a Magician want to burn all the land in sight? And how recently has all this occurred? It seems the burning goes right up to the edge of the New City. How was it that the City was not burned too?”
“Whatever happened, you can be certain that no one in the City was told of it,” Hatcher said.
“But the residents of the New City,” Alice said. “How could such a thing occur without their notice?”
“You once lived in the New City,” Hatcher said. “Did you notice anything that you weren’t told to notice by the ministers?”
“No,” Alice admitted. “But then, I was a child when I lived there. I didn’t notice much beyond my own garden, and my governess, and my family.”
And Dor, she thought, but she didn’t say it aloud. Little Dor-a-mouse, scuttling for the Rabbit. Dor, who had sold Alice to a man who’d raped her, who’d tried to break her. Dor, her best friend in all the world.
Thinking of Dor made Alice remember their tea party with the Rabbit and the Walrus, and the enormous plate of cakes, beautiful cakes with high crowns of brightly colored frosting. She’d give anything for a cake right now, although not one of the Rabbit’s cakes, which had been filled with powders to make her sick and compliant.
For a moment she wished for one of Cheshire’s magic parcels filled with food, but then remembered that such a thing would require a connection to Cheshire that she didn’t want.
She might be able to summon up food for them. Her only excuse for not doing such a thing before was that she wasn’t yet accustomed to the idea of being a Magician. Perhaps, when they were far from the City, she could search for another Magician, one who might teach her. They couldn’t all be terrible, couldn’t all be like the Caterpillar and the Rabbit and Cheshire and the Jabberwocky.
She must stop thinking of the Jabberwocky. The wish had said she would forget him, and he would die because of that. So she needed to forget, because she never again wanted to see the results of the Jabberwocky’s rage. The streets of the Old City lined with bodies and rivers of blood, those streets utterly silent, nothing living remaining except her and Hatcher.
Much like this, really, Alice thought. Just her and Hatcher and the burned land.
Sitting in the ruins of what was probably magical fire, remembering the horrors committed by those men in the Old City, the belief of the existence of a good Magician seemed naïve.
“Maybe power corrupts them,” Alice said.
It was a frightening thought, one that made her suddenly reluctant to try any magic at all. She’d spent years under the influence of drugs that made her think she was insane. She was only just learning who Alice was, what it was like to be her own self. She would rather use no magic at all than become someone unrecognizable.
“Power corrupts who?” Hatcher asked.
“You said, ‘Maybe power corrupts them.’”
“The Magicians,” she said. “We’ve yet to meet a decent one.”
“Yes,” Hatcher agreed. “That doesn’t mean they don’t exist. In the story Cheshire told us, a good Magician saved the world from the Jabberwocky. At least for a while.”
“Of course,” Alice said. “I’d forgotten.”
“It’s easy to forget the good things,” Hatcher said, and this statement seemed to set off another fit of brooding. He sat back in the ash and began idly drawing with the point of one of the many knives he carried.
Most Helpful Customer Reviews
I really liked how the story continues on from the first book Alice!!
I loved it. Almost more than the first book. I wish there was more.
I read this so quickly....I wish there were a third book in series.
Twisted and haunting. Makes Alice painfully real.
A fantastic read
*I received an eArc for review from Penguin First To Read This is definitely not for children, it is deep and dark. I really enjoyed this twisted take on Alice In Wonderland, what I loved about it is how deep and dark it is. I've never read anything like this before! There were some things that were confusing, but that is only because I didn't read the first book in the series. However, as the book progressed I was able to get the main idea of what was happening. I loved the little plot twists as well. I was very intrigued by this book.
While this was still an enjoyable read, it didn’t feel as dark to me as Alice (you can read my review here), and there seemed to be a lot more walking and a lot fewer action scenes. What I really enjoyed about Alice was how Christina Henry kept the action tense, then gives you a moment to catch your breath, only to take have the thrills jump up another level. For this book there was a lot more catching of the breath between the action scenes. And while Alice found out some truths about herself and her character grew, Hatcher had very little character development in this book. There are also less characters in this book, and the ones there are really didn’t inspire me to care for them, except for Pen. The author did such a great job developing four of the bigger characters in the first book, that these characters were just too small to not delve deeper into them. The world building in the first book was also very well done, whereas with this book, so much of it took place in a forest or on a mountain, that there wasn’t as much to be written about them. Henry did do a good job with the village and small cabin though. The best scene for me in regards to character and place was in the cave with the goblin and the lovelies. Here is where we caught a glimpse of the dark world that Henry brought forth in Alice. I feel bad that I wouldn’t recommend this one (but definitely read Alice), but if there is a third book to this series I still give it a read, hoping that Henry gets dark again, and continues with the great character development and world building she did in the first book.
Alice and Hatcher have escaped the Old City and are now looking for Jenny. But the land is not the expected green, everything is ash and burned, even the white rabbit and girls. It seems the Black King has been slowly burning the White Queens land. For what reason no one knows. But when Hatcher turns into a wolf and goes to the White Queen it is up to Alice to stop both the Black King and White Queen. Thankfully the Red Queen is there to help. I think Red Queen is better than Alice. It is not as dark but there is a lot of room for Alice to grow as a person and with her magic. I loved the story between the Black King and the White Queen. Tragic but works well. And Hatcher, you can’t help but feel for the poor guy. He finds what he is looking for just to lose it again. Just like Alice, there is just a hint of the original Through the Looking Glass story but this book is its own story. I loved how it progressed and I can’t wait to read the next book in the series. I received Red Queen for free from the publisher in exchange for an honest review.
The Red Queen is the second book in the series The Chronicles of Alice. I did not read the first book in the series, Alice, before I read this. There were a few times during the book I wished I had a little more background, but all in all I feel this can be a stand alone novel. With that said I am going to read the first book! While I was reading, I kept picturing Alice with long blond hair and a blue dress with a white pinafore. This was not the case. She was tomboyish and tough. Alice also tapped her inner magician and became a survivalist. Hatcher, her companion, was not mentioned very much is The Red Queen. He was absent through most of it. From what I have read he is a main character in Alice. I really liked this book. Some classify it as horror, but I tend to think of it as fantasy. If you like Alice in Wonderland I strongly suggest you read this book. There are many references to the original Alice in Wonderland books. Christina Henry does an outstanding job describing the landscapes and people that Alice encounters. You will feel like you are tagging along with Alice on her adventure. However sometimes that may not be a good idea. I received a digital copy of this book from Penguin for an honest review.
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