Reworking the German Past: Adaptations in Film, the Arts, and Popular Culture
By Susan G. Figge (Editor), Jenifer K. Ward (Editor), Cary Nathenson (Contribution by), Elizabeth R. Baer (Contribution by), Irene Lazda (Contribution by), Jenifer K. Ward (Contribution by), Linda Hutcheon (Contribution by), Mareike Herrmann (Contribution by), Maria Euchner (Contribution by), Rachel Epp Buller (Contribution by), Richard Figge (Contribution by), Sunka Simon (Contribution by), Susan G. Figge (Contribution by), Thomas Sebastian (Contribution by)
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By Susan G. Figge (Editor), Jenifer K. Ward (Editor), Cary Nathenson (Contribution by), Elizabeth R. Baer (Contribution by), Irene Lazda (Contribution by), Jenifer K. Ward (Contribution by), Linda Hutcheon (Contribution by), Mareike Herrmann (Contribution by), Maria Euchner (Contribution by), Rachel Epp Buller (Contribution by), Richard Figge (Contribution by), Sunka Simon (Contribution by), Susan G. Figge (Contribution by), Thomas Sebastian (Contribution by)
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Views adaptations as a way in which Germany seeks to come to terms with its past.
Coming to terms with the past has been a preoccupation within German culture and German Studies since the Second World War. In addition, there has been a surge of interest in adaptation of literary works in recent years. Numerousvolumes have theorized, chronicled, or analyzed adaptations from novel to film, asking how and why adaptations are undertaken and what happens when a text is adapted in a particular his...
Coming to terms with the past has been a preoccupation within German culture and German Studies since the Second World War. In addition, there has been a surge of interest in adaptation of literary works in recent years. Numerousvolumes have theorized, chronicled, or analyzed adaptations from novel to film, asking how and why adaptations are undertaken and what happens when a text is adapted in a particular his...






















