Rissy No Kissies

by Katey Howes, Jess Engle (Illustrator)

Overview

A lovebird who doesn't like kisses?!

Rissy's friends and family wonder if she's sick, confused, or rude. But kisses make Rissy uncomfortable. Can one little lovebird show everyone that there's no one right way to show you care?

Rissy No Kissies carries the message that "your body and your heart are yours, and you choose how to share." A note at the end provides further information for kids, parents, and educators about body autonomy, consent, and different ways to show affection.

"This is an artistic gem for consent discussions, sensory-processing contexts, and anyone who champions children's agency and bodily autonomy. Radiant."—starred, Kirkus Reviews

Product Details

ISBN-13:	9781541597983
Publisher:	Lerner Publishing Group
Publication date:	03/02/2021
Pages:	32
Product dimensions:	10.00(w) x 9.80(h) x 0.40(d)
Lexile:	630L (what's this?)
Age Range:	7 - 8 Years

About the Author

Katey Howes loved writing books for children. She was the author of the picture books Magnolia Mudd and the Super Jumptastic Launcher Deluxe, Grandmother Thorn, Be a Maker, and Rissy No Kissies which was named a Kirkus Best Children's Book, a Rise: A Feminist Book Project List book, and a Keystone to Reading Book Award Nominee.

Jess Engle works in a studio in Austin, Texas and creates beautiful work that makes people feel extraordinary. Her art can be found in a number of retailers, including Crate & Barrel and West Elm, and on Instagram @studioxjess.

Editorial Reviews

"[A] refrain ('No kissies!') and soft watercolor art by Engle reinforce the message that speaking up for one's bodily agency should always be embraced."—starred, Publishers Weekly

From the Publisher

★ 2020-12-15
A young bird, warm and lively, can’t bear kissing.

Rissy is a solid, roundish, colorful lovebird with three siblings, one mother, and one father who are all also lovebirds. They’re an affectionate bunch, as are their friends and relatives. Rissy’s on board for holding wings, “sky-high hugs,” tumbling, and roughhousing, but she can’t bear kisses (giving or receiving). She heads them off admirably—“ ‘No kissies!’ Rissy chirrup[s] with a most emphatic squeak”—but it’s stressful for her. Miss Bluebird accuses her of confusion, Grandma Lovebird of rudeness; schoolmates “think Rissy’s being mean.” Why? “We know lovebirds all love kisses,” they parrot. “ ‘Am I mean, Mom?’ Rissy wondered, / ‘or confused or rude or sick? / Are you certain I’m a lovebird? / Are you sure that I’m your chick? // Kissies make my tummy icky. / I feel worried, weird, and wrong. // If I can’t show love with kissies, / then I’ll never quite belong.’ ” Mom’s bolstering of Rissy’s boundaries and reassurance that she’s a lovebird family member are cheerworthy; now Rissy can explain her preferences more fully, with greater assurance than before, secure in her family and identity. Howes’ rhyming verse is both rollicking and steady, which offsets Rissy’s vulnerability without undermining it. Engle’s wonderfully stocky lovebirds are multicolored, with watercolor hue gradations and expressive beak shapes. This is an artistic gem for consent discussions, sensory-processing contexts, and anyone who champions children’s agency and bodily autonomy.

Radiant. (note to kids; note to caregivers) (Picture book. 2-8)

Kirkus Reviews