Want it by Wednesday, September 26
Order now and choose Expedited Shipping during checkout.
Same Day shipping in Manhattan. See Details
A Nor’easter blows into Paradise and churns up the past in this stunning new addition to Robert B. Parker’s New York Times–bestselling series featuring police chief Jesse Stone.
In the wake of a huge storm, three bodies are discovered in the rubble of an abandoned factory building in an industrial part of Paradise known as The Swap. One body, a man’s, wrapped in a blue tarp, is only hours old. But found within feet of that body are the skeletal remains of two teenage girls who had gone missing during a Fourth of July celebration twenty-five years earlier. Not only does that crime predate Jesse Stone’s arrival in Paradise, but the dead girls were close friends of Jesse’s right hand, Officer Molly Crane. And things become even more complicated when one of the dead girls’ mothers returns to Paradise to bury her daughter and is promptly murdered. It’s up to police chief Jesse Stone to pull away the veil of the past to see how all these murders are connected . . .
About the Author
Robert B. Parker was the author of seventy books, including the legendary Spenser detective series, the Jesse Stone series, and the Virgil Cole/Everett Hitch Westerns. Winner of the Mystery Writers of America Grand Master Award and long considered the undisputed dean of American crime fiction, he died in January 2010.
Reed Farrel Coleman has been called a “hard-boiled poet” by NPR’s Maureen Corrigan and the “noir poet laureate” in The Huffington Post. He has published twenty-three novels, including nine books in the critically acclaimed Moe Prager series, and most recently, Where It Hurts. He is a three-time recipient of the Shamus Award for Best Detective Novel of the Year, a winner of the Barry and Anthony Awards, and is a two-time Edgar Award nominee. Coleman lives with his family on Long Island.
Read an Excerpt
Jesse Stone no longer ftlt adrift. No longer a man caught between two coasts, he had finally left his days as an L.A. homicide detective behind him. If not his private shame at how his life there had gone to hell. He was chief of police in Paradise, Mass.This was his town now. Yet there were still some things about the East Coast and the Atlantic he had never gotten used to and wasn't sure he ever would. Nor'easters, for one. He found their brooding, slate-gray clouds and roiling tides a little unnerving. These late-fall or winter storms seemed to blow up out of spite, raking across whole swaths of New England or the Mid Atlantic, leaving nothing but pain in their wake.
As was his habit, he drove through the darkened streets of Paradise in his old Ford Explorer before heading horne. He wanted to get a few hours' sleep before going back to work. Maybe a drink, too. The storm wasn't supposed to make landfall until about midnight, but the winds were bending trees back against their will, sleet already pelting his windshield. Jesse shook his head thinking about that. About how storms in the east warned you they were coming. About how they told you when they were coming and then kicked your ass.
It was different out west. He remembered how, when he was a kid in Tucson, a few inches of unexpected rain would morph into the cascading wall of a flash flood, washing away everything before it. One minute people would be horseback riding or hiking through bone-dry arroyos and the next they'd be swallowed up by waters squeezed between canyon walls and ground sun baked so mercilessly hard it could not soak up a drop of rain. Jesse remembered that he had once gone out with his dad, searching for some missing hikers after one of the floods. How they had come upon the body of a drowned horse. It had been many years since he had thought of that horse, its carcass rotting in the Arizona sun.
Then in L.A. there were the choking Santa Ana winds that would blow across the mountains, swoop down into the valleys and through the canyons from the Mojave. The Santa Anas brought destruction with them, too, sucking the moisture out of the vegetation, wildfires following in their path. Fires that would consume whole hillsides, one after the other. Sometimes the winds blew so strongly through the canyons that they howled. His ex-partner used to say it was Satan whistling while he worked. At the moment, Jesse felt about as far away from those Santa An as as a man could get, but he thought he could still hear Satan's whistling in the winds that buffeted his SUV.
There weren't many cars on the road, but a few brave or stupid souls dared the weather. Jesse knew most of the vehicles. Robbie Wil son, the fire chief, was out in his red Jeep, looking for trouble. Jesse didn't have much patience for men like Wilson, guys who liked being big fish in tiny ponds. Little men with big chips on both shoulders. Men with something to prove, always on the prowl for a chance to prove it. Jesse could never figure out what it was Robbie Wilson had to prove. He also hated that Wilson refused to call him by his first name, always calling him Chief or Chief Stone.
Alexia Dragoa, one of the few commercial fishermen who still sailed out of Paradise, was coming from the docks in his ancient F-150.That damned pickup was nearly all rust.The thing was like an old married couple who stayed together more out of habit than any thing else. No doubt Alexia had been securing his boat, the Dragoa Rainha, in anticipation of the storm. Jesse gave the fisherman a wave in passing. Dragoa, a gruff Portuguese SOB, couldn't be bothered to return the gesture. Par for the course) Jesse thought. Par for the course.
Bill Marchand was out in front of his insurance brokerage on Nan tucket Street, wrestling the wind for control of a storm shutter. Jesse pulled over to lend him a hand. Bill and Jesse were friendly, if not exactly friends. Jesse didn't have friends, not the way other people had friends. But Marchand sponsored the police softball team and was generous with local charities. In all the years Jesse had served as chief, there hadn't been many town selectmen who'd earned his respect. Most selectmen had proven themselves craven and spineless, rarely backing Jesse or the department in tough situations. Bill Marchand was the exception. He was a thoughtful man who had usually based his support not on the direction of the political currents but on the facts before him.
"Let me get that for you," Jesse said, pinning the shutter to the wall.
"Thanks, Jesse. It's gonna be a bad one, this nor'easter. You been through enough of these, you can smell it on the wind."
"One is enough of these." Jesse used his free hand to lift up the fleece-lined collar of his jacket against the sleet. The wind was gust ing more intensely. "Ready for the shutter?" Jesse asked.
"I've got the latch ready."
Jesse forced the shutter closed, Marchand helping the last foot or two. When the shutter was in place, the insurance broker latched it closed.
"I hope the damned thing holds. I've had to replace these shutters twice," Marchand said, raising his voice above the wind.
'Trn sure your insurance will cover it."
"You're a funny man, Jesse Stone. Thanks again," Marchand said, offeringJesse his gloved right hand. "It's gonna be a bad one, all right. I'll be busy for weeks after this. We'll have to call adjusters in from all over the States. You watch yourself out there."
But it was Jesse's job to watch out for everyone else. He waited for Marchand to get into his massive Infiniti SUV and drive offbefore pulling away himself. As Jesse was about to turn for horne, he caught sight of another vehicle he recognized. It was John Millner's beat-up Chevy van. Millner was a career criminal, a petty thief who'd been in and out of commonwealth correctional facilities during Jesse's tenure as chie£ Millner was from the Swap-Southwest Area of Paradise the only rough part of town. But even the Swap was changing. It was turning into a hipper, more ethnically diverse part of Paradise. Mill ner's family was old-school Swap and John was more a lowlife than a tough guy. A parasite, an opportunist, not a mastermind.
Jesse followed the white van at a distance up into the bluffs that overlooked the ocean and the rest of town to the south. The Bluffs were where the rich founders of Paradise had built their big fussy houses more than a century and a half ago. Most of those families were gone, their manses knocked down, properties long since sold off. A few, like the Salter place, remained as summer homes. Many had fallen into disrepair.
Millner's van pulled off the road by a darkened behemoth of a house: the old Rutherford place. It had been vacant for Jesse's entire tenure in Paradise. For years there had been efforts by the town's his torical society to get it named to the commonwealth's register of historical places, but those avenues had finally been exhausted, and come spring the Rutherford place would be demolished. Jesse had a pretty good idea of what Millner meant to get up to. Giant old houses were lined with miles of copper wiring and other metals that could be sold off to scrap dealers at good prices. The problem for crooked scav engers like Millner was opportunity. You needed time to break through plaster walls and lath to get to the wiring. And a big storm had opportunity written all over it. Emergency situations stretched the cops thin, especially small-town forces like the Paradise PD.
Normally, Jesse would have given Millner enough rope to hang himself. He would have let him break into the condemned house before arresting him, but Jesse didn't have time for that now, not with the storm blowing in. When Millner, all six-foot-six of him, got out of his vehicle and went to swing open the van's side door,Jesse shined his Maglite in the thief's face.
"Who the hell is that?" asked Millner, holding his hand before his eyes to block the light.
"It's Chief Stone, John. What are you doing here?"
Millner hemmed and hawed, thinking of any reasonable lie. "Don't bother," Jesse said. 'Tm not in the mood for your crap.
Consider yourself lucky I don't want to deal with youtonight. Now get out of here and don't let any of my people catch your ass up here again."
Millner didn't say a word, just got back into his van and drove away down toward town. Jesse watched the van's taillights until they disappeared. Then he stepped to the edge of the bluff on which the Rutherford house stood. He looked out at the vast blackness of the Atlantic. He listened to the bones of the old house creak in the wind, listened to the wind whistling through the broken windows. He thought he heard the devil at work. He decided he really needed that drink.
He supposed they were all thinking the same thing: This can't be hap pening. Not again. Not after all these years. But it was happening, only this time they weren't a bunch of kids with too much Southern Comfort and Thai stick in them. That first time, it was some inno cent fun gone sideways. Severely sideways, plunging them into a para lyzing hell with slick, jagged walls from which there would be no escape. None. Not ever. That they were here to kill their old friend proved as much.
They had been given a temporary reprieve, a cruel reprieve, lasting just long enough to fool them into believing they had put real dis tance between that old evil and the fragile lives they had built in the meantime. Lives that included wives and lovers, children, careers, small successes, and grander failures, but haunted lives just the same. Haunted because distance from evil is a myth of time, because they were never more than one restless night or, worse still, a tainted moment of joy away from it.
The wind rattled the windows and the loading bay door. The plinking of sleet was less urgent now that the snow was falling in sheets and collecting on the corrugated metal roo£ Raw, cold air seeped into the maintenance shed like an accusation and made heav ing clouds of their breath. Small plumes of breath carne from the mouth of the nude man on the floor at their feet. His wrists and ankles were trussed behind him and his sun-streaked brown hair was caked with the drying blood that had leaked from the welt at the base of his skull. His broken lower jaw was unhinged, his mouth a wreck of splintered teeth and bone. After the pipe had been laid into him, the spray ofblood had given the air a coppery tang that the two other men could almost taste. But the blood had settled out of the air like silt out of water. Now the place smelled only ofburnt black motor oil, gasoline fumes, and antifreeze.
"What'd you do with his clothes?"
"The furnace in the church." "His duffel bag?"
"It's a big furnace. Burnt that up, too. Nothing but old smelly clothes and a Bible, anyways."
"Okay, drag that canvas over here and wrap it around his head."
"You really gonna do this?"
"But that's Zevon, man. He was our friend once."
"Friends don't come back to town to fuck up everyone else's lives. If he wanted to stay my friend, he should have stayed lost. You may not have anything to lose, but I do."
"But nothing. We talked this through. We all agreed. It's too late now, anyway. He's already more than half dead. Now get the canvas and do what I told you.The storm's blowing in faster than we thought and he's going to be here soon to get rid of the body. C'mon."
The unconscious man moaned a little as the coarse, mildewed fabric was wrapped around his head. "What's the canvas for, anyways?" "Think about it."
"Exactly. You got the tarp ready for him? The rope?" "Yeah."
Outside there was already six inches on the ground and the roads were slick from the layer of sleet that had come before the snow. As he swung around to back up to the bay door, he checked his rearview mirror and saw two quick flashes of lightning and heard two muted claps of thunder. It was done. Zevon was dead. Now the time had come to play his part in keeping the past buried. Yet he understood that this particular episode of thunder and lightning, like their prior sins, was of their own doing and pushed them even further away from heaven than they already were. That the past was unrelenting and that no grave was deep enough to keep it buried forever.
Jesse hadn't slept a wink after getting horne. He hadn't tried. He did manage to polish off two Black Labels. That's why he'd headed horne in the first place. Sleep hadn't ever been a part of the plan, not really. It was always about the drinks. Drinkers are great rationalizers, spin ning tales that only they will hear. Tales only they would believe.Jesse kept a bottle of something in his desk drawer at the station, but he didn't generally prefer drink at work or when the sun was up. Corning horne, having a drink before dinner, then one or two afterward, was sometimes how he got through the day. He knew his bottle of John nie Walker was horne waiting for him like a faithful wife. He'd had a wife once, just not a faithful one.
His ritual entailed pouring the drink-sometimes on the rocks, sometimes in a tall glass with soda-stirring it with his finger, licking the scotch off his finger, raising a toast to his poster of Ozzie Smith, and taking that first sip. Sometimes he savored it. Sometimes, like that night, it was open wide and down the hatch. Any confirmed drinker knows that ritual is as integral to the addiction as the drink ing itself. Dix was fond of saying that ritual was a secondary reinforce ment. Jesse laughed at the notion of secondary reinforcement. He liked the drinking well enough all by itself. He enjoyed the ritual on its own merits. He'd gotten some food in him, taken a shower, and watched a half hour of weather reports before heading back to work.
Whatever sleep Jesse had managed carne on the cot in his office. He was still on the cot, staring up at the ceiling, when the first dull rays of light filtered in through his window. He noticed the window was no longer being pelted and the howl of the wind had been reduced to a whisper. Morning had brought with it a soft hush. Then there was a knock at his office door.
"Corne," he said.
Luther "Suitcase" Simpson carne into the office, a lack of sleep evi dent on his puffy, still-boyish face and in his bloodshot eyes. He was moving more slowly these days, and not from lack of sleep. It was painful for Jesse to watch. A big man, Suit had been quite the high school football player in his day. But he'd been gut-shot last spring and was only now getting back to work.
"Any coffee out there?" Jesse asked, swinging his legs off the cot.
"Sure, but I wouldn't drink it. Better to save what's left and use it to strip paint."
Jesse stood, stretched the tension out of his muscles. His right shoulder aching from the damp air.
"Making a fresh pot of coffee against your religion?"
Suit reddened.''I'm not Molly, Jesse. You know I'm no good at this stuff. You got to get me back on the street."
Simpson had been on light duty since his return and chafed at working the front desk. Worse, Molly Crane had taken Suit's place in the patrol rotation.
"I know this is tough for you, Suit. I already stuck my neck out by bringing you back this soon."
"No need. I'd be mad at you if you didn't want to get back out there."
Suit smiled that broad, goofy smile of his. Jesse's opinion meant everything to him. He'd always dreamed ofliving up to Jesse Stone's standards, of being a cop good enough to work in a big city like L.A. Living up to Jesse is what had gotten him shot. He knew it.Jesse knew it, too. That's what worried him.
Jesse asked, "You going to the counseling sessions?"
The smile vanished from Suit's face. He reddened again. "Yeah, Jesse."
"Getting shot is a serious thing, Suit. It screws with your head. I can't put you back out there if you're going to doubt yourself."
''I'm going. I said I was going."
"Okay, let's talk real police work. The donut shop open?" Simpson laughed.
"I went and got some at five o'clock on the nose. They're last night's leftovers, but they're good."
Jesse put up a new pot of coffee, ate a hardened jelly donut, and asked Suit to fill him in on the storm damage.
"Storm's almost blown itself out already," Suit said. "We had gusts up to sixty-five, but nothing now. Dumped lots of snow. About a foot, give or take. And it's that real wet, heavy snow. You know."
"You get a lot of that wet snow back in L.A., Jesse?" "Cute. You want to earn some more time on the desk?"
For a second, Suit thought Jesse was serious.
"Anyway, there were a few trees and power lines down. I had to dispatch some cars to block roads off and put down some flares while the repair crews did their thing. There were three fender benders. Reports already filed. Only serious thing was a partial building collapse."
"Nah. It was one of those old abandoned factory buildings on Trench Alley. Molly's over there handlingitwith the fire department." Then, as if on cue, Molly's voice crackled through the desk speaker.
"Unit Four to dispatch, over."
"Dispatch, over," Suit said. "Is Jesse up yet? Over."
"Unit Four, Jesse's right here, over."
Jesse dispensed with protocol. "What's up, Molly?" "You better get over here, Jesse. Right now."
"What's going on?"
"We've got a body."
"Someone was killed in the collapse?"
"Someone was killed, all right, but not in the collapse. The body's in a tarp."
Trench Alley was a dingy) crooked street in the ass end of the Swap. Backed up against Sawtooth Creek and dead-ended by Pennacook Inlet, it was as Dickensian as Paradise got. Even scenic New England villages need garages, body shops, cabinetmakers, plumbing supply houses, welders, and self-storage units.
Jesse pulled up behind a fire truck. Molly Crane's cruiser was parked across the street, half on the sidewalk. The fire chief's red Jeep Cherokee was parked behind Molly's unit. When Jesse walked around the fire truck he was surprised to see Molly, Robbie Wilson, and the entire crew of firemen standing in the middle of the street, boot-deep in snow. But when he looked at the building in question, Jesse's sur prise faded away. The building was a squat red-brick affair with ply wood where windows used to be, the plywood covered in generations of frayed handbills and posters about forgotten bands and closed musicals at the Village Playhouse. The building's front right corner had collapsed into the street. You could look into the building and see that part of the back wall had collapsed inward as well.
"Robbie," Jesse said.
"Chief Stone." "Unstable, huh?"
"Badly. If I didn't get your girl out of there when I did, you might've had two bodies on your hands."
Molly bristled at being called a girl. She was only two or three years younger than Wilson and disliked him even more than Jesse did. Jesse could see Molly was about to let Wilson have it. He shook his head no at her.
"Robbie, excuse us. I need to talk to Officer Crane for a minute." "Take your time. I'm not letting anyone in there, stiff or no stiff." As they walked toward Molly's cruiser, she kept turning back to stare at Robbie Wilson. Wilson was pretty lucky that looks couldn't actually kill.
"That obnoxious little bastard," Molly said. "I should've kicked his ass in front of his men. Then we'd see who he'd be calling a girl." They sat in the front of Jesse's Explorer, the heater blowing full blast.
"Relax, Molly. Two weeks back on the street and you're already cursing like a sailor."
She smiled in spite of hersel£ Jesse could do that to her.
"And no matter what he called you, he was right to get you out of that building. I can't afford you getting hurt."
"So you really do love me," she said.
"You know I do, but that's not it. With Suit on desk duty and Gabe Weathers still in rehab for his injuries, the department's two men short."
She punched him in his left biceps. Now it was his turn to smile. Then he wiped it away.
"The body in the tarp," he said.
"A passerby called the building collapse in to the desk. I had the Swap, so Suit sent me over here. It was still pretty dark when I arrived on scene. I had to look inside to see if anyone was hurt. When I got into the building I saw that another part of the roof, toward the left rear of the building, had collapsed onto some metal plates. One of the plates had been dislodged by the debris so that the plate was forced upward like one end of a seesaw. When I shined my flash in behind the plate, I saw the tarp. At first I didn't think anything of it. Maybe some forgotten equipment or building supplies or something. But when I looked at it under the flash for a minute, I saw that it was bound up with rope and shaped like a body. When I kneeled down and stuck my head into the hole, it was pretty obviously a body. I couldn't tell much about it from looking. I pushed the tarp and it felt like flesh underneath. And before you say anything, Jesse, my hand was gloved."
Jesse put up his palms. "I didn't say anything." "But you would have. I know you, Jesse."
"Maybe. Back to the body in the tarp."
"Funny thing," Molly said.
"The tarp was pretty clean and the flesh gave when I pushed, but pushed back. It didn't seem frozen or in rigor."
"That's a lot to tell from one push with your hand. No insult, Molly, but-"
"Did I say it was one push? I pushed a few times. Then ..." She hesitated.
"Do I even want to hear this?"
"Probably not." She said it anyway. "I climbed down into the hole."
"You what? It's a crime scene, Molly. You know better than-"
"I had to check to see if the victim might be alive."
"I swear, Jesse. I wasn't trying to be a hero. I thought I was doing the right thing."
"That's when Napoleon showed up. Suit must have called the FD after he sent me over here. Robbie ordered me out of the building. He had his guys practically drag me out of the hole when I didn't hop to. But for what it's worth, I don't think the victim was alive. He was physically unresponsive to my touch and to my verbal commands. No movement that I could detect. And when I put my hand on where I thought the chest was, there didn't seem to be any respiration."
"I think the vic's a male. Would be pretty tall if you stood him upright. Maybe six-three or -four. Broad across the shoulders."
"But you don't think he'd been there very long?" Jesse asked.
"That's my gut feeling. Of course, I don't know these things like you would. In L.A. you must have seen bodies in all sorts of places."
"Not in a snow-covered factory, Molly. We didn't get much of that sort of thing in L.A. All right, let's get back over there and see if we can't get Chief Robbie to let us retrieve the body."
But she didn't move. There was something else besides Robbie Wilson bothering her.Jesse could see it on her face. He put a hand on her shoulder.
"It's okay, Molly. You did good. I'm proud of you for-"
"It 's not th at, Jesse."
"I can't put it in words. It's just when I was down there with the vic ... I ... it was just strange. It felt like I had a connection to him."
Jesse nodded. It was like that sometimes. On most occasions, a body was just a body to a cop. It wasn't callousness. It was an attitude born of repeated exposure and self-protection. But there were moments when you couldn't help but feel a kind of weird connection to the victim.
"It happens. I know. Don't beat yourself up over it. Now, let's go," he said.
They got out of the SUV.Just then an inhuman groan filled the air. "Watch it!" one of the firemen shouted. "Stand back. She's going!" The ground shook beneath their feet. Jesse and Molly ran around the fire truck and saw that the building was gone. The roof lay half way into Trench Alley.
It had taken down the rusted cyclone fence that had surrounded the empty, rubble-filled lot next door. "Everybody okay, Robbie?" Jesse said.
"Fine. We're all clear. You both all right, Chief Stone?"
"That stiff of yours is good and buried now."
Not for long, Jesse Stone thought. Not for long.
What People are Saying About This
Praise for Robert B. Parker’s Blind Spot by Reed Farrel Coleman
“Coleman is continuing the Stone saga in his own crisp prose style. . . . Jesse Stone fans will be eager to discover where Coleman takes this compelling series next.” —Associated Press
“Fans of both Parker’s Spenser and Jesse Stone series will enjoy this thirteenth installment. . . . Like Spenser, Jesse is a man of honor who feels he must speak for the dead. Coleman’s writing mimics Parker’s, with short chapters, snappy repartee, and just enough action. . . . It is a great, fast beach read, recommended for all detective fiction fans.” —Library Journal
“The new Jesse Stone thriller is electric. Told with spare, convincing descriptions and terse dialogue, the spirit of creator Robert B. Parker leaps off the page. . . . Critically acclaimed mystery author Reed Farrel Coleman has taken over the series in what might be the perfect pairing of character and living writer.” —AZ Central
“Coleman, best known for his Moe Prager series . . . successfully emulates the tone and style of the late Robert B. Parker’s nine Jesse Stone novels.”—Publishers Weekly
“Coleman keeps the characters and the somber atmosphere but makes the book his own stylistically.” —Booklist
Most Helpful Customer Reviews
While i can agree that this isnt Mr. Parker, Coleman provides the best substitute to writing a Stone novel. Personal opinion is they should let this character fade away after a few more books by Coleman. The spirit of Mr. Parker isnt gone but goes away with each novel not written by him. This goes for Spenser, Hitch & Cole and Stone.
Wow! I was so impressed with BLIND SPOT, Reed Farrel Coleman's first time writing last year for the Jesse Stone series created by Robert B. Parker. But THE DEVIL WINS is even better, more sure, more sleek. Fast-paced, suspenseful, and true to its source material, but with a warm beating heart at its center, it could only have come from Coleman. The writing is beautiful, but the beauty does not bog down the action, it enhances it. The book is about a small town police chief in Massachusetts, Jesse Stone, and his trying to take care of his town while not always taking good care of himself. In THE DEVIL WINS we spend a lot more time with the Paradise Police Department officers and it's time well spent. We care about these people and we want them to be all right. You'll eagerly read every page to the end to see if they make it.
From the publisher: In the wake of a huge nor’easter, three bodies are discovered in the rubble of an abandoned factory building in an industrial part of Paradise known as the Swap. One body, a man’s, wrapped in a blue tarp, is only hours old. But within feet of that body are the skeletal remains of two teenage girls - - soon discovered to be the bodies of girls who went missing during a Fourth of July celebration twenty-five years earlier. Not only does that crime predate Jesse Stone’s arrival in Paradise, but the dead girls were close friends of Jesse’s right hand, Officer Molly Crane. And things grow o\een more complicated when the mother of one of the dead girls returns to Paradise to bury her daughter and is promptly murdered. It’s up to Police Chief Jesse Stone to pul away the veil of the past to see how all the murders are connected. Jesse has been the Chief of Police in Paradise, Massachusetts for over a decade, having left his days as an LA homicide detective behind him.” (His drinking at that time of his life being the predominant cause.) But he had found a home in Paradise, in more than the literal sense. His colleagues, among them Molly, Captain Healy (head of the State homicide bureau), and Fire Dept. Chief Robbie Wilson, are wonderfully brought to life by the author (who picked up this series after the passing of Jesse’s creator, Robert B. Parker, and done complete justice to him, and the series). Molly has four kids and a husband, and has recently been promoted to detective, replacing his good friend, Luther “Suitcase”\ Simpson, usually referred to as Suit, after he was seriously wounded in an incident where he took a bullet for Jesse, literally. The reappearance of ghosts from 25 years ago makes it clear to Jesse that “the past was unrelenting and no grave was deep enough to keep it buried forever . . . “those two girls found down there needed a voice, and he meant to give it to them.” And three murders certainly present a challenge to him, not helped by more bodies that soon turn up. Jesse’s private life is looking up, however – he had been divorced for many years from his [cheating] wife when he meets the new ME, Tamara Elkin, who had come to Paradise from the Office of the Chief Medical Examiner of NYC, in what she describes as “a long story” left for another time. The title derives from some philosophizing about fate and the devil being unseen factors driving what we do, and what is done to us, one character saying to Jesse, speaking of the devil [no pun intended], “Most of the time he loses, but sometimes the devil wins.” The author wraps it up with a couple of unexpected twists that I for one did not see coming, and doesn’t let up on the suspense as to the identity of the remaining ‘bad guys’ until very late in the book, in very satisfying manner. (Parenthetically, I loved his reminiscences of Ozzie Smith, the great shortstop, called “the Wizard of Oz,” a poster of whom hangs in his house.) A fast read that lives up to the previous novels of the Messrs. Parker and Coleman, and one that is recommended.
This was nothing like the original books.