Table of Contents
Acknowledgments; Introduction; Part I: 1. Narrative and the everyday: myth, image, sign, icon, life; 2. The development of byt in nineteenth-century Russian literature; Part II: 3. Enacting the present: Chekhov, art and the everyday; 4. Fedor Sologub's aesthetics of narrative excess; Part III: 5. The struggle with byt in Belyi's Kotik Letaev and The Christened Chinaman; 6. Breaking the circle of the self: Vasilii Rozanov's discourse of pure intimacy; 7. At the 'I' of the storm: the iconic self in Remizov's Whirlwind Russia; Conclusion; Notes; Bibliography; Index.