Salesman in China
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Beijing, 1983. Two theatrical titans, Ying Ruocheng and Arthur Miller, are about to embark on one of the most groundbreaking productions in theatre history: Ying's Mandarin translation of Miller's influential masterpiece, Death of a Salesman. This unprecedented artistic partnership between China and the United States attracts widespread curiosity and skepticism. In the wake of the communist Cultural Revolution, how can Chinese audiences possibly connect to this classic examination of the Am...



