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This collection theorizes the intersections between race, Shakespearean adaptation and pop culture. Chapters take a range of investigative approaches, some centring Shakespeare and others using Shakespeare to theorize pop culture, but all focusing on the ethical implications of the triangulation between Shakespeare, pop culture and race.

Chapters explore the tensions between the 'low', racialized status of a pop culture form and Shakespeare's 'high' status; the ways race informs a specific S...