Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism

Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism

by Jeffrey Summit

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Overview

Singing God's Words: The Performance of Biblical Chant in Contemporary Judaism by Jeffrey Summit

Singing God's Words is the first in-depth study of the experience and meaning of chanting or "reading" Torah among contemporary American Jews. This experience has been transformed dramatically in recent years by the impact of digital technology, feminism, the empowerment of lay people and a search for self-fulfillment through involvement with community. At a time when worshippers seek deeper spiritual experience, many Jews have found new meaning in the experience of reading Torah, an act that is broadly accessible to Jewish adults even as it requires intensive immersion with the text of the Bible in Hebrew.

This book examines why and how growing numbers of American Jews in all denominations see the public chanting of Biblical texts during the synagogue service as one of the most authentic and personal expressions of their religious identity. Drawing on hundreds of interviews with men and women, both professionals and congregants, Jeffrey A. Summit describes how the reading of Torah embodies their understanding of historical religious practice, even as it is shaped by contemporary views of spiritual experience. Through this act, holiness becomes manifest at the intersection of Biblical chant, sacred text, the individual, and the community.

Product Details

ISBN-13: 9780190497088
Publisher: Oxford University Press
Publication date: 07/01/2016
Series: American Musicspheres Series
Pages: 304
Product dimensions: 6.10(w) x 9.20(h) x 0.70(d)

About the Author

Jeffrey A. Summit is Research Professor in the Department of Music and Judaic Studies at Tufts University, where he also serves as rabbi and Neubauer Executive Director of Tufts Hillel. He is the author of The Lord's Song in a Strange Land: Music and Identity in Contemporary Jewish Worship (OUP). His CD Abayudaya: Music from the Jewish People of Uganda was nominated for a Grammy Award.

Table of Contents

1. Introduction

PART I
The Tradition
2. Chanting Torah
3. The Torah Service and the Re-creation of Revelation
4. Performing Community

PART II
The Individual and the Experience of Chanting Torah
5. Singing Your Way into Sacred Space
6. The Same Act: Many Levels of Experience
7. Women Reading Torah

PART III
The Performance
8. The Power of Music in the Transmission of Torah
9. Music and the Interpretation of Meaning


PART IV
Torah and Technology
10. The Transmission of Tradition in a Digital Age
11. Conclusion

Notes
Bibliography
Index
Appendix: Musical Notation and Graphic Symbols of Torah Trope

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