In the year 1819, a full rigged Indiaman of American registry, heavy laden with riches from the Indies, drives ashore in a roaring gale and wrecks on the string of barrier islands known as Cape Hatteras, “Graveyard of the Atlantic”. Sinking in the shallows, masts still above water, crew clinging to the rigging, three women and a babe in arms are safely secured together in the rigging of the main top where drenched by lashing rain they can only pray for help. Time and again rescue attempts launched by local fishermen are thwarted by raging seas and thundering surf while those on shore watch helplessly as one by one the crew are swept from the rigging to smother and drown before ever reaching shore. Only the three women in the main top remain above water slowly perishing of cold, hunger, and despair until as the storm dies only the half-drowned infant is left with bare life enough for saving. From this near death experience comes a struggle for survival of a nameless, destitute orphan revived by miracle and reared in an orphanage as a “foundling” of unknown origin. Toughened by his misfortunes and seeking only to establish a peaceful and respected slot for himself in orphan hierarchy, he becomes an innocent victim of lies and intrigue resulting in a violence so disruptive to the institution he is banished to allow for a cooling off period and sent on an impossible project that becomes a mission of danger ending in accusations of murder he did not commit. Fleeing from the law with a price on his head he is reluctantly accompanied by a runaway slave who reasonably believes escape more easily achieved on his own than with a useless white boy lacking in any experience or ability to live off the land. Faced by the risks and dangers of escape the two are forced into an uneasy collaboration, which gradually transforms into one of mutual reliance and respect forming an unbreakable bond as they struggle together to gain their freedom. Telling it like it is in his own words the orphan takes the reader with him under fire, on narrow escapes, and the ceaseless searchings of woods and shorelines for enough wild food to sustain life. Without attempts at excuse, speaking directly to the reader the orphan hopes for a sympathetic hearing and a better understanding of the paths he is forced to take.
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|Age Range:||18 Years|
About the Author
After a continental education in the various capitals of Europe, Graham received a “Fine Arts” training in Paris. Here he gained a lifelong interest in the possibilities of film and education leading to a decade with camera and brush, recording tribal life and big game in Africa, while developing an educational program for third world countries using film pictorially as a multilingual medium. With a newly formed museum in America interested in his work, he joined a companion on his thirty-four foot yawl for a seven month crossing of the South and North Atlantic from South Africa to North America, always recording their voyage and experiences with camera and brush. Lecture tours followed on educational circuits, then an expedition on Arctic ice counting seal herds and collecting specimens, again covered with camera and brush. This was followed by filming the “Tall Ship North Sea Race” onboard the famous “Christian Radich”, then a voyage around the coasts of Norway in the square rigger “Staatsrad Lemkhul” winner of the race. While engaged on film production in the USA, his lifework collection of film, photos, and paintings in process for exhibition was totally destroyed by fire. Viewing this disaster as a salutary catharsis Graham turned to television joining the United Nations’ Department of Information, then helped pioneer England’s move from the BBC as a single provider of programs into the wider field of commercial TV. Continuing his interests in educational projects Graham now spends his time writing and painting between Canada and the USA.