The Talisman: A Novel

The Talisman: A Novel

by Stephen King, Peter Straub

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Overview

The iconic, “extraordinary” (The Washington Post) collaboration between bestselling authors Stephen King and Peter Straub—an epic thriller about a young boy’s quest to save his mother’s life.

Jack Sawyer, twelve years old, is about to begin a most fantastic journey, an exalting, terrifying quest for the mystical Talisman—the only thing that can save Jack’s dying mother. But to reach his goal, Jack must make his way not only across the breadth of the United States but also through the wondrous and menacing parallel world of the Territories.

In the Territories, Jack finds another realm, where the air is so sweet and clear a man can smell a radish being pulled from the ground a mile away—and a life can be snuffed out instantly in the continuing struggle between good and evil. Here Jack discovers “Twinners,” reflections of the people he knows on earth—most notably Queen Laura, the Twinner of Jack’s own imperiled mother. As Jack “flips” between worlds, making his way westward toward the redemptive Talisman, a sequence of heart-stopping encounters challenges him at every step.

An unforgettable epic of adventure and resounding triumph, The Talisman is one of the most influential and highly praised works of fantasy ever written.

Product Details

ISBN-13: 9781501192272
Publisher: Gallery Books
Publication date: 04/17/2018
Pages: 784
Sales rank: 19,543
Product dimensions: 5.30(w) x 8.30(h) x 2.10(d)
Lexile: 880L (what's this?)

About the Author

Stephen King is the author of more than sixty books, all of them worldwide bestsellers. His recent work includes If It Bleeds, The Institute, Elevation, The Outsider, Sleeping Beauties (cowritten with his son Owen King), and the Bill Hodges trilogy: End of Watch, Finders Keepers, and Mr. Mercedes (an Edgar Award winner for Best Novel and an AT&T Audience Network original television series). His novel 11/22/63 was named a top ten book of 2011 by The New York Times Book Review and won the Los Angeles Times Book Prize for Mystery/Thriller. His epic works The Dark Tower, It, Pet Sematary, and Doctor Sleep are the basis for major motion pictures, with It now the highest-grossing horror film of all time. He is the recipient of the 2020 Audio Publishers Association Lifetime Achievement Award, the 2018 PEN America Literary Service Award, the 2014 National Medal of Arts, and the 2003 National Book Foundation Medal for Distinguished Contribution to American Letters. He lives in Bangor, Maine, with his wife, novelist Tabitha King.

Peter Straub is the New York Times bestselling author of more than a dozen novels, including A Dark Matter. He has won the Bram Stoker Award for his novels Lost Boy Lost Girl and In the Night Room, as well as for his recent collection 5 Stories. Straub was the editor of the two-volume Library of American anthology The American Fantastic Tale. He lives in New York City.

Hometown:

Bangor, Maine

Date of Birth:

September 21, 1947

Place of Birth:

Portland, Maine

Education:

B.S., University of Maine at Orono, 1970

Read an Excerpt

The Alhambra Inn and Gardens

On September 15th, 1981, a boy named Jack Sawyer stood where the water and land come together, hands in the pockets of his jeans, looking out at the steady Atlantic. He was twelve years old and tall for his age. The sea-breeze swept back his brown hair, probably too long, from a fine, clear brow. He stood there, filled with the confused and painful emotions he had lived with for the last three months—since the time when his mother had closed their house on Rodeo Drive in Los Angeles and, in a flurry of furniture, checks, and real-estate agents, rented an apartment on Central Park West. From that apartment they had fled to this quiet resort on New Hampshire’s tiny seacoast. Order and regularity had disappeared from Jack’s world. His life seemed as shifting, as uncontrolled, as the heaving water before him. His mother was moving him through the world, twitching him from place to place; but what moved his mother?

His mother was running, running.

Jack turned around, looking up the empty beach first to the left, then to the right. To the left was Arcadia Funworld, an amusement park that ran all racket and roar from Memorial Day to Labor Day. It stood empty and still now, a heart between beats. The roller coaster was a scaffold against that featureless, overcast sky, the uprights and angled supports like strokes done in charcoal. Down there was his new friend, Speedy Parker, but the boy could not think about Speedy Parker now. To the right was the Alhambra Inn and Gardens, and that was where the boy’s thoughts relentlessly took him. On the day of their arrival Jack had momentarily thought he’d seen a rainbow over its dormered and gambreled roof. A sign of sorts, a promise of better things. But there had been no rainbow. A weathervane spun right-left, left-right, caught in a crosswind. He had got out of their rented car, ignoring his mother’s unspoken desire for him to do something about the luggage, and looked up. Above the spinning brass cock of the weathervane hung only a blank sky.

“Open the trunk and get the bags, sonny boy,” his mother had called to him. “This broken-down old actress wants to check in and hunt down a drink.”

“An elementary martini,” Jack had said.

“ ‘You’re not so old,’ you were supposed to say.” She was pushing herself effortfully off the carseat.

“You’re not so old.”

She gleamed at him—a glimpse of the old, go-to-hell Lily Cavanaugh (Sawyer), queen of two decades’ worth of B movies. She straightened her back. “It’s going to be okay here, Jacky,” she had said. “Everything’s going to be okay here. This is a good place.”

A seagull drifted over the roof of the hotel, and for a second Jack had the disquieting sensation that the weathervane had taken flight.

“We’ll get away from the phone calls for a while, right?”

“Sure,” Jack had said. She wanted to hide from Uncle Morgan, she wanted no more wrangles with her dead husband’s business partner, she wanted to crawl into bed with an elementary martini and hoist the covers over her head. . . .

Mom, what’s wrong with you?

There was too much death, the world was half-made of death. The gull cried out overhead.

“Andelay, kid, andelay,” his mother had said. “Let’s get into the Great Good Place.”

Then, Jack had thought: At least there’s always Uncle Tommy to help out in case things get really hairy.

But Uncle Tommy was already dead; it was just that the news was still on the other end of a lot of telephone wires. 2 n

The Alhambra hung out over the water, a great Victorian pile on gigantic granite blocks which seemed to merge almost seamlessly with the low headland—a jutting collarbone of granite here on the few scant miles of New Hampshire seacoast. The formal gardens on its landward side were barely visible from Jack’s beachfront angle—a dark green flip of hedge, that was all. The brass cock stood against the sky, quartering west by northwest. A plaque in the lobby announced that it was here, in 1838, that the Northern Methodist Conference had held the first of the great New England abolition rallies. Daniel Webster had spoken at fiery, inspired length. According to the plaque, Webster had said: “From this day forward, know that slavery as an American institution has begun to sicken and must soon die in all our states and territorial lands.” 3 n

So they had arrived, on that day last week which had ended the turmoil of their months in New York. In Arcadia Beach there were no lawyers employed by Morgan Sloat popping out of cars and waving papers which had to be signed, had to be filed, Mrs. Sawyer. In Arcadia Beach the telephones did not ring out from noon until three in the morning (Uncle Morgan appeared to forget that residents of Central Park West were not on California time). In fact the telephones in Arcadia Beach rang not at all.

On the way into the little resort town, his mother driving with squinty-eyed concentration, Jack had seen only one person on the streets—a mad old man desultorily pushing an empty shopping cart along a sidewalk. Above them was that blank gray sky, an uncomfortable sky. In total contrast to New York, here there was only the steady sound of the wind, hooting up deserted streets that looked much too wide with no traffic to fill them. Here were empty shops with signs in the windows saying open weekends only or, even worse, see you in june! There were a hundred empty parking places on the street before the Alhambra, empty tables in the Arcadia Tea and Jam Shoppe next door.

And shabby-crazy old men pushed shopping carts along deserted streets.

“I spent the happiest three weeks of my life in this funny little place,” Lily told him, driving past the old man (who turned, Jack saw, to look after them with frightened suspicion—he was mouthing something but Jack could not tell what it was) and then swinging the car up the curved drive through the front gardens of the hotel.

For that was why they had bundled everything they could not live without into suitcases and satchels and plastic shopping bags, turned the key in the lock on the apartment door (ignoring the shrill ringing of the telephone, which seemed to penetrate that same keyhole and pursue them down the hall); that was why they had filled the trunk and back seat of the rented car with all their overflowing boxes and bags and spent hours crawling north along the Henry Hudson Parkway, then many more hours pounding up I-95—because Lily Cavanaugh Sawyer had once been happy here. In 1968, the year before Jack’s birth, Lily had been nominated for an Academy Award for her role in a picture called Blaze. Blaze was a better movie than most of Lily’s, and in it she had been able to demonstrate a much richer talent than her usual bad-girl roles had revealed. Nobody expected Lily to win, least of all Lily; but for Lily the customary clich about the real honor being in the nomination was honest truth—she did feel honored, deeply and genuinely, and to celebrate this one moment of real professional recognition, Phil Sawyer had wisely taken her for three weeks to the Alhambra Inn and Gardens, on the other side of the continent, where they had watched the Oscars while drinking champagne in bed. (If Jack had been older, and had he had an occasion to care, he might have done the necessary subtraction and discovered that the Alhambra had been the place of his essential beginning.)

When the Supporting Actress nominations were read, according to family legend, Lily had growled to Phil, “If I win this thing and I’m not there, I’ll do the Monkey on your chest in my stiletto heels.”

But when Ruth Gordon had won, Lily had said, “Sure, she deserves it, she’s a great kid.” And had immediately poked her husband in the middle of the chest and said, “You’d better get me another part like that, you big-shot agent you.”

There had been no more parts like that. Lily’s last role, two years after Phil’s death, had been that of a cynical ex-prostitute in a film called Motorcycle Maniacs.

It was that period Lily was commemorating now, Jack knew as he hauled the baggage out of the trunk and the back seat. A D’Agostino bag had torn right down through the big d’ag, and a jumble of rolled-up socks, loose photographs, chessmen and the board, and comic books had dribbled over all else in the trunk. Jack managed to get most of this stuff into other bags. Lily was moving slowly up the hotel steps, pulling herself along on the railing like an old lady. “I’ll find the bellhop,” she said without turning around.

Jack straightened up from the bulging bags and looked again at the sky where he was sure he had seen a rainbow. There was no rainbow, only that uncomfortable, shifting sky.

Then:

“Come to me,” someone said behind him in a small and perfectly audible voice.

“What?” he asked, turning around. The empty gardens and drive stretched out before him.

“Yes?” his mother said. She looked crickle-backed, leaning over the knob of the great wooden door.

“Mistake,” he said. There had been no voice, no rainbow. He forgot both and looked up at his mother, who was struggling with the vast door. “Hold on, I’ll help,” he called, and trotted up the steps, awkwardly carrying a big suitcase and a straining paper bag filled with sweaters. 4 n

Until he met Speedy Parker, Jack had moved through the days at the hotel as unconscious of the passage of time as a sleeping dog. His entire life seemed almost dreamlike to him during these days, full of shadows and inexplicable transitions. Even the terrible news about Uncle Tommy which had come down the telephone wires the night before had not entirely awakened him, as shocking as it had been. If Jack had been a mystic, he might have thought that other forces had taken him over and were manipulating his mother’s life and his own. Jack Sawyer at twelve was a being who required things to do, and the noiseless passivity of these days, after the hubbub of Manhattan, had confused and undone him in some basic way.

Jack had found himself standing on the beach with no recollection of having gone there, no idea of what he was doing there at all. He supposed he was mourning Uncle Tommy, but it was as though his mind had gone to sleep, leaving his body to fend for itself. He could not concentrate long enough to grasp the plots of the sitcoms he and Lily watched at night, much less keep the nuances of fiction in his head.

“You’re tired from all this moving around,” his mother said, dragging deeply on a cigarette and squinting at him through the smoke. “All you have to do, Jack-O, is relax for a little while. This is a good place. Let’s enjoy it as long as we can.”

Bob Newhart, before them in a slightly too-reddish color on the set, bemusedly regarded a shoe he held in his right hand.

“That’s what I’m doing, Jacky.” She smiled at him. “Relaxing and enjoying it.”

He peeked at his watch. Two hours had passed while they sat in front of the television, and he could not remember anything that had preceded this program.

Jack was getting up to go to bed when the phone rang. Good old Uncle Morgan Sloat had found them. Uncle Morgan’s news was never very great, but this was apparently a blockbuster even by Uncle Morgan’s standards. Jack stood in the middle of the room, watching as his mother’s face grew paler, palest. Her hand crept to her throat, where new lines had appeared over the last few months, and pressed lightly. She said barely a word until the end, when she whispered, “Thank you, Morgan,” and hung up. She had turned to Jack then, looking older and sicker than ever.

“Got to be tough now, Jacky, all right?”

He hadn’t felt tough.

She took his hand then and told him.

“Uncle Tommy was killed in a hit-and-run accident this afternoon, Jack.”

He gasped, feeling as if the wind had been torn out of him.

“He was crossing La Cienega Boulevard and a van hit him. There was a witness who said it was black, and that the words wild child were written on the side, but that was . . . was all.”

Lily began to cry. A moment later, almost surprised, Jack began to cry as well. All of that had happened three days ago, and to Jack it seemed forever. 5 n

On September 15th, 1981, a boy named Jack Sawyer stood looking out at the steady water as he stood on an unmarked beach before a hotel that looked like a castle in a Sir Walter Scott novel. He wanted to cry but was unable to release his tears. He was surrounded by death, death made up half the world, there were no rainbows. The wild child van had subtracted Uncle Tommy from the world. Uncle Tommy, dead in L.A., too far from the East Coast, where even a kid like Jack knew he really belonged. A man who felt he had to put on a tie before going out to get a roast beef sandwich at Arby’s had no business on the west coast at all.

His father was dead, Uncle Tommy was dead, his mother might be dying. He felt death here, too, at Arcadia Beach, where it spoke through telephones in Uncle Morgan’s voice. It was nothing as cheap or obvious as the melancholy feel of a resort in the off-season, where one kept stumbling over the Ghosts of Summers Past; it seemed to be in the texture of things, a smell on the ocean breeze. He was scared . . . and he had been scared for a long time. Being here, where it was so quiet, had only helped him to realize it—had helped him to realize that maybe Death had driven all the way up I-95 from New York, squinting out through cigarette smoke and asking him to find some bop on the car radio.

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