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An investigative record of the architectural movement emblematic of the Soviet Orient

After World War II, Tashkent, Uzbekistan, was designated as the capital of the Soviet Orient, a vitrine of socialism in the East. Conceived by both local and Moscow architects, the distinctive quality of Tashkent modernism (1964–91) emerges from the tension between the Soviet Union’s ambition for the city and the locals’ endeavor to retain their city’s character.
This volume is an outgrowth of the Tashkent M...