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Textual Distortion
By Elaine Treharne (Editor), Greg Walker (Editor), Aaron Kelly (Contribution by), Claude Willan (Contribution by), Dan Kim (Contribution by), Elaine Treharne (Contribution by), Emma Cayley (Contribution by), Giovanni Scorcionni (Contribution by), Greg Walker (Contribution by), Matthew Aiello (Contribution by), Sarah Ogilvie (Contribution by), Timothy Powell (Contribution by)
Hardcover
$60.00
By Elaine Treharne (Editor), Greg Walker (Editor), Aaron Kelly (Contribution by), Claude Willan (Contribution by), Dan Kim (Contribution by), Elaine Treharne (Contribution by), Emma Cayley (Contribution by), Giovanni Scorcionni (Contribution by), Greg Walker (Contribution by), Matthew Aiello (Contribution by), Sarah Ogilvie (Contribution by), Timothy Powell (Contribution by)
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The notion of what it means to "distort" a text is here explored through a rich variety of individual case studies.
Distortion is nearly always understood as negative. It can be defined as perversion, impairment, caricature, corruption, misrepresentation, or deviation. Unlike its close neighbour, "disruption", it remains resolutely associatedwith the undesirable, the lost, or the deceptive. Yet it is also part of a larger knowledge system, filling the gap between the authentic event and its ...
Distortion is nearly always understood as negative. It can be defined as perversion, impairment, caricature, corruption, misrepresentation, or deviation. Unlike its close neighbour, "disruption", it remains resolutely associatedwith the undesirable, the lost, or the deceptive. Yet it is also part of a larger knowledge system, filling the gap between the authentic event and its ...
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