It might seem odd to transcribe the music of the quintessentially pianistic
Chopin for a cello, but the 19th century would have thought nothing of it, and indeed, some of the transcriptions here were done by
Chopin's friend, cellist
Auguste Franchomme. This triple album combines earlier recordings by cellist
Camille Thomas that were the result of original research into the
Chopin-
Franchomme creative nexus on
Thomas' part. It is probably a lot to listen to from start to finish, but the music remains a significant contribution to the
Chopin discography, and many listeners may well want the whole thing.
Thomas is an inspired cellist in this repertory, deeply imbued with
Chopin's lyricism but keeping her playing controlled in a way appropriate to a chamber music context. The first of the three CDs is devoted to arrangements for cello and piano, by
Franchomme,
Thomas herself, and others, of famed
Chopin piano pieces and is capped by a rather out-of-place version of
Jane Birkin and
Serge Gainsbourg's
Jane B., with cello added (based on
Chopin's
Prelude in E minor, Op. 28, No. 4). The second part features
Chopin's complete chamber music, some of which
Franchomme had a hand in, and the final CD includes
Chopin works arranged for multiple cellos by
Franchomme, a version for cello and string quartet of the
Cello Sonata, Op. 65, by
Emanuel Schmidt, and music by
Franchomme himself, some of which were good enough to be taken as authentic
Chopin back in the day.
Thomas has contributed a valuable strand to the growing portrait of
Chopin's world, and serious
Chopin fans and library collections would do well to take note of this compilation. ~ James Manheim