The African Diaspora: A Musical Perspective

by Ingrid Monson (Editor)

Overview

The African Diaspora presents musical case studies from various regions of the African diaspora, including Africa, the Caribbean, Latin America, North America, and Europe, that engage with broader interdisciplinary discussions about race, gender, politics, nationalism, and music. Featured here are jazz, wassoulou music, and popular and traditional musics of the Caribbean and Africa, framed with attention to the reciprocal relationships of the local and the global.

Product Details

ISBN-13:	9781138966277
Publisher:	Taylor & Francis
Publication date:	05/13/2016
Series:	Critical and Cultural Musicology , #3
Pages:	378
Product dimensions:	5.44(w) x 8.50(h) x (d)

About the Author

Ingrid Monson is Associate Professor of Music at Washington University in St. Louis. She is the author of Saying Something: Jazz Improvisation and Interaction and numerous articles that have appeared in scholarly journals. She lives in St. Louis, MO.

Table of Contents

Series Editor’s Foreword 1. Introduction PART I TRAVELING MUSIC AND MUSICIANS 2. Jazz Performance as Ritual: The Blues Aesthetic and the African Diaspora 3. Communities of Style: Musical Figures of Black Diasporic Identity 4. Jazz on the Global Stage PART II BEYOND TRADITION OR MODERNITY 5. Women, Music, and the “Mystique” of Hunters in Mali 6. Mamaya: Renewal and Tradition in Maninnka Music of Kankan, Guinea (1935–45) 7. Concepts of Neo-African Music as Manifested in the Yoruba Folk Opera 8. They Just Need Money: Goods and Gods, Power and Truth in a West African Village PART III CONTRADICTORY MOMENTS 9. Militarism in Haitian Music 10. Musical Revivals and Social Movements in Contemporary Martinique: Ideology, Identity, Ambivalence 11. Art Blakey’s African Diaspora

Editorial Reviews

"I found The African Diaspora: A Musical Perspective to be refreshing and above all, stimulating. This volume offers scholars a reading on various musical genres and the manner by which each mirrors aspects of identity, tradition and modernity, local musical traditions, and the effects of globalization—all important agents in the shaping and making of the African diaspora. After reading the entire volume, I have decided to use it as a primary text for my graduate seminar on African-American music. Furthermore, I certainly foresee its merit as a seminal text in diasporic, cultural criticism, and music scholarship. Hence, I unequivocally recommend The African Diaspora as an important work in the understanding of African diasporic music and culture." — Cheryl Keyes, UCLA/Ethnomusicology Online No. 7

From the Publisher