The American Abroad: The Imperial Gaze in Postwar Hollywood Cinema

by Anna Cooper

Overview

Drawing on cinema and media studies, art history, American studies, and postcolonial studies, this innovative book offers a fresh way of thinking about Hollywood film aesthetics. It explores how eighteenth- and nineteenth-century Western colonial formations of vision influenced classical Hollywood film style, and thus provides a new and unique perspective on the origins of the cinematic gaze. Classical Hollywood cinema constructs global spaces as an imaginative dreamworld,
subsuming geographical and cultural differences into utopian fantasy. Yet, this characteristically Hollywoodian aesthetic has rarely been explored in detail. How are such representations constructed within film texts? Is this utopian aesthetic really as uniform and transparent as it appears? What is its relationship to the United States' status as an imperial power?

In The American Abroad, Anna Cooper explores how postwar Hollywood cinema adopted elements of British and French imperial visual culture, transforming them to suit a new United Statesian context. Cooper argues that four visual discourses in particular-the sublime, the ethnographic, the picturesque, and glamour-became building blocks in the development of a new American visual language.

Product Details

ISBN-13:	9781501314483
Publisher:	Bloomsbury Publishing
Publication date:	03/24/2022
Sold by:	Barnes & Noble
Format:	eBook
Pages:	216
File size:	11 MB
Note:	This product may take a few minutes to download.

About the Author

Anna Cooper is Associate Professor in the School of Theatre, Film, and Television, University of Arizona, USA. She completed her PhD at the University of Warwick and has worked at the universities of Hertfordshire, Sussex, and California (Santa Cruz). She co-edited Projecting the World: Representing the “Foreign” in Classical Hollywood (2017).
Anna Cooper is Associate Professor in the School of Theatre, Film, and Television, University of Arizona. She completed her PhD at the University of Warwick and has worked at the universities of Hertfordshire, Sussex, and California (Santa Cruz). She co-edited a volume, Projecting the World: Representing the “Foreign” in Classical Hollywood, recently out from Wayne State University Press.

Table of Contents

Acknowledgements

List of Figures

Introduction: Cinema, Empire, and the "American Century"

1. The Sublime: Urban Ruins from Nazism to the Cold War

2. The Ethnographic: Imperialist Nostalgia and the American Technological Gaze

3. The Picturesque: Italian Landscape Views and the American Female Gaze

4. Glamour: The Necropolitics of Women's Fashion, from the Bombshell to the Princess

Conclusion

Bibliography

Index

Editorial Reviews

In this eloquent and erudite exploration of an imperial Hollywood that framed and edited images of Europe for domestic consumption, Anna Cooper forensically shows the reader how to follow an untrustworthy tour guide.” —Peter Stanfield, Emeritus Professor of Film, University of Kent, UK

“The American Abroad offers a detailed and complex view of American imperialism using the institution of Hollywood cinema for fostering cultural dominance over Europe. Anna Cooper foregrounds the figure of the tourist to unravel in nuanced detail just how Hollywood's utopian aesthetics “outrageously” depicts Europe as its Orientalist Other on screen. With rich textual analyses of a specific corpus of Post-War films set in Europe, The American Abroad forms an important contribution to the renewed interest in Transatlantic cinematic encounters.” —Jeroen Gerrits, Associate Professor in Comparative Literature, Binghamton University (SUNY), USA and author of Cinematic Skepticism: Across Digital and Global Turns

“The American Abroad addresses the complex ideological relationship between the U.S. and Europe through a lively and attentive analysis of postwar Hollywood cinema's visual strategies. By illuminating the ways that the “dream factory” imagined a Europe that exists primarily for the white traveler, Cooper's study contributes to a richer understanding of U.S. imperialism and its cinematic narratives.” —Peter Limbrick, Professor of Film and Digital Media, University of California, Santa Cruz, USA and author of Arab Modernism as World Cinema: The Films of Moumen Smihi and Making Settler Cinemas: Film and Colonial Encounters in the US, Australia, and New Zealand

From the Publisher