The Cockroach

by Ian McEwan

Overview

Notes From Your Bookseller

Kafka meets Brexit in this satirical novella published in the wake of the political situation in the UK. The Prime Minister wakes in the body of a cockroach and wreaks havoc in the government. McEwan exercises his comedic muscles with his take on the grim state of politics, media and government today.

A brilliant, of-the-moment political satire like no other, from the Booker Prize winner and bestselling author of Atonement. Kafka meets the world of Brexit in this bitingly funny novel centered on a cockroach transformed into the prime minister of England.

That morning, Jim Sams, clever but by no means profound, woke from uneasy dreams to find himself transformed into a giant creature.

Jim Sams has undergone a metamorphosis. In his previous life he was ignored or loathed, but in his new incarnation he is the most powerful man in Britain—and it is his mission to carry out the will of the people. Nothing must get in his way; not the opposition, nor the dissenters within his own party. Not even the rules of parliamentary democracy.

In this bitingly funny Kafkaesque satire, Ian McEwan engages with scabrous humor a very recognizable political world and turns it on its head.

Product Details

ISBN-13:	9780593082423
Publisher:	Knopf Doubleday Publishing Group
Publication date:	10/08/2019
Pages:	112
Product dimensions:	5.10(w) x 7.90(h) x 0.50(d)

About the Author

IAN MCEWAN is the critically acclaimed author of seventeen novels and two short story collections. His first published work, a collection of short stories, First Love, Last Rites, won the Somerset Maugham Award. His novels include The Child in Time, which won the 1987 Whitbread Novel of the Year Award; The Cement Garden; Enduring Love; Amsterdam, which won the 1998 Booker Prize; Atonement; Saturday; On Chesil Beach; Solar; Sweet Tooth; The Children Act; Nutshell; and Machines Like Me, which was a number-one bestseller. Atonement, Enduring Love, The Children Act and On Chesil Beach have all been adapted for the big screen.

Hometown:

Oxford, England

Date of Birth:

June 21, 1948

Place of Birth:

Aldershot, England

Education:

B.A., University of Sussex, 1970; M.A., University of East Anglia, 1971

Website:

http://www.ianmcewan.com

Editorial Reviews

2019-10-14
Kafka is brought up to date for the age of Brexit and Trump.

Never mind that in his Lectures on Literature Vladimir Nabokov protested that "he approaches a cockroach in only one respect: his coloration is brown": Gregor Samsa, or, that is, Jim Sams, emphatically starts life as a cockroach in McEwan's (MachinesLike Me, 2019, etc.) reimagining of The Metamorphosis. Then he awakens to discover that he has just four limbs as well as, revoltingly, that "an organ, a slab of slippery meat, lay squat and wet in his mouth." That unwonted tongue will come in handy, but for the moment Jim has other things to attend to, for he's not just a human, but also the prime minister of the United Kingdom. Instead of leaving the European Union, he has another item on his agenda: He's backing a weird economic notion called reverse-flow economics, or Reversalism, whereby "the money flow [will] be reversed....At the end of a working week, an employee hands over money to the company for all the hours she has toiled. But when she goes to the shops, she is generously compensated...for every item she carries away." It's easy to get the American president, a fan of "fleet-footed liberation from detail," to sign on to immiserate the taxpayers once Jim explains that he can take all the money slated for the Pentagon and make it flow up the chain into his own pocket, with the magical result that "seven hundred and sixteen billion dollars would be his." Why bother small-scale looting when there's so much pelf to be had? Of course, Jim twigs, the American president is on board only because he was once a cockroach himself, as were the rest of the world's ruling and governing class, who flourish wherever people tolerate "poverty, filth, squalor" and choose to live in darkness. McEwan sweeps wide but hits home, Nabokov aside: He does a pitch-perfect Trump, pegs Angela Merkel's bewilderment that her former allies are "inflicting these demands on your best friends," and highlights the venality of the Leave crowd in Britain today.

A grimly effective entertainment, at once broad as a saber and pointed as a pike.

Kirkus Reviews