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PREFACE.

The verses of Emily Dickinson belong emphatically to what Emerson
long since called "the Poetry of the Portfolio,"--something produced
absolutely without the thought of publication, and solely by way of
expression of the writer's own mind. Such verse must inevitably
forfeit whatever advantage lies in the discipline of public criticism
and the enforced conformity to accepted ways. On the other hand, it
may often gain something through the habit of freedom and the
unconventional utterance of...