The Depositions: New and Selected Essays on Being and Ceasing to Be

by Thomas Lynch, Alan Ball (Foreword by)

Overview

Foreword by Alan Ball

“Elegant, respectful and refreshingly funny.” —New York Times Book Review, Editors’ Choice

For nearly four decades, poet, essayist, and small-town funeral director Thomas Lynch has probed relations between the literary and mortuary arts with a signature blend of memoir, meditation, gallows humor, and poetic precision. The Depositions offers a wry and compassionate selection from Lynch’s four previous collections of nonfiction, along with new essays shaped by the press of the author’s own mortality.

Product Details

ISBN-13:	9780393541380
Publisher:	Norton, W. W. & Company, Inc.
Publication date:	03/30/2021
Pages:	352
Sales rank:	1,026,639
Product dimensions:	8.10(w) x 5.40(h) x 1.00(d)

About the Author

Thomas Lynch’s stories, poems, and essays have appeared in Granta, the Atlantic, Harper’s, the New York Times, and elsewhere. His first collection of essays, The Undertaking, was a finalist for the National Book Award. Lynch lives in Milford, Michigan.

Table of Contents

Foreword Alan Ball vii

from The Undertaking

The Undertaking 3

Gladstone 14

Crapper 24

The Right Hand of the Father 36

The Golfatorium 49

Tract 71

from Bodies in Motion and at Rest

Introduction 79

Bodies in Motion and at Rest 87

Fish Stories 92

Y2Kat 98

The Way We Are 124

Reno 142

from Booking Passage

Introduction-The Ethnography of Everyday Life 159

The Brother 180

The Same But Different 199

The Sisters Godhelpus 228

from The Good Funeral

How We Come to Be the Ones We Are 243

The Theory and Practice of Cremation 270

New Essays

Introit 285

Miracles 292

Moveable and Steadfast Feasts 305

Whence & Whither 321

The Done Thing 327

Acknowledgments 339

Permissions Credits 341

Editorial Reviews

"[Lynch’s] powerful and meditative writings question our shared mortality, celebrate our finite lives and draw wonder at the possibilities beyond the world we know.… A contemplative and emotional portrait of life and death."

Shepherd Express - Jenni Herrick

"These candid, eloquent, and often humorous essays examine the funeral industry and signify in fresh ways the connection between the living and dying.… Lynch reminds us to accept the frailties of life and the mystery of death."

Booklist

"[Thomas Lynch’s prose is] blunt, spare and to the point, humorous, satirical, at times rising to lyrical heights.… Lynch has a sense of humor that takes no prisoners.… He has a genius for unexpected and sometimes shocking shifts in tone and subject, from frankly silly to tender to unbearably horrifying.… Few essayists have dug into these stony fields and come up with more treasures than this remarkable writer."

Hudson Review - Richard Tillinghast

"Thomas Lynch is one of my favorite living essayists. His mordant humor and openness to grace and mystery are a tonic. I can think of nothing better than to have in one book this collection of his dazzling former essays, plus the dynamite new ones."

Phillip Lopate

"When asked if writing about the dead affected her view of life, an obituary writer said, ‘Yes, I divide everyone into two groups: the dead and the pre-dead.’ We of the latter group should be grateful to Thomas Lynch for writing about both with equal facility. His essays gathered here offer the pleasure of observing his curious mind dancing to the tune of his lively prose."

Billy Collins

"[Lynch’s] crowning collection. If you are familiar with Lynch’s essays already, you will enjoy rereading those unforgettable first lines from The Undertaking.… This is memento mori and more."

Jon M. Sweeney

"A wry, poignant collection of [Lynch’s] best and newest essays. [The Depositions is] packed with penetrating observations about faith, family, work, art and, yes, death."

Star Tribune - Kevin Canfield

★ 09/09/2019

This meditative, often emotionally affecting collection from funeral director, poet, and essayist Lynch (Whence and Whither) explores, with personal honesty and philosophical curiosity, the intersection of faith, death, family, and vocation. It features selections from Lynch’s four previous collections, along with five new pieces. It begins with “The Undertaking,” an introduction to his trade that is moving and humorous in turns—the latter, particularly, as Lynch considers people’s frequent discomfort with his profession, noting, “I am no more attracted to the dead than the dentist is to your bad gums.” Despite this flippant remark, Lynch explores his work as a spiritual one. In “How We Come to Be the Ones We Are,” he recalls how learning Catholicism’s language and rituals in childhood informed his work. In “Y2Kat,” one of the standout pieces, Lynch views his first marriage’s collapse through the metaphor of the ancient, seemingly immortal family cat that hates him, again expertly straddling the line between comedy and tragedy. In the new essays, Lynch contemplates the potential collapse of his second marriage and the challenge of maintaining sobriety during dark days, among other topics. Providing an excellent entry point for newcomers to Lynch’s work, this assemblage is an erudite but unpretentious discussion of life and mortality by a master craftsman of language. (Dec.)

Publishers Weekly

"[Lynch's] finest, wryest and most stylish essays about the human enterprise of mortality appear together in this collection...You will be grateful for these graceful essays, which light up so many of the dark details that are part of what is, after all, the one demographic to which we will all belong."

Scott Simon

"[Lynch] writes with grace and moral clarity about the quandaries and perplexities of life, and life's end...'It is nearly impossible to overestimate the balm that language can be,' he writes at one point. If we're talking the language of Thomas Lynch, balm is the right word."

Wall Street Journal - Joanne Kaufman

2019-08-28
A funeral director and writer reflects on his life and profession.

"So I'm over at the Hortons' with my stretcher and minivan and my able apprentice…because they found old George, the cemetery sexton, dead in his bed." This is vintage Lynch (Whence and Whither: On Lives and Living, 2019, etc.). A published poet of "internationally unheard of poems," the author is witty and wise, wry and humorous. If he gets a tad mawkish at times, so be it. He's been the only mortician in a small Michigan town for more than four decades, and he respects his profession and the people he buries and their kin. It's an honorable trade, and he's been writing engagingly about it for years. This collection contains 18 pieces from a few of his books as well as a handful of new essays. Lynch writes about embalming, cremating, and burying the old, young children, babies, a beloved cousin in Ireland, his father, two dogs, and the remains of a friend, which he scattered in a Scottish river. The author saw his first dead body with his undertaker father when he was a young boy. In his foreword, Six Feet Under creator Alan Ball writes that reading Lynch is "to suddenly be able to see what it's like to be comfortable with mortality. To respect it but not fear it. To see both the absurdity and beauty of death, sometimes simultaneously." In addition to chronicling his tasks as an undertaker, Lynch writes about his fluctuating faith, family, two wives, and friends in Ireland, where he often goes to live in an inherited cottage in West Clare. He shares his kooky business plan for a Golfatorium and his general disdain for Jessica Mitford's "muckraking" The American Way of Death. In one of his poems, he writes, "Like politics, all funerals are local."

Thoughtfully crafted musings about life and death.

Kirkus Reviews